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Les Traqués de l'an 2000

Titre original : Turkey Shoot
  • 1982
  • 16
  • 1h 33min
NOTE IMDb
5,9/10
4,6 k
MA NOTE
Olivia Hussey and Steve Railsback in Les Traqués de l'an 2000 (1982)
Trailer for Turkey Shoot
Lire trailer2:47
1 Video
85 photos
Dark ComedyDystopian Sci-FiActionDramaHorrorSci-FiThriller

Ajouter une intrigue dans votre langueIn a dystopian future where deviants are held in "re-education" camps, a freedom fighter and an innocent prisoner try to survive their decadent oppressors' game of kill-or-be-killed.In a dystopian future where deviants are held in "re-education" camps, a freedom fighter and an innocent prisoner try to survive their decadent oppressors' game of kill-or-be-killed.In a dystopian future where deviants are held in "re-education" camps, a freedom fighter and an innocent prisoner try to survive their decadent oppressors' game of kill-or-be-killed.

  • Réalisation
    • Brian Trenchard-Smith
  • Scénario
    • Jon George
    • Neill D. Hicks
    • George Schenck
  • Casting principal
    • Steve Railsback
    • Olivia Hussey
    • Michael Craig
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    4,6 k
    MA NOTE
    • Réalisation
      • Brian Trenchard-Smith
    • Scénario
      • Jon George
      • Neill D. Hicks
      • George Schenck
    • Casting principal
      • Steve Railsback
      • Olivia Hussey
      • Michael Craig
    • 71avis d'utilisateurs
    • 93avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Turkey Shoot
    Trailer 2:47
    Turkey Shoot

    Photos85

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 78
    Voir l'affiche

    Rôles principaux18

    Modifier
    Steve Railsback
    Steve Railsback
    • Paul Anders
    Olivia Hussey
    Olivia Hussey
    • Chris Walters
    Michael Craig
    Michael Craig
    • Charles Thatcher
    Carmen Duncan
    Carmen Duncan
    • Jennifer
    Noel Ferrier
    • Secretary Mallory
    Lynda Stoner
    Lynda Stoner
    • Rita Daniels
    Roger Ward
    Roger Ward
    • Chief Guard Ritter
    Michael Petrovitch
    Michael Petrovitch
    • Tito
    Gus Mercurio
    Gus Mercurio
    • Red
    John Ley
    John Ley
    • Dodge
    Bill Young
    Bill Young
    • Griff
    Steve Rackman
    Steve Rackman
    • Alph
    John Godden
    John Godden
    • Andy
    Oriana Panozzo
    • Melinda
    Fiona McConchie
    • Prisoner Shot by Mallory
    • (non crédité)
    Kerry Rossall
    Kerry Rossall
    • Officer Arresting Chris
    • (non crédité)
    John Sintome
    • Guard
    • (non crédité)
    Brian Trenchard-Smith
    Brian Trenchard-Smith
    • Officer Arresting Paul
    • (non crédité)
    • Réalisation
      • Brian Trenchard-Smith
    • Scénario
      • Jon George
      • Neill D. Hicks
      • George Schenck
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs71

    5,94.5K
    1
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    10

    Avis à la une

    5gridoon

    Entertaining trash.

    Set in a totalitarian future society, this film has a bleak but quite vividly drawn vision of the world...for its first 20 minutes or so; then it turns into a straight action-chase adventure. The uncut 90-minute version is extremely gory, but some of the effects are rather lame. Nevertheless, it's a fast-paced, trashily entertaining film, and the actors are adequate for the little they're asked to do. (**)
    tomgillespie2002

    Muddled exploitation

    Directed by Anglo Australian filmmaker Brian Tenchard-Smith (most notably known for the Australian film that introduced Nicole Kidman to the world, BMX bandits, a kid/family movie, mainly remembered for the zeitgeist trend of the bicycle craze in the title), this post-Mad Max dystopian future movie tells the 'story' of a camp for retraining the 'deviates' of society, so that they may conform to the institutionalised norm as a whole. It begins with three people being taken in the back of a van to the camp of 'Re-Education and behaviour modification'. The camp looks much like the Nazi concentration camps of such films as SS Experiment Camp, or Ilsa: She-Wolf of the SS. The film begins as all of the usual 'nazisploitation' movies do, with a pinch of titillation and humiliation. This is not however a nazisploitation movie, as it appears to have a more communist edge; as the motto goes (in a quite comical sequence where 'chief' guard Rimmer picks out the smallest woman, and mock-punches to her face, whilst forcing her to recite it), "I am a deviate, lowest form on earth..."

    The main 'heroes' of the piece, are Paul (Steve Railsback), and Chris (Olivia Hussey - also known for such genre films as It, and Black Christmas). These also constitute the ubiquitous love interest within the plot. Whilst the inhabitants of the camp are humiliated and ritually abused in almost gladiatorial fashions, the main plot stems from the concept highlighted by the films title (although this was altered both for the UK video market - Camp Blood Thatcher; and the US market, Escape 2000), where there are five prisoners who are set 'free' from the camp so that seemingly elite persons from society can game hunt them with no consequences. All this leads to utterly predictable outcomes, resulting in an attempted overthrown of the 'authorities'!

    The film exploits the concept of game hunting with elements of gore (again ubiquitous of the times of production), but doesn't really explore the societal elements that the protagonists are trying to subvert. We know nothing of the 'societies' structural elements that may instigate any kind of revolution or revolt. What exactly are the protagonists subverting? What are the policies, or dogmas of this 'society'? We only see the camp, and are not given any knowledge of the non-diagetic world beyond this.

    The rich hunt the imprisoned. That is about as political as this movie gets. OK, so all movies don't necessarily need to have a message, granted. But if you are going to make a film set in a dystopian future, the world needs to be constructed so that we may understand why this future exists. To add insult to injury - despite the finale having a touch of gore - it almost seems like an episode of The A-Team, only people actually get shot. I almost forgot to say; a certain 'thing' accompanies one of the rich on the game hunt that he "found in a freakshow", which is essentially a badly dressed wolf-man. It's as if someone turned up on set in the wrong costume, and the director thought "well, we'll make it work!"

    If you love bad filmmaking, with no social commentary, and no element of surprise or suspense, then you may well love this. But, it is, and will always be a bore!

    www.the-wrath-of-blog.blogspot.com
    7Tortoisemogwai

    Hunting is the national sport...and people are the prey!

    Ozploitation. Exploitations colloquial cousin. During a period Ozploitation films where popular and Turkey Shoot is a notable success amongst some of the trash of the Australians attempts at exploitation films. It's fairly controversial 'The Most Dangerous Game' approach has helped it gain a fair amount of cult following over the years and all though it doesn't hold up in the slightest to later films with the same honourable human hunting intentions such as Battle Royale and more recently Exam it still holds up nicely as the definitive Australian approach to the subject matter.

    Turkey Shoot takes place in a dystopian future, now past, where 'social deviants' can be re-educated and returned to society through concentration style camps. The films narrative starts by following the lives of three newly arrived inmates and their view upon the extreme violence and toil prisoners suffer throughout their stay, mostly beatings and depravity by a hugely entertaining large bold Australian with a handlebar moustache. In the second half of the film the camps owners, safari British style hunters, round up five one-dimensional, to the extreme, characters (we have whore, rebel, rebel mark 2, bad guy and vulnerable) and force them to participate for their possible freedom in a human hunt, staring themselves, called Turkey Shoot. When faced with the dilemma of what to do when hunted each character uses their own personality to forge different ways of dealing with the situation and in true exploitation style extreme violence bordering on hilarity ensues.

    Brain Trenchard-Smiths direction is riddled with plot holes but the right ingredients are there; i.e. gore, nudity and some kind of circus freak werewolf guy. What makes the film and its direction good is that it doesn't treat itself seriously, there is no character development or even some kind of message or lesson learnt by the end of the film. It just wants to exist to entertain its audience and being a film exploiting violence make money. All the factors that would bother audiences in drama films don't matter in Turkey Shoot and can be disregarded as its honesty in being a technically bad film tells the audience that it wasn't made to win awards or be visually or musically stunning.

    Naturally the acting is bad. But as all the characters only have one characteristic for the actors to act in the characters are appealing as comical relief from the films serious, even if not shown in the film, underlying story. The English actors are great in playing their roles as the bad guys in typical posh ascents to stress that they are 'better people' than the Ausies. The person that stands out most however is Roger Ward as Chief Guard Ritter, his enthusiastic approach to the violent sadistic character fits perfectly creating a highly memorable giant Australian with a handlebar moustache. This along with the werewolf placed in the film just to chew peoples toes and such are probably the most imaginative parts of the film and make it memorable over many other films in its genre.

    Visually and musically there is little going on. The film is shot and edited nicely enough but sometimes its conventional style makes you think that the director could have done so much more. The aspect that saves its dull camera work comes from the variety of lush Australian landscapes ranging from the sandy concentration camp style centre to woods, fields of long dry grass and beaches. This helps the film as a whole always capture your interest and I'm in no doubt that without this kind of variety in the sets landscapes the film might seem very boring indeed. Overall Turkey Shoot holds up as an entertaining popcorn flick and with its blend of extreme violence and lovable characters (for the most part, villain-wise anyway) makes a entirely watchable exploitation movie. If you are a fan of the The Most Dangerous Game style situations it might boost itself to a must watch.
    6merklekranz

    Ludicrous, over the top action, in other words good exploitation entertainment ......

    It is no coincidence that "Turkey Shoot" a.k.a. "Escape 2000" has a prison camp warden named Thatcher. For whatever reason the film played big in Margaret Thatcher's England. A nice assortment of women and men political prisoners are brainwashed and routinely tortured in Prison Camp 97. Although apparently an attempt was made to market this as "black comedy", it is really some sort of hybrid women in prison, hunted in the jungle combination. It has the required nude shower scene, along with lots of meaningless shooting and explosions. The actual turkey shoot pits armed evil types against unarmed resourceful prisoners. Although the whole thing makes little sense, there is plenty of over the top action, and for some unknown reason "Turkey Shoot" is strangely entertaining. - MERK
    uds3

    There is a level at which a film is so bad it becomes interesting! This didn't make it!

    Known everywhere in the world except the U.S. as TURKEY SHOOT (there it was accorded the dumb aka of ESCAPE 2000) this is trash Oz film-making at its best! You gotta see this flick! A truck-load of 'anti-establishment' personnel are sent to this insane privately run "conditioning camp" set up and operated by a futuristic corporation for the amusement and dubious scientific study by its patrons. Railsback is quite obviously a non-conformist and gives the authorities what-for in no uncertain terms. He is marked for extermination.

    Yet another derivative of THE MOST DANGEROUS GAME, the voyeuristic bad guys like nothing better than a "hunt" of escapees, re-hashed yet again in the 90's with Jean-Claude Van Dumb as HARD TARGET! You might even like to reflect on similarities (in concept ONLY) with THE RUNNING MAN. If then you like grotesque violence, lesbian advances, excessive torture, guys with a hard-on for girl prisoners, yellow jump suits and girls shot through the breast, this is the film for you.

    Incredibly, it was an enormous hit JUST in London at the midnight show in a theater in Leicester Square during the summer of 1982. They were queueing round the block for the privilege of watching Lynda Stoner and Olivia Hussey try to make it through the night. Damned if I didn't queue as well!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The nude extras in the group shower scene were from a local hippie commune.
    • Gaffes
      When Chris cuts Ritter's hands off, traumatically amputating both of them, even though there are several arteries and veins in the stumps, other than blood on the stumps, there's no blood spurting out them at all. This is an impossibility. As long as Ritter's heart was flowing, blood would have initially shot out of the stumps slowing as his heart stopped.
    • Citations

      Charles Thatcher: One of you has been foolish enough to try to leave us before his re-education was completed. In my view this is treason, and will be treated as such. You will remember our motto: 'Freedom is obedience, obedience is work, work is life'. Well, now understand once and for all that the reverse is also true, 'Disobedience is treason, treason is a crime, crime will be punished!'

    • Versions alternatives
      Extreme violence and some nudity cut for US release to avoid an X-rating.
    • Connexions
      Featured in Le Drive in de l'enfer (1986)

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    FAQ17

    • How long is Turkey Shoot?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 juin 1983 (France)
    • Pays d’origine
      • Australie
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Turkey Shoot
    • Lieux de tournage
      • Cairns, Queensland, Australie
    • Sociétés de production
      • Hemdale
      • FGH
      • Filmco Limited
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 500 000 $AU (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 414 828 $US
    • Montant brut mondial
      • 1 414 828 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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