[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
Retour
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro
La Folle Histoire du monde (1981)

Anecdotes

La Folle Histoire du monde

Modifier
Beforehand, it was agreed that Orson Welles would receive $5,000 per day in exchange for his services. Figuring that he'd have to spend five eight-hour days recording and re-recording these lines with Welles, Mel Brooks paid him $25,000 up front. But by noon on the first day, Welles had recorded his lines to perfection. "Oh, my god, I could've paid you $5,000", Brooks lamented. After kicking himself for a few minutes, the funnyman asked Welles how he planned to spend the bounty. "Cuban cigars and Sevruga caviar", Welles replied.
According to Mel Brooks, the Moses scene was a last minute addition. "Sometimes, you will get very lucky, and the set will give you ideas for jokes", Brooks said in a 2012 interview with the Directors Guild of America. One day, he was gazing out at the scenery that had been built for the caveman segments, when the gears in his head started turning. "I immediately thought, 'Well, where do I go from here?'" Brooks recalled. Heading into the shoot, his plan was to "skip the Bible and go to Rome." But eventually, he realized that the Stone Age set might enable him to explore another chapter in world history. With a few minor alterations, Brooks converted his fake caves into a mountaintop, and the Moses bit was born.
This movie is responsible for popularizing the catchphrase, "It's good to be the King." The expression is said by Mel Brooks during "The French Revolution" segment. Mel repeated this line in Robin Hood: Men in Tights (1993) as well as in the stage version of the musical 'The Producers.'
During the "Jews in Space" sequence, the camera moves through the center of the Star of David-shaped spaceships and some Hebrew letters are visible on the interior wall, just under the guns. The word these letters spell is "Kosher".
In The Old Testament segment, the writing on the tablets are the correct two word Hebrew version of the commandments: Don't kill, Don't steal, Don't lie, et cetera. The five more Don'ts on the third tablet that Moses accidentally drops, are: Don't impregnate, Don't laugh, Don't buy, and the last one: Don't break. The letters of the fourth commandment on that tablet make the sounds of TLRT, but that's not a word in Hebrew (could be a production mistake).

Cameo

Bea Arthur: Uncredited, as a dole office unemployment clerk in "The Roman Empire" segment.
Hugh Hefner: As an entrepreneur in "The Roman Empire" segment revealing his new concept, "The Centerfold".
Barry Levinson: Column Salesman in "The Roman Empire" segment.
Albert Whitlock: Uncredited, the special effects expert as a used chariot salesman in "The Roman Empire" segment.
Jackie Mason: As Jew number one in "The Spanish Inquisition" segment.

Contribuer à cette page

Suggérer une modification ou ajouter du contenu manquant
  • En savoir plus sur la contribution
Modifier la page

En savoir plus sur ce titre

Découvrir

Récemment consultés

Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
Obtenir l'application IMDb
Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
Suivez IMDb sur les réseaux sociaux
Obtenir l'application IMDb
Pour Android et iOS
Obtenir l'application IMDb
  • Aide
  • Index du site
  • IMDbPro
  • Box Office Mojo
  • Licence de données IMDb
  • Salle de presse
  • Annonces
  • Emplois
  • Conditions d'utilisation
  • Politique de confidentialité
  • Your Ads Privacy Choices
IMDb, une société Amazon

© 1990-2025 by IMDb.com, Inc.