Un justicier dans la ville N°2

Be grateful for Michael Winner's sledgehammer sensitivity because it produced this classic.

None of Paul Kersey's (Charles Bronson) remaining family and friends get off lightly in this twisted nightmare of domestic violence, anal rape, vigilante justice and simplistic politics.

For fans of rough justice, the rape of Bronson's Mexican housemaid is truly amazing and eroticized like crazy by Winner's leering direction.

Thomas F. Duffy as Nirvana, the film's lead thug, is really horrible and a joy to behold (in a perverse way).

Led Zeppelin's Jimmy Page provides a rock score that scorches the L.A. imagery and Vincent Gardenia returns as the cop who prefers to look the other way.

A Cannon-backed sleazefest that brings home the groceries if you like eating trash.

Screw GONE WITH THE WIND. This is much more entertaining.

Charles Bronson picks up where he left off in the famous "Death Wish" movie of 1976, going after punks and eliminating them. The only differences: he's moved from New York to Los Angeles and the violence is more graphic.

Despite the B-movie feel to this (produced by the kings of the cheapo movies of that era (70s and early 80s) : Golan/Globus, it still is very enjoyable and satisfying - if revenge is your thing. Here, Bronson revenges the death of his daughter. At least her death is quick and bloodless, unlike the unpleasant rape-and-murder scene in the first film.

Also, unlike the first film there is no need for a long setup. Bronson gets back in his vigilante mode in a hurry here and never lets up. If you want a short dose (an hour and a half) of action, this is your movie. One of the gang members in here, by the way, is a young Laurence Fishburne.

The negatives are (1) sub-par acting performances by Bronson and his real-life wife, Jill Ireland; (2) some blatant credibility problems with the story ( such as how Bronson could get across town all bloody but never be noticed;) and (3) not exactly the most intelligent dialog!

Yet, this is still an appealing movie to our conditioned satisfaction for instant revenge. So, if you've had a bad day and need a release of your hostilities, this is a good remedy!

Death Wish 2 is a nasty piece of work, and I mean that in the nicest possible way. There is no pretence about this film, whereas the original Death Wish painstakingly presented Paul Kersey as a victim of violence who had been pushed to breaking point, Death Wish 2 finds him in John Rambo territory, as a borderline crazy person bent on revenge. Unlike the original, Death Wish 2 has no political message and never waivers in its approval of Paul's vigilantism. While this is by no means as good as the original, which I consider to be a minor classic, Death Wish 2 is a great example of the short lived early 80s embrace of ultra violent entertainment before these kind of movies were labelled "video nasties" and expelled from the mainstream.

The main reason why the Death Wish series became increasingly ridiculous is the improbability of one man suffering so much bad luck. This time around a group of thugs break into Paul's home and gang rape his Latina maid. This scene is truly grim and more detailed than most of the more infamous "rape & revenge" movies of the 80s. The scene is particularly distasteful as poor Rosario gets roughed up so much worse than any other female victim in the series - all of whom happen to be white. Unfortunately, I don't think that it is a coincidence, as the entire Death Wish series had dubious racial undertones.

The action becomes increasing twisted when Paul's daughter, Carol, still traumatised from the attack in the original film, is kidnapped and raped. The nastiness of this act stems mostly from the creepy smile on Carol's face. When Carol is subsequently impaled on an iron gate, the transformation from the socially aware film of the 1970s to the sleazy, pure action of the 80s sequel is complete. This time around Paul doesn't even bother with the police, choosing instead to take all of the thugs out himself.

The second half of the film is fairly predictable and a bit slow in comparison with the downright nastiness of the opening half an hour. Paul walks around the streets of LA (he definitely gets around), shooting muggers, rapists and his daughter's attackers. This time around Paul doesn't hesitate shooting anyone and the conflict he demonstrated in the first film is nowhere to be seen. Instead, everyone from civilians to the police comment approvingly on his particular approach to crime control. Needless to say, Death Wish 2 is about as politically incorrect as they come and yet, endearingly of its time.

Michael Winner does a good job of capturing the atmosphere of early 80s LA, with amusing glimpses of religious fanatics, coke dealers and general crazies. The 80s fashion on display is pretty funny and the scene where the thugs dance to their "ghettoblaster" makes me laugh every time. The acting is highlighted by Jill Ireland's extraordinarily wooden turn as Paul's new girlfriend. Her ability to lower the tone of any Charles Bronson movie borders on the supernatural. Lastly, Jimmy Page's soundtrack deserves a mention, it is different to say the least.

If you are looking for cheap, nasty, morally corrupt entertainment, then you should enjoy Death Wish 2. I certainly did.

Death wish 2 is about Paul Kersey (Played by Charles Bronson) moving to California after giving up his vigilante ways in New York. When Paul's daughter is killed by muggers however he once again resumes his vigilante identity.

After watching the original Death wish movie I was a little un sure if I wanted to watch any of the sequels.

Mostly because while I liked the 1st movie I thought it was still pretty standard compared to other crime movies at the time like Dirty Harry.

Thankfully though the sequel Death Wish 2 blew everything out of the park.

Everything I felt that was lacking in the 1st movie was improved on and expanded in the sequel.

For example in the 1st movie the muggers kill Paul Kersey's wife and attack his daughter. You would think Paul would go after the muggers when he takes up being a vigilante but no he kills random muggers on the street which while more realistic feels a lot less satisfying.

In the second one not only does he go after the muggers that killed his loved one but he also does so in creative ways. In fact all the shoot em up scenes in the movie are far better in this movie.

The climax also a 100 times better as well and more personal.

There's also a nice romance in the movie with the love interest played by Charles Bronson's real life wife Jill Ireland. Its very fulfilling.

In fact that's the best way to describe Death Wish 2. Its very fulfilling.

Everything from the 1st movie that was lacking is back and improved upon making for a very fun and fulfilling action movie.

It's hard to believe that anyone who didn't like the first one wouldn't like this one. Bronson is back, this time avenging the death of his daughter and he's angrier than he's ever been. This one takes more of a action hero approach than the first one, but that's okay, you see, Bronson is a bad ass and that's all that matters. Movies like this aren't made to win best picture or best screenplay, they're made to be entertaining and filled with action, and that's what this is. Bronson has a great line he give to a punk just before he blows him away; he asks the punk if he believes in Jesus as the punk clutches a cross around his neck. The punk says "yes sir" so Bronson pauses and then tells him "you're going to meet him." Then he shoots him twice, it's great. Classic. I found no insight in this film, all I found was an awesome character who you can't get enough of that gets away with killing pieces of trash that rape, mug, and murder civilians. This formula is timeless, and the whole Death Wish series should be appreciated for proving so, because I'd watch one of these films before I watch any action film that may be produced today.