Survivance

Silver Falls State Park, Oregon, is the magnificent location where "Just Before Dawn" was filmed. Waterfalls, rock formations, and a lush green forest were used to great advantage. The photography is absolutely stunning for this type of low budget, backwoods, slasher, and adds immeasurably. Acting is totally acceptable, and while the two inbred "knuckle draggers" never speak, there is a menacing tone that permeates the movie. Do not mistakenly believe that this is just another attempt to tag an inferior film onto a single name actor like George Kennedy. This is extremely well made and highly recommended. I'll even go so far as to say, one of the best of it's type, and proves that you don't need buckets of blood to make a great horror film. - MERK

Liebermans' entry in the original slasher craze is definitely more well made and intelligent than some. In fact, in making it he wasn't so much inspired by "Friday the 13th" as he was "Deliverance". He and his crew make this a powerfully atmospheric outing, utilizing the real Oregon woods to great effect, and turn it into a fun survival-of-the-fittest yarn, even developing the two main characters in interesting ways.

Five young adults venture into the Oregonian mountains to do some camping and check out the local land that one of them has supposedly inherited. Before long they begin to be victimized by a stealthy, heavyset psychopath.

Slasher movie fanatics who watch this sort of thing for gore and/or nudity will be quite disappointed with Liebermans' film, as it's clear he has a different agenda going on. That's not to say, of course, that the women aren't attractive, or that there isn't some effective nastiness to be enjoyed. But what the director really wants to convey is the need to have a respect for nature - because it CAN kick your ass if you're not prepared. He begins with an intense opening set piece and generates some truly unnerving suspense; this is the kind of film that can have a viewer literally on the edge of their seat. It's also stylishly done; take note of one scene transition in particular. Brad Fiedel, who a few years later gained his fame with his theme for "The Terminator", supplies a music score that is chilling in its subtlety. (The whistling is a really nice touch.)

The better than usual cast features some very familiar actors: Gregg Henry, Ralph Seymour, Jamie Rose, Mike Kellin, Chris Lemmon (Jacks' son), and George Kennedy as the veteran forest ranger who's aware that the area is fraught with danger. The gorgeous Deborah Benson, who really should have been able to enjoy a much more visible career, is a standout as the female lead who starts out as a rather tentative character, starts to cut loose, and ultimately finds her inner strength. John Hunsaker is extremely creepy as the killer.

There's one well executed plot twist along the way, and at the end an innovative and memorable way of dispatching our villain. The pacing is deliberate, the camera-work and cinematography excellent, and the scenery beautiful, in what has to be one of the more unheralded horror films of its time. It comes highly recommended.

Eight out of 10.

The mountainous woods, young happy campers, a warning by a park ranger and a lurking figure. The ingredients are there for a horror delight, and director/co-writer Jeff Lieberman does an adequate job at achieving it. It's formulaic woodland horror, but for most part the execution is at the top the game and the story (which is quite basic in a trimmed sense) is effectively told in certain realism. Maybe a little more exposition wouldn't have gone astray, but Lieberman's craftsmanship makes up for the material's flaws and typical details with rising tension, moody visuals and a smothering atmosphere created by Brad Fiedel's very ominously lingering score. Whenever that very creepy whistling was cued in, it painted a truly unnerving sense that settled in with the beautiful backdrop. Cinematographers Dean M. and Joel King do a striking job too. There's plenty of style abound, even with its minimal scope and the build-up is slow grinding. At times the pacing can become a stop-and-go affair. It's not particularly violent, but there's still a mean-streak evident even if some of it happens of screen. The latter chase scenes and escalating fear is well done, as it has the darkness coming alive with itS burly killer/s and you get actor George Kennedy riding his white horse in a slight, but wonderful turn. There's a likable bunch of performances; Deborah Benson makes for a strong, dashing heroine. Gregg Henry, Chris Lemmon Ralph Seymour, Jamie Rose, Mike Kellin and Katie Powell round off a modest cast of believable deliveries. The final climax is rather twisted, but the ending is one of those types that leave you thinking… "Is that it?"

A well-etched backwoods slasher item, which probably plays it a little too safe to truly set it apart from the norm.

22 years or so before the original Wrong Turn film was this rather well acted yarn of campers being stalked by inbred killer hillbillies.

A 'cut' above other similar films of the time, thanks to the casting of able players giving it a more believable atmosphere which helps to make it much more gripping than it could have been. This film features possibly the niftiest resolution to a 'slasher' film in cinema history.

Very scary backwoods slasher is much better than others, such as "The Prey" and some of the later "Friday the 13th" sequels. The story has to do with five teenager campers running afoul of a pair of psychotic, machete-wielding hillbilly twins. One by one they are dispatched by the murderous giants (who giggle as they slaughter their prey). This has some great photography of the Oregon wilderness, a creepy musical score, and some of the best shocks ever put into a horror/slasher film. I really enjoy the scene where Daniel and Megan are menaced by one of the killers. A classic that deserves a video re-release. I actually stumbled across this one for four bucks at a resale shop in Northern Michigan.