New-York 1997

This early 80's bit of dystopian sci-fi set in a future America which is now a fascist state has gone on to garner a cult reputation. Set in the future of 1997, Manhattan Island is now a high security prison where the criminal dregs of society are contained. When the president's aeroplane crashes in the middle of this city prison and captured by the resident criminals, a mercenary called Snake Plissken is sent in on a do-or-die mission to retrieve him within twenty-four hours.

Escape From New York is another in the long line of strong movies director John Carpenter made in his 70's-80's heyday. After a couple of big horror hits under his belt he returned to the more action-oriented style of his earlier Assault on Precinct 13 (1976), except in this case adding a science-fiction premise to add considerable colour. To this end, the film features dark dilapidated New York settings for the action to take place and these, added to the nice panoramic views of the darkened city add considerable atmosphere. As does Carpenter's main theme music which is amongst the very best be ever composed and given the high calibre of his original soundtrack music, that's saying quite a lot. The film also benefits from a cast of b-movie legends, we have Donald Pleasence as an improbable President of the United States, Isaac Hayes is a blaxploitation styled Duke of New York, Kurt Russell as the iconic eye-patch sporting anti-hero, Adrienne Barbeau appears throughout in an eye-popping low cut tight red outfit, Ernest Borgnine is a comic-relief cabbie, Lee Van Cleef is a hard-bitten police chief and Harry Dean Stanton pitches up as a shifty character called Brain. The film isn't always fully exciting stuff it has to be admitted and it sometimes promises more than it delivers but the set-up, settings and cast are very good, while there are some memorable scenes such as the death match and mine-infested bridge to keep the pace up. Ultimately, this is a very solid bit of early 80's sci-fi action, with enough distinctive elements to ensure its ongoing cult appeal.

In the far-flung future, Manhattan Island is a prison surrounded by a fifty-foot wall. Said prison is guarded from outside the wall, while inside, the prisoners create their own lawless society. When the US President (Donald Pleasence) inadvertently lands in this hell, it's up to bada$$ criminal, Snake Plisskin (Kurt Russell) to retrieve him.

ESCAPE FROM NEW YORK is Director John Carpenter's foray into post-apocalyptic sci-fi / action. In his vision, it's an out of control crime rate, rather than nuclear holocaust that's to blame. Packed with oddball characters, and loaded with classic scenes, EFNY became a trendsetter.

In spite of some clunky, "futuristic" technology, and the unavoidable poignancy of having Plisskin land atop the World Trade Center, it all works somehow. For its budget, this movie looks impressive. Russell is perfect in his eye patch-wearing, anti-hero role, riding high before his next big stint in THE THING. Great use is also made of older stars like Lee Van Cleef, Ernest Borgnine, and the inimitable music legend, Isaac Hayes. Carpenter regulars Tom Atkins, Charles Cyphers, and Adrienne Barbeau make appearances, with Ms. Barbeau having some heavenly running sequences! One of the truly great Carpenter films...

Many fans of Kurt Russell were extremely surprised he emerged from his years as a child actor to evolve into a believable, hard hitting, action hero. True, he was traditionally recognized to many for his whimsical, good-looks and high school persona. Thus when movie-goers saw him in this film, many stood aghast at his mature tenor. This futuristic story begins with the President's plane being high-jacked by rebel extremists and flown into the island city of New York which has been transformed into a maximum prison. The plane with the president (Donald Pleasence) on board crashes into the prison and it falls to the warden/Police Commissioner, one, Bob Hauk, (Lee Van Cleef) to rescue the chief executive. His plan? To send in a new convict, an experienced ex-soldier and special ops veteran, named, Snake Plissken (Kurt Russell) with the promise of a presidential pardon if he can return him alive. To insure the clever criminal does not take the opportunity to escape, he is given a lethal injection which can only be removed by the commissioner's medical staff. Thus, begins a timely drama which means life or death for the hero, the president and ultimately the world. The success of this film owes much to the film's other characters like the talkative Cabbie (Ernest Borgnine, terrific acting), Harold ' Brain' Helman (Harry Dean Stanton), his 'squeeze' Maggie (Adrienne Barbeau) and Isaac Hayes, who plays the heavy, The Duke of New York. This a groundbreaking film for Russell and as expected, he carries it to it's rave conclusion with action to spare. ****

Nearly 25 years and an endless amount of viewings later, John Carpenter's "Escape from NY" still ranks high among the chosen few, quintessential cult films of the 80's. This is, simply put, one of the coolest productions ever with legendary characters, ingenious plot and pitch-black humor. Kurt Russell, with eye patch and nihilistic 'you-don't-like-it-go-to-hell' attitude, plays the role of his life as anti-hero Snake Plissken, recruited by his authority-nemesis Bob Hauk to bring back the American president who crashed with his plane in New York. One problem though; ever since crime rose with 400% in 1987, New York has become one giant and demarcated prison where criminals determine their own "civilization". Offered no other choice, Snake infiltrates NY for his mission …and for a personal race against the clock. Especially the first sixty minutes of this movie are terrific, since there constantly is the introduction of new and imaginative characters. Class-A actors play all these utterly cool characters, which makes it even more memorable! Apart from Kurt Russell, "Escape from New York" also stars icons like Lee Van Cleef ("The Good, the Bad and the Ugly"), Isaac Hayes ("Truck Turner"), Donald Pleasance ("Halloween") and Harry Dean Stanton ("Repo Man"). Even the smaller supportive roles are well distributed, with the underrated Tom Atkins as Van Cleef's sidekick and Adrienne Barbeau in a very sexy part. The downfall of America's number one city is atmospherically portrayed and Carpenter's own music score creates an excellent mood of despair. The action sequences are impressively photographed and John Capenter professionally camouflages that his film is, in fact, and independent production. My only slightly negative remark is that the story should have had a better, more explosive climax. Particularly because the first hour is so great, the ending seems quite tame. But, what the hell, this movie is a must for every film lover! In 1996, Carpenter also made "Escape from L.A." and even though it's good entertainment, it can't compete with "NY".

It's 1997 (but it's the future since this movie was made in 1981) and the United States crime rates have skyrocketed, particularly in New York City. To handle the rising prison population and abundance of violent inmates, the government opts to turn New York City into a maximum security fortress for individuals who have committed the most vile crimes. There are no guards inside the prison, only inmates. They form their own society. Guards only intercede if a prisoner attempts to escape. No one gets out alive.

When the president's plane is hijacked and terrorists bring him into the prison city, convicted felon and soon-to-be resident of the prison, Snake Plissken is asked to do the impossible and bring the president out alive.

The setup is rich and compelling, yet there's a tremendous amount of backstory that is left untold in "Escape from New York" and that's part of what makes it work. There's an air of mystery wafting through the movie that continually begs questions but leaves it up to the viewer to imagine what the answers might be. "Why does Snake have an eyepatch?" "What caused the explosion in crime rates?" "Why does the president have a British accent?" All these questions and more make the movie fun to discuss and re-watch repeatedly, searching for hints that help unravel the mystery.

Kurt Russell is unforgettable as Snake, who should be a loathsome character but instead becomes a hero we have no trouble rooting for. He practically growls every line of dialogue because he crackles with too much anger to simply speak. Somehow, despite everything about him being ostensibly unlikable, he's still charming in a way. He would make for an incredible dinner party guest. On one hand, he would likely scare most of the guests and make them feel dumb. But on the other hand, he would probably make all of the guests think, "wow, if you have a friend like this guy, you must be a really interesting person." Inviting him is a big gamble, for sure. Though, it just might pay off.

Along with Snake, the highlight of the movie is John Carpenters music. Find another 1980s movie with a cooler score. I dare you. Carpenter has created two of the most recognizable and undeniably excellent theme music tracks of the 70s and 80s ("Halloween" is the other). And he directed both movies. What an achievement.