NOTE IMDb
6,5/10
16 k
MA NOTE
Dans la petite ville de Potter Bluff, le shérif est surpris de tomber sur des cadavres dont la mort violente ne semble pas accidentelle. En menant son enquête, il va découvrir lhorrible secr... Tout lireDans la petite ville de Potter Bluff, le shérif est surpris de tomber sur des cadavres dont la mort violente ne semble pas accidentelle. En menant son enquête, il va découvrir lhorrible secret qui se camoufle derrière la façade très accueillante de la petite bourgadeDans la petite ville de Potter Bluff, le shérif est surpris de tomber sur des cadavres dont la mort violente ne semble pas accidentelle. En menant son enquête, il va découvrir lhorrible secret qui se camoufle derrière la façade très accueillante de la petite bourgade
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Nancy Locke
- Linda
- (as Nancy Locke Hauser)
Joseph G. Medalis
- Doctor
- (as Joe Medalis)
Linda Shusett
- Waitress
- (as Linda Turley)
Avis à la une
Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.
The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.
DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.
Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.
The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.
A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.
The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.
Exceptional.
The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.
DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.
Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.
The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.
A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.
The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.
Exceptional.
This is a real sleeper, although the presence of screenwriter Dan O'Bannon's ('Alien') name in the credits automatically assures us we are in for a treat. And this is most certainly the case; 'Dead and Buried' is a real class act. James Farentino is excellent as the bewildered sheriff of the small American fishing community of Potter's Bluff. And the opening scene, in which an unsuspecting photographer is burned alive in broad daylight, still shocks more than twenty years after the film's release. To reveal too much of the plot would be to spoil the surprise; suffice it to say that it involves a series of bizarre and brutal murders investigated by Farentino's character.
Stan Winston provides some great special makeup effects; witness the particularly gruesome sequence in which a man is embalmed... while still alive! Also, Lisa Blount appears as the seductive young lady on the beach in the opening scene (she can be seen in 'John Carpenter's Prince of Darkness'), and watch out for a fledgling Robert Englund before he rose to international stardom as serial killer Freddy Krueger in the 'A Nightmare on Elm Street' franchise. 'Dead and Buried''s final twist is really kick-ass and wonderfully macabre, and it wraps up a creepy, atmospheric outing. Definitely worth a look.
Stan Winston provides some great special makeup effects; witness the particularly gruesome sequence in which a man is embalmed... while still alive! Also, Lisa Blount appears as the seductive young lady on the beach in the opening scene (she can be seen in 'John Carpenter's Prince of Darkness'), and watch out for a fledgling Robert Englund before he rose to international stardom as serial killer Freddy Krueger in the 'A Nightmare on Elm Street' franchise. 'Dead and Buried''s final twist is really kick-ass and wonderfully macabre, and it wraps up a creepy, atmospheric outing. Definitely worth a look.
Horror story full of tension, thrills , chills and restless terror. The writers of alien, Ronald Shusett and Dan O'Bannon , bring a new bizarre terror to earth . Suspense/horror film set in a small coastal town in Rhode Island where, after a series of gory murders committed by mobs of townspeople against visiting tourists, the corpses begin to come back to life . Bouts of insanity in the populace , realising a plague of murderous madness that are leading several grisly killings . In the little town some people begins to kill and rioting, and things really start going to hell with this sudden death-wave . The strange events drive its victims mad before killing them, with a difficult line between normal hysteria and actual insanity . Meanwhile the sheriff Gillis ( James Farentino married to Melody Anderson ) is investigating the weird deeds , but has no tracks to what's going on. Fortunately, the coastal small New England town has a magnificent mortician named William G. Dobbs (Jack Albertson) , who is glad to take care of these deaths which is good for his business . The puzzling seems to be resolved at the creepy final packed with twists and turns .
This one is of the highest earning horror movies of the 80s and contains a good cast as James Farentino , Melody Anderson and special mention to Jack Albertson as the mysterious undertaker . Furthermore , early apparition of the future terror icon as Robert Englund and film debut for Lisa Blount . It's a solid movie , a terror story plenty of suspense and intrigue in which the victims seem to be coming back to life. Film itself takes place from point of sight the sheriff and the mortician . The living dead appearance is the high point of the movie , they deliver the goods plenty of screams, shocks and tension . The horror moments are compactly made and fast moving . It packs tension, shocks, thrills, chills and lots of gore and blood . There's plenty of moments of gore and a number of scenes that are quite horrifying , resulting to be definitely the spotlight of the film the surprising ending . This gory chiller is well made by Gary A. Sherman . Gary is an expert on action genre as proved in ¨Wanted : dead or alive¨ , ¨Vice squad¨ and terror as ¨Death line¨ , ¨Poltergeister III¨ , and ¨Dead and buried¨ , this one is his best film . Rating : 6,5 , good horror movie .
This one is of the highest earning horror movies of the 80s and contains a good cast as James Farentino , Melody Anderson and special mention to Jack Albertson as the mysterious undertaker . Furthermore , early apparition of the future terror icon as Robert Englund and film debut for Lisa Blount . It's a solid movie , a terror story plenty of suspense and intrigue in which the victims seem to be coming back to life. Film itself takes place from point of sight the sheriff and the mortician . The living dead appearance is the high point of the movie , they deliver the goods plenty of screams, shocks and tension . The horror moments are compactly made and fast moving . It packs tension, shocks, thrills, chills and lots of gore and blood . There's plenty of moments of gore and a number of scenes that are quite horrifying , resulting to be definitely the spotlight of the film the surprising ending . This gory chiller is well made by Gary A. Sherman . Gary is an expert on action genre as proved in ¨Wanted : dead or alive¨ , ¨Vice squad¨ and terror as ¨Death line¨ , ¨Poltergeister III¨ , and ¨Dead and buried¨ , this one is his best film . Rating : 6,5 , good horror movie .
It didn't occur to me until my later years, when I became an avid 'credit reader,' to make the connection between DEAD AND BURIED and two other low-budget gems that totally blew my mind: the earlier, gorier (but not by much) DEATH LINE, released in the U.S. under the appetizing title RAW MEAT, and a nasty-but-nifty little cop thriller called VICE SQUAD, which has the distinction of sporting quite possibly the smarmiest, most memorably evil performance that Wings Hauser ever gave in his entire career.
The gore ante has been upped so much at the movies nowadays, that you literally have to take the top of somebody's head off to get a rise out of the audience, (see HANNIBAL). But there was a time, either when we were more naive, or when lower budgets demanded it, that directors of low-budget horror fare knew that if you were going for the gross-out, you had to make it effective to scare the bejesus out of moviegoers. Gary Sherman was one of the few talented directors who knew this, and he went to town on my nerves with this, which I saw for the first time on video many years ago.
Some of the plot points maybe as murky as the atmospheric photography is at times, but one thing is certainly made clear: TV-friendly character actor-turned-spooky-town M.E. Jack Albertson is definitely up to no good. Travelers and transients who are innocently passing through the little, picturesque seacoast town where he plies his trade, are being found horribly murdered, only to be resurrected...as townies! Voodoo is somehow involved, as are some of the most violently graphic dispatchings commended to film for that time period.
James Farentino and Melody Anderson, known mostly for TV movie appearances (and in Melody's case, FLASH...aaaa-aaahhh!) do serviceable jobs as the town sheriff and his wife, who become more embroiled in the mystery than they'd like, and Robert Englund joins the proceedings, usually making his formidably creepy presence more than welcome, (until he came into his own as Freddy). But this is definitely Albertson's baby, and he relishes breaking out of his casting niche after all those episodes of CHICO AND THE MAN. Good thing, too, since it was one of his last performances. Sadly, as it is with most talented character actors, he was never recognized for his stage work as much as what he left on film, but his D&B role is a nice antithesis to the kindly Grandpa George in WILLY WONKA.
Also: Dan O'Bannon wouldn't be able to catch the lightning-in-a-bottle he captured with ALIEN again, until his severed-tongue-in-cheek rendering of RETURN OF THE LIVING DEAD, his playfully amped-up homage to George Romero's masterpiece.
FOOTNOTE: D&B's releasing woes had nothing to do with its low-budget status. The original releasing company, Vestron, went belly-up and had to file for Chapter 11 more than once, leaving movies like this in limbo until the legal problems could be satisfactorily settled. It took a while for the video release, but it was worth the wait.
Oh, and no matter how mind-boggling the gore gets, you'll still want to watch it twice, just to see how you missed being clued in on the head-spinning climax!
The gore ante has been upped so much at the movies nowadays, that you literally have to take the top of somebody's head off to get a rise out of the audience, (see HANNIBAL). But there was a time, either when we were more naive, or when lower budgets demanded it, that directors of low-budget horror fare knew that if you were going for the gross-out, you had to make it effective to scare the bejesus out of moviegoers. Gary Sherman was one of the few talented directors who knew this, and he went to town on my nerves with this, which I saw for the first time on video many years ago.
Some of the plot points maybe as murky as the atmospheric photography is at times, but one thing is certainly made clear: TV-friendly character actor-turned-spooky-town M.E. Jack Albertson is definitely up to no good. Travelers and transients who are innocently passing through the little, picturesque seacoast town where he plies his trade, are being found horribly murdered, only to be resurrected...as townies! Voodoo is somehow involved, as are some of the most violently graphic dispatchings commended to film for that time period.
James Farentino and Melody Anderson, known mostly for TV movie appearances (and in Melody's case, FLASH...aaaa-aaahhh!) do serviceable jobs as the town sheriff and his wife, who become more embroiled in the mystery than they'd like, and Robert Englund joins the proceedings, usually making his formidably creepy presence more than welcome, (until he came into his own as Freddy). But this is definitely Albertson's baby, and he relishes breaking out of his casting niche after all those episodes of CHICO AND THE MAN. Good thing, too, since it was one of his last performances. Sadly, as it is with most talented character actors, he was never recognized for his stage work as much as what he left on film, but his D&B role is a nice antithesis to the kindly Grandpa George in WILLY WONKA.
Also: Dan O'Bannon wouldn't be able to catch the lightning-in-a-bottle he captured with ALIEN again, until his severed-tongue-in-cheek rendering of RETURN OF THE LIVING DEAD, his playfully amped-up homage to George Romero's masterpiece.
FOOTNOTE: D&B's releasing woes had nothing to do with its low-budget status. The original releasing company, Vestron, went belly-up and had to file for Chapter 11 more than once, leaving movies like this in limbo until the legal problems could be satisfactorily settled. It took a while for the video release, but it was worth the wait.
Oh, and no matter how mind-boggling the gore gets, you'll still want to watch it twice, just to see how you missed being clued in on the head-spinning climax!
Sheriff Dan Gillis (James Farentino) has a nice life with his wife, the teacher Janet Gillis (Melody Anderson), in the small coastal and friendly town of Potter's Bluff. When visitors are mysterious killed in the town, Sheriff Gillis investigates the cases carefully and finds that dead people are reanimating and coming back to life. Dan finds a book of witchcraft and voodoo in his wife's drawer and he suspects that she might be practicing black magic. Dan meets the coroner-mortician William G. Dobbs (Jack Albertson) and learns the dreadful and surprising secret.
"Dead & Buried" is a cult-movie with a creepy atmosphere and a surprising end. The plot has flaws, with lack of explanation for many situations. Why should Dobbs let the sheriff investigate further and not disclose the truth about him in the beginning? My vote is seven.
Title (Brazil): "Os Mortos Vivos" ("The Living Dead")
Note: On 26 March 2015, I saw this film again. Note: On 10 Dec 2019, I saw this film again.
"Dead & Buried" is a cult-movie with a creepy atmosphere and a surprising end. The plot has flaws, with lack of explanation for many situations. Why should Dobbs let the sheriff investigate further and not disclose the truth about him in the beginning? My vote is seven.
Title (Brazil): "Os Mortos Vivos" ("The Living Dead")
Note: On 26 March 2015, I saw this film again. Note: On 10 Dec 2019, I saw this film again.
Le saviez-vous
- AnecdotesStan Winston's special effects went beyond creating gore for the film. The figure in the full body cast lying in George LeMoyne's hospital bed was a mechanical dummy built by Winston. The life-like detail and elaborate movements the dummy was rigged to make gives the appearance that its a real person and makes the infamous needle-eye stab all the more startling.
- GaffesThe hitchhiker can be seen as a zombie before she is actually killed, reconstructed and brought back to life. This is because the abandoned house scene - where she is clearly visible as one of the dead townfolk - was originally placed in the film after her resurrection.
- Versions alternativesAlthough the original UK cinema version was uncut this film was undeservedly caught up in the British video nasties hysteria in the early eighties, and consequently did not receive an official British video certificate until 1990. Illegally circulated copies of the film, followed by successful prosecutions under the Obscene Publications Act, forced the BBFC to edit 30 seconds from the movie with most cuts being made to the opening burning scene and a brief sequence of a bandaged patient being stabbed in the eye with a syringe. The BBFC fully waived all the edits for the 1999 Polygram video and all subsequent releases are fully uncut.
- Bandes originalesSentimental Journey
written by John T. Williams / Benjamin Homer / Bud Green
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant