Ajouter une intrigue dans votre langueAspiring actress Eva Duarte rises from minor celebrity to the wife of a powerful Argentinian dictator, but her all-consuming fiery rage, ambition, and hatred eventually become her downfall.Aspiring actress Eva Duarte rises from minor celebrity to the wife of a powerful Argentinian dictator, but her all-consuming fiery rage, ambition, and hatred eventually become her downfall.Aspiring actress Eva Duarte rises from minor celebrity to the wife of a powerful Argentinian dictator, but her all-consuming fiery rage, ambition, and hatred eventually become her downfall.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 1 victoire et 3 nominations au total
Pedro Armendáriz Jr.
- Cypriano Reyes
- (as Pedro Armendariz Jr.)
José Ferrer
- Augustin Magaldi
- (as Jose Ferrer)
Carmen Armendáriz
- Girl in Junin
- (as Carmen Armendariz)
Avis à la une
Dunaway was absolutely wrong for the part of Evita Peron, from start to finish. As with nearly all her roles, she played it all with out-sized shoulder-pads and overblown line delivery. What's worse, the film looks like it was shot in some dingy Mexican border town instead of the opulent capital of Argentina, Buenos Aires. The building they'd chosen for the iconic Casa Rosada looks something like an old Spanish war prison in Baja.
They have the chronology fairly correct, but little else is really accurate or even compelling drama in this adaptation of history. Peron launched a mass movement that transformed Argentina, at the time one of the biggest economic forces in the world, and his wife was a highly complex, colorful public person who worked herself to death for him and won the hearts of his political base with her naive, crypto-fascist concepts of the state's role as a mother to its people.
This film, sadly, portrays it all like a story arc on some Dynasty rip-off, set in some unrecognizable banana republic.
This is purely for die-hard Faye fanatics, and certainly NOT for any fans of the Peron story.
They have the chronology fairly correct, but little else is really accurate or even compelling drama in this adaptation of history. Peron launched a mass movement that transformed Argentina, at the time one of the biggest economic forces in the world, and his wife was a highly complex, colorful public person who worked herself to death for him and won the hearts of his political base with her naive, crypto-fascist concepts of the state's role as a mother to its people.
This film, sadly, portrays it all like a story arc on some Dynasty rip-off, set in some unrecognizable banana republic.
This is purely for die-hard Faye fanatics, and certainly NOT for any fans of the Peron story.
Made for TV movie about the life and death of Argentina's first lady, Eva Peron and her husband Colonel Juan Peron. Dunaway does a fairly good job in the title role, but one can clearly see she overreacts (very similiar to how she does in Mommie Dearest) in many of the important scenes.
Yes, many of the clichés about Eva Peron are presented here and certainly there are errors of historical detail.
While Faye Dunnaway overacts, there is a pleasantly restrained interpretation of the role of Juan Peron by a youngish Jim Farentino, who passed away early in 2012. He makes the Colonel seem rather likable: an easygoing, mildly dissolute, somewhat corruptible and none too ambitious army officer in whom the fiercely ambitious Evita saw possibilities.
Juan Peron completely lacked his wife's bitter vindictiveness, also.
In an iconic scene it was Evita who advised him to take off his jacket when addressing a crowd of union workers in Argentina's important meat packing industry, transforming the previously stiff and awkward Colonel to a man of the people and the people to his devoted followers.
While Faye Dunnaway overacts, there is a pleasantly restrained interpretation of the role of Juan Peron by a youngish Jim Farentino, who passed away early in 2012. He makes the Colonel seem rather likable: an easygoing, mildly dissolute, somewhat corruptible and none too ambitious army officer in whom the fiercely ambitious Evita saw possibilities.
Juan Peron completely lacked his wife's bitter vindictiveness, also.
In an iconic scene it was Evita who advised him to take off his jacket when addressing a crowd of union workers in Argentina's important meat packing industry, transforming the previously stiff and awkward Colonel to a man of the people and the people to his devoted followers.
I watched this movie when it was first aired. Now seeing it again, for the second time, i realize how bad it really is. Faye Dunaway was waaayy to old to be playing a teenager. Hell she looked like she was in her thirties. Jose ferrer as an idol was funny as hell. Balding, over weight and in my opinion too full of himself, not a good actor. Only thing that I remember James farentino for is being married to Michelle Lee, and the short lived series Cool Million. All in all poor movie and poorer actors.
I am not really sure about how to judge Evita.. Well I am here judging the movie, not her personality anyways... But the movie did not really help me to understand Evita nor the situation in Argentina, or Peronism... The movie was also not all bad... Also the quality is quiet poor... but well.. its old movie...
Le saviez-vous
- AnecdotesWhile released in the United States by NBC as a 4-hour television miniseries, Paramount later had the film re-edited into a 2-hour feature for international theatrical release.
- GaffesJuan Peron's regime did not endorse any anti-Semitic riots, nor was Peron himself anti-Semitic. In fact, Eva's foundation sent a substantial amount of money to aid the formation of Israel in 1948, and it was under Peron's regime Argentinian Jews were allowed to run for political office and some of his highest-ranking cabinet members were Jewish.
- Versions alternativesThe Spanish-language version has a different musical score in places, and completely different opening credits.
- ConnexionsFeatured in The 33rd Annual Primetime Emmy Awards (1981)
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