NOTE IMDb
5,0/10
10 k
MA NOTE
Thriller de science-fiction à suspense, dans lequel un équipage de vaisseau spatial de sauvetage se retrouve confronté aux horreurs projetées par leur propre imagination.Thriller de science-fiction à suspense, dans lequel un équipage de vaisseau spatial de sauvetage se retrouve confronté aux horreurs projetées par leur propre imagination.Thriller de science-fiction à suspense, dans lequel un équipage de vaisseau spatial de sauvetage se retrouve confronté aux horreurs projetées par leur propre imagination.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Early eighties Roger Corman sci-fi flick featuring a cast of b-grade actors on a mission to a distant planet to investigate a dying signal from a doomed space vessel. Once they arrive on the planet they soon discover that the crew is no more and that a black pyramid draws them in mysteriously. The cast's worst nightmares are manifested into reality as they are picked off one by one. But by whom exactly? If you were stumped as to who it was might I interest you in some low-property tax swamp land.
I have never been much of a Corman fan but this is one of his most ambitious and entertaining films. The fact that this is considered one of the 50 worst films of all time is not only silly but calls into question the bad movie credentials of whomever listed Galaxy of Terror. Have you even seen War of the Robots? Any movie that dispatches Erin Moran by crushing her skull and features the Hentai-like mutant worm raping to death a very buxom Taaffe O'Connell deserves cult status damn you! This is my third Zalman King film reviewed on this site, through no fault of my own mind you, and his limited range as an actor leaves little wonder why he made the move to directing light porn. Edward Albert is not very engaging as the male lead Cabren while I hope Sid Haig was paid by his screen time rather his amount of dialogue. Robert Englund, Ray "I've been old for 1000 years" Walston and Grace Zabriskie, who was great in Twin Peaks, round out the cast. If you happen upon this movie give it a watch. It's sure to entertain.
I have never been much of a Corman fan but this is one of his most ambitious and entertaining films. The fact that this is considered one of the 50 worst films of all time is not only silly but calls into question the bad movie credentials of whomever listed Galaxy of Terror. Have you even seen War of the Robots? Any movie that dispatches Erin Moran by crushing her skull and features the Hentai-like mutant worm raping to death a very buxom Taaffe O'Connell deserves cult status damn you! This is my third Zalman King film reviewed on this site, through no fault of my own mind you, and his limited range as an actor leaves little wonder why he made the move to directing light porn. Edward Albert is not very engaging as the male lead Cabren while I hope Sid Haig was paid by his screen time rather his amount of dialogue. Robert Englund, Ray "I've been old for 1000 years" Walston and Grace Zabriskie, who was great in Twin Peaks, round out the cast. If you happen upon this movie give it a watch. It's sure to entertain.
As is the case with a slew of Roger Corman-produced films, this flick underwent several title changes -- Mindwarp: An Infinity in Terror, Planet of Horrors, Quest - before settling on the worst choice. When I picked it up, I actually thought it was an old '60s film, as the tape-cover aped some old-school EC sci-fi comics with the names `Ray Walston' and `Edward Albert.' I immediately assumed it was Eddie Albert of `Green Acres' fame, not his son, along with Walston, fighting space invaders in their plundering youth. I was wrong. very wrong. Instead, I got a rip-off of Alien (1979) with a heaping portion of David Hewitt's 1965 snooze-a-thon Wizard of Mars (aka Horrors of the Red Planet), though Walston is no John Carradine! Likewise, Galaxy of Terror is peppered with the `guard duty' slant from The Sentinel (1976) and the Jedi theme of the Star Wars films (seen here as `The Master'), as there's some sub-plot about a long line of guardians or protectors that make a rite-of-passage through the planet's funhouse. There may have even been a narrative of some sort surrounding 'symbolic salvation' at one point before all the gratuitous violence was jostled in! As is the case with Wizard of Mars, our astronauts land the Goodship Quest only to discover the remains of an ancient civilization replete with an ancient pyramid-like structure and horrible, horrible aliens (a giant sexually-charged mealworm, an arachnid, some self-propelling leeches, and an extra-terrestrial that looks like the masked assailant in George Romero's Season of the Witch). The cast is a mishmash of TV personalities, actors past their prime, a few Corman/New World regulars, and a few up-and-coming stars (a trend that arguably began with disaster films like Earthquake and Airport). Erin Moran of Happy Days is fairly good here as a telepathic `biosensor' (and fairly sexy too), as is pre-Freddy Krueger Robert Englund (perhaps the highlight of the film). Nevertheless, our cast is picked off one-by-one by an unknown force that preys on fear (personified in physical form). Most of the kills are pretty lame, and Taaffe O'Connell's big scene with the mealworm is ineffectual as well. Still, the crew is every bit as good as the one in Alien, though there's no Sigourney Weaver here (big difference). Unbelievably, this film helped launch the careers of Englund (who would have become a great actor had he not lapsed into Elm Street limbo) and James Cameron who was the production designer here (perhaps prepping him for Piranha II: The Spawning). Perhaps to Cameron's credit (I guess), the Martian landscape is convincing and the sets and visual effects are great, even if it steals sets from other films (Corman's Forbidden World). Plus, it has a few scenes of cool stop-motion photography (now a thing of the past) courtesy Brian Chin. On the bad side, it's too dimly lit (though the water-slide caverns and Tron-like wall of lights are well captured) and has inappropriate music (which you didn't get in Alien). Lastly, the characters have great names like Cabren, Alluma, Kore, Ilvar, Baelon, Quuhod. It's too bad this film didn't take off and spawn licensing deals, as this crew would have made great space-soldier action-figures, as their back-packs already look like Cobra Commander accessories! All in all, a operative film, albeit not the best I've ever seen.
When i saw the trailer for galaxy of terror i knew it was going to be good,as a roger Corman produced b-movie it is a wild ride.sort of like alien on a lower budget.it stars Eddie Albert Jr.zalman king,Sid haig, ray walston(my favorite martian)Robert englund(nightmare on elm street) Erin Moran(Joanie on TV's happy days)and grace zabriskie(twin peaks) its bizarre science fiction horror about a group of space travelers on a rescue mission encountering terrors of all sorts,a women is raped by a giant worm,now thats bizarre.James Cameron was involved in the production.critics bashed this and it was one of the movies on the DVD 50 worst movies of all time,sorry i don't agree.its the best of the alien rip offs.7 out of 10
I first saw this in the early 90s on a vhs n had a solid wtf reaction regarding the notorious rape scene of the buxom babe.
Revisited it recently.
The plot is basically a rip off of Alien but the film has some well known horror veterans, Sid Haig n Robert Englund. It also has erotic film director Zalman King.
Inspite of the film being a Roger Corman production, it has some well done effects due to the involvement of a very early James Cameron.
Cameron must be laughing at the thrusting movement of the giant worm.
I can still remember watching this film in the wee hours of the morning at about 13 yrs old; I wanted decadent, late night cable programming, and this one delivered. Twenty years later, I still remember it for one scene: a giant maggot raping a woman. It was a completely gross, bizarre, yucky, surreal moment in cinema, but unlike anything I had ever seen. I still can't get over how weird it is and how something like that made it into a film. The rest of the film contains a few other bizarre scenes but beyond this, the film is really just a waste of time. However, the production design (James Cameron) for this film was actually pretty original and well done for the time/budget (the planet the crew is trapped on has a kind of strangely dim lighting and claustrophobic feeling).
Le saviez-vous
- AnecdotesThe set dresser on this film was Bill Paxton, before he took to acting. He was employed by the film's Art Director, and future frequent collaborator, James Cameron.
- GaffesWhen the captain engages the hyper-drive, she stands at the control panel. A montage of the crew members strapped into their seats follows, including the captain. When hyper-drive disengages a few seconds later, she is still standing at the control panel in exactly the same spot.
- Crédits fousEnd credits roll over the pyramid which glows blue as the wind can be heard blowing.
- Versions alternativesThe 1986 UK Warner video release was cut by 14 secs by the BBFC to reduce the rape of Dameia by a giant maggot. The cuts were fully waived for the 2002 ILC DVD.
- ConnexionsEdited from Les mercenaires de l'espace (1980)
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- How long is Galaxy of Terror?Alimenté par Alexa
Détails
Box-office
- Budget
- 700 000 $US (estimé)
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