Les risques de l'aventure

I absolutely love this film! Whenever I have theatre nachos (which is not often) I think back to 20 years ago when I fell in love with this forgotten gem at the Meridian Quad theatre in San Jose. That's what I ate during the film. They went together perfectly. I had the original one-sheet poster hanging on my wall for awhile. Many people who saw the poster had no idea this film even existed. If it ever comes out on DVD, I'll purchase it. Anthony Quinn was priceless as the bandit Mariano; and Borgnine's one scene is a classic! I recommend it to anyone looking for a genuine diamond-in-the-rough eighties film! Just terrific!

Truth to tell, I doubt much will stay with me from this muddled tale of a group of four friends who parachute (with a Maltese-like pooch!) into fairly dense forest. From their chatting and actions prior to the drop, including the fact that they are purchasing arms of considerable firepower, it dawned on me that these fun-loving city slicks led by James Brolin were actually planning a heist.

The mark: the extremely wealthy James Coburn, who keeps $5 million in his personal vault, and likes to perform as toreador in his own bull ring. Thankfully, dialogue flows fast with attention-grabbing repartee, and some clumsy actions that reflect the level of gullibility and inexperience of these wannabe thieves.

Well, prepare yourself for a bumpy ride requiring heavy suspension of disbelief. You might ask what I found most memorable about HIGH RISK: perhaps the cameo by Quinn as a self-styled "general" guiding a crowd of gypsy-like thieves and assorted criminals and moaning about the rich, or the cameo by Jim Coburn as the tycoon who sees James Brolin and his genial sidekicks steal $5 million from his hacienda-like mansion.

Standard cinematography, repeated shootouts in the middle of lush vegetation and rocky ground, sleazy hispanic gangs, generous gore, sputtering aircraft, plenty of near-impossible stunts.

Doesn't sound like much, does it? Darned right! 6/10.

Talk about an independently produced film! This one's a wonderful example of how hard the indies work, and what good movies they make.

How they ever convinced a cast like this to go sweat it out in a jungle, I can't imagine. James Brolin shines, but so do they all.

And I still can't believe they got somebody to handle a snake that BIG just for a 5-second shot, which you better believe they captured in one perfect take, 'cause that snake was headed for home the instant they released it!

This is a fine, light hearted action film, fast paced, well written and plotted and with a lot of depth. Each actor obviously got way into his role, especially Anthony Quinn. And those whacko airplane pilots! The old C-47 STILL RULES!!!

Headlining this all-star, action-adventure are four modern-day Robin Hoods, out to steal from the rich and give to themselves. They parachute into a steamy South American jungle; locate the secluded compound of a notorious Colombian cocaine dealer; get past a veritable army of his sentries; cooly break into his safe and remove five million beautiful dollars; make it through a rain forest hotly pursued by armed guards with attack dogs; survive an encounter with a crazy band of greedy revolutionaries; zigzag through a hail of bullets at a wild airstrip rendezvous to escape in a plane with most of the money intact...without getting themselves killed.

This film has Peckinpah character actors throughout, sometimes in cameo roles. There are Peckinpah shots and Peckinpah edits throughout. There are Peckinpah themes throughout. When it looks like a duck and walks like a duck and quacks like a duck - I'm not saying he's the genius directing the whole film; but if he had nothing to do with it, I'll eat my shotgun. And I'm certainly not saying this is a great, or even a good Sam Peckinpah film. But it is a Sam Peckinpah film. So why the silence? Especially on the part of Coburn (Pat Garrett) and Borgnine (Wild Bunch)? Well, at the time Peckinpah's name was the kiss of death in Hollywood, especially to himself. And since it's not a very good film, why add more badness to a bad legend? But this is a Sam Peckinpah film, shot after Cross of Iron and before his brief resurrection working with Don Siegal, and it has some interesting stuff in it. Peckinph fans pay note.