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5,5/10
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Ajouter une intrigue dans votre langueA comic book artist loses his hand, which in turn takes on a murderous life of its own.A comic book artist loses his hand, which in turn takes on a murderous life of its own.A comic book artist loses his hand, which in turn takes on a murderous life of its own.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Edward Marshall
- Doctor
- (as Ed Marshall)
Avis à la une
Not a lot of people feel this, but the way films are made have changed since the beginning of the millennium. From blocking, cinematography, film stock, writing, pacing, everything is different. So it's really refreshing to watch michael caine do his thing in this oliver stone horrorfest. What might have been over the top campy shtick in the 80s becomes infinitely watchable.
I agree about the similarities to the shining but doesn't quite match up. The comments about the burning car i don't agree with. It's inserted to show michael caine getting unhinged the more he suspects he's got a pet killer hand out there.
A great movie to check out. Really fun.
I agree about the similarities to the shining but doesn't quite match up. The comments about the burning car i don't agree with. It's inserted to show michael caine getting unhinged the more he suspects he's got a pet killer hand out there.
A great movie to check out. Really fun.
The comic book writer and cartoonist Jonathan "Jon" Lansdale (Michael Caine) is the creator of the successful hero "Mandro" and lives with his wife Anne Lansdale (Andrea Marcovicci) and their daughter Lizzie in the countryside. Anne wants to move to New York and has an argument with Jon while driving on the road. She distracts with an impatient driver and has a car accident with a truck where Jon loses his right hand. The hand is not found and Jon needs to use prosthesis. They move to New York and his editor Karen Wagner (Rosemary Murphy) offers another cartoonist to proceed with "Mandro". However Jon is not happy with the modifications introduced in his character by the new cartoonist and Karen let him go.
Without money, Jon moves to California to teach in a college while Anne and Lizzie stay in New York for a few more months. Jon has a love affair with his student Stella Roche (Annie McEnroe) and he feels attracted by her. However when his colleague Brian Ferguson (Bruce McGill) tells that Stella is an easy woman, Jon does not want to see her. However, his severed hand kills Stella and when Brian tells that he is going to the police to report that Stella is missing, his hand also kills him. Meanwhile Anne and Lizzie come to his house to spend Christmas with him. Soon he learns that Anne is betraying him and that she intends to go to Los Angeles with Lizzie. Out of the blue, his hand tries to strangle Anne and Jon follows it. Is it possible that the hand does exist to kill whoever anger him?
"The Hand" is an early film directed by Oliver Stone with a creepy story. The plot is developed in slow pace and the mystery remains until the last scene when the viewer finally understands what happened. Michael Caine has a great performance as usual and the movie is intriguing and engaging. My vote is seven.
Title (Brazil): "A Mão" ("The Hand")
Without money, Jon moves to California to teach in a college while Anne and Lizzie stay in New York for a few more months. Jon has a love affair with his student Stella Roche (Annie McEnroe) and he feels attracted by her. However when his colleague Brian Ferguson (Bruce McGill) tells that Stella is an easy woman, Jon does not want to see her. However, his severed hand kills Stella and when Brian tells that he is going to the police to report that Stella is missing, his hand also kills him. Meanwhile Anne and Lizzie come to his house to spend Christmas with him. Soon he learns that Anne is betraying him and that she intends to go to Los Angeles with Lizzie. Out of the blue, his hand tries to strangle Anne and Jon follows it. Is it possible that the hand does exist to kill whoever anger him?
"The Hand" is an early film directed by Oliver Stone with a creepy story. The plot is developed in slow pace and the mystery remains until the last scene when the viewer finally understands what happened. Michael Caine has a great performance as usual and the movie is intriguing and engaging. My vote is seven.
Title (Brazil): "A Mão" ("The Hand")
As a psychological thriller this actually works. In large part because of Michael Caine. As a B movie about a killer hand or a schizo cartoonist it features Olive Stone's tortured man, driven to ruin by a woman, whose lack of self-knowledge and unchecked rage propel him to violence. I kind of agree with another reviewer's disappointment at the ending not wrapping it up, but The Hand is enough of a thing that I feel neither way about the end. Stone's vitriol for women, a characterization many have stuck on throughout his career, is very apparent here. Caine as Johnathan Lansdale is comfortable in his beautiful country home, crafting a semi-popular syndicated cartoon. But his yogic wife Anne (Andrea Marcovicci) wants to do something with her life and demands a move to NYC. This ends up undoing him, but not before he struggles with having his writing/drawing hand severed. Without saying more, I'd recommend this for Caine's gradual unraveling, an engrossing trip into The Mind and even a good Oliver Stone cameo.
I remember watching this movie soon after it came out and the special effects were not bad for the time period that it came out despite what people say. Remember, Star Wars had only been out a few years by this time. As far as the movie goes, Caine does quite well with his part and the plot is believable in the way Freddie Kruger is believable. If you've seen many "creature" movies, then this one could seem to be predictable and thus lose some of it's "boo" effect. Wait until the end and watch closely. If you've seen this movie you should know what I mean, if not then pay close attention. After seeing that final scene you suddenly realize that maybe all wasn't as it seemed. Go back through this movie and keep in mind that last scene. Suddenly the whole movie transcends the Freddie Kruger believable and becomes in fact quite plausible. It's like watching Star Wars Episode 4 after just watching Episode 3, it all takes on new meaning!
I don't know if I was in a rare forgiving frame of mind but The Hand actually worked for me.
It doesn't go very deep in the psychological department and just about every average viewer can spot the twist but then the end just throws everything out the window and leaves the audience shouting; What the ****!
But it's well acted, especially by Caine who completely earns viewer's sympathy. Writer/director Oliver Stone effortlessly builds up suspense and atmosphere and some scenes here do work really well. Technical aspects are surprisingly well handled and make up effects are gruesome and well done.
While The Hand won't go down as a cinematic masterpiece, it's a solid thriller nonetheless.
It doesn't go very deep in the psychological department and just about every average viewer can spot the twist but then the end just throws everything out the window and leaves the audience shouting; What the ****!
But it's well acted, especially by Caine who completely earns viewer's sympathy. Writer/director Oliver Stone effortlessly builds up suspense and atmosphere and some scenes here do work really well. Technical aspects are surprisingly well handled and make up effects are gruesome and well done.
While The Hand won't go down as a cinematic masterpiece, it's a solid thriller nonetheless.
Le saviez-vous
- AnecdotesMichael Caine said in a television interview that the only reason he did this movie was to earn enough money to put a down payment on a new garage he was having built.
- GaffesThe Christmas carol "Deck The Halls" is heard on the soundtrack but the skipping record shown on the turntable is 'Fight Dirty' by the British pop band Charlie.
- ConnexionsEdited into Cent une tueries de zombies (2012)
- Bandes originalesUnion City Blue
Performed by Blondie
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- How long is The Hand?Alimenté par Alexa
Détails
Box-office
- Budget
- 6 500 000 $CA (estimé)
- Montant brut aux États-Unis et au Canada
- 2 447 576 $US
- Week-end de sortie aux États-Unis et au Canada
- 566 736 $US
- 26 avr. 1981
- Montant brut mondial
- 2 447 576 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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