La clé de l'énigme

TV movies are often let down by their third rate cast, small budget and lack of attention to detail. This production is no exception.

As mentioned in an earlier review, the look of this production is very much 1980s instead of the intended 1960s. Why they can't put more effort into basic things such as hair cuts/styles and clothing is beyond me! It's just lazy not to.

With regards to casting, Dickinson, Plummer and Parks all needed to be at least 10 years younger. I've no problem with Quayle being 69 though - the more mature the better.

I too wondered why this version was set in 1963 and then remembered that is when the death penalty (an important part in the story) was abolished in the United Kingdom.

Also mentioned by another reviewer is the first half being far more interesting than the second. Unfortunately that is true in just about all versions of this film. The plot is plausible up to a point but by the half way point you have to wonder why the Police haven't started to think outside of the box a little more.

I actually think this story could play out better over three 1 hour episodes showing how the husband discovers his wife's affair, realising his desperate predicament, plotting to blackmail Swann and more cat and mouse between the husband and detective.

This version is watchable though and preferably at night time.

Angie Dickinson is not what can be called an extraordinary actress, not even one of the best, she is just an actress. Not the same can be said about Christopher Plummer, he is one of the best actors of all time, in everything he plays, he super shines and eclipses everything around him. Here he also has a very good story, a solid script, as you rarely meet, he is the film in fact. He also has quality help from Ron Moody (the excellent Fagin from "Oliver!"), Anthony Quayle and Michael Parks. Boris Sagal, the director, did a very good job, the film is excellent.

Yes, give this a try. The Hitchcock one is very fine, but you won't be disappointed by the performances here, either. Some of the explanations of Tony's behaviour I found clearer. Good cast all around.

This TV version is captivating. The performances, particularly by Angie Dickinson and Christopher Plummer, are amazing. Angie made this film fresh off the success of DRESSED TO KILL, and she is strikingly beautiful. This is rare chance where a remake is well-worth tracking down and watching.

This is a nearly line-for-line remake of Alfred Hitchcock's 1954 classic. It is drably shot (we're far from the Technicolor lushness of the original), and although the actors are good, especially Anthony Quayle as the wry Scotland Yard inspector, none of them really surpass their predecessors (the lover being the least interesting character in both versions). Yet the clockwork ingenuity of Frederick Knott's story comes through, and is more than enough to sustain it: I guess you can say it is foolproof. But if you DON'T know the story, better to start with the Hitchcock version and not get it spoiled by this one. **1/2 out of 4.