La Malédiction finale

Damien Thorn (Sam Neill) is now 32 years old and powerfully wealthy. He is appointed US Ambassador to Great Britain like his father. A celestial alignment proclaims the second coming of Christ. Damien organizes to kill all the baby boys born at the alignment. In the meanwhile, a group of priests attempt to kill Damien with the only weapon capable of the task: the 7 knives of Megiddo.

This is the third movie of the series and guess what, the style isn't there anymore. There isn't one memorable scene in this movie. The biggest draw is the acting skills of Sam Neill. He shows that he has power and the presence to be the antichrist. Other than him, there isn't anything there. He's very compelling as the evil Damien, but there is a lot of unreasonableness going on here. It seems that the cops would notice something is going on. And it seems that the priests should be better armed. I know only the knives can kill Damien but having guns would be very useful.

This second sequel to huge hit 'Richard Donner's Omen (Gregory Peck, Lee Remick)' centres on anti-Christ personified by Damien (Sam Neill) . Now grown-up Damien (as a teen was incarnated by Jonathan Taylor) is the only proprietary of Thorn industries , one time deceased his forested parents (William Holden , Lee Grant from Omen 2 by Don Taylor) . Damien is named American Ambassador to London by the US President (Mason Adams). A group of monks (Rossano Brazzi , Tony Voguel , among others) get the seven daggers , as Damien Thorn can now only be murdered by one of the daggers . In England Damien is helped by an assistant (Don Gordon) and he falls in love with a TV journalist (Lisa Howard) . The film talks, fundamentally, about the rebirth of Christ and confrontation to anti-Christ Damien . The devilish Damien is poised for ruling over earth supported by his underlings .

This exciting follow-up contains thrills , chills , suspense ,tension and grisly killings . The chief excitement resides in seeing what amazing and creepy murders happen every few minutes of picture . The eerie scenes range from the genuinely fantastic to the bizarre and horrifying images . The movie is quite predictable but we have seen the previous chapters but also its predictability is redeemed in part by the charismatic acting by Sam Neill , the New Zealand-born player , and an effective secondary casting . Colorful and adequate cinematography by Phil Meheux (The Zorro) . Again evocative musical score by the great Jerry Goldsmith (Planet of apes) with soundtrack-alike first entry , winner a deserved Oscar . The motion picture was professionally directed by Graham Baker (Beowulf , Alien Nation) . Followed by an inferior television movie , Omen IV (2001) , and for genre addicts only , directed by Jorge Montesi with Faye Grant and Michael Woods .

This was great i think,, you have Damien all grown up,, not a kid anymore,, this is pretty cool i think,, now you have all that evil in an adult, which by the way is very scary, Sam Neill does a wonderful job in this, and is very creepy evil at the same time. Add to the fact that the plot was very good too,, you have the monks trying to kill Damien for one,, then you have Damien trying to kill all of the male babies born of the 24th of March,, makes for a very interesting race against time for Damien. If you follow the trilogy though the timeline is quite off, but i guess when they made the first one, they didn't realize it would become a franchise,, but nonetheless, over the past week i have watched all 3 of the Omen's and have seen the new one in the Theatre's when it came out,, i think the trilogy is very good with the story tied together the way it is, overall i give this part 3 a definite thumbs up.

In the first two Omen films, we were presented with a boy learning to adjust to his unusual personality and his future position in the destiny of the cosmos, but in this last film, Damien is in complete control as he prepares mankind for a " paradise of pain. " Sam Neill exudes a aura of amoral humanity, befriending a female reporter and her son while he seeks to defeat God; One very good sequence has Damien describing man as being naturally evil, claiming that God seeks to keep man from becoming truly innocent. Even though the atmosphere bounces from materialistic to spiritual, the film still gets a powerful message about corporations and their link to politics to the audience. Again, Sam Neill shows us a flawed, but arrogant man-beast, who pushes his way through without a backward glance. With such a performance, it is no wonder that Sam Neill is a great actor.

Neill is very good here. Neill would go on to be one of those few actors with such a range that he can convincingly play the hero to literally the devil incarnate.

Neill has some ear popping monologues with a statue of Jesus. It's so obnoxious that I'm half amazed it wasn't cut. It all strikes me as rather career threatening for an actor and I wonder if any American actor would have done it.

But those scenes do help give this movie a bit of depth.

The first Omen was great because the Thorns weren't sure if crazy supernatural things were occurring, or if they were just crazy. Unfortunately, this one, like Omen II mostly boil down to crazy death scenes.

There's one major annoyance here... why does Damien believe the second coming will be a child*? He literally reads from the Bible. And the producers were well aware that was wrong, considering the display the relevant passages of the Bible.

It's certainly not terrible, and has some effective horror scenes. Looked at simply as a horror movie, it's kind of an oddball, but it works. But considering the seemingly end of time apocalyptic stakes, not to mention closure of the three movie arc, it's lacking, and the world surrounding Damien seems surprisingly small.

* I think the reason Damien decides to kill babies is obvious: the production wanted to do the baby killing thing.