Après la mort de son mari dans des circonstances mystérieuses, une veuve devient de plus en plus paranoïaque à l'égard de la communauté religieuse voisine qui a peut-être des projets diaboli... Tout lireAprès la mort de son mari dans des circonstances mystérieuses, une veuve devient de plus en plus paranoïaque à l'égard de la communauté religieuse voisine qui a peut-être des projets diaboliques pour elle.Après la mort de son mari dans des circonstances mystérieuses, une veuve devient de plus en plus paranoïaque à l'égard de la communauté religieuse voisine qui a peut-être des projets diaboliques pour elle.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Melissa
- (as Coleen Riley)
- Jim Schmidt
- (as Doug Barr)
Avis à la une
The entire film is shrouded in an eerie atmosphere from the get-go. The country setting is beautiful, yet strangely menacing in the confines of the film. We also are treated to a few unnerving sequences, the snake in the bathtub and the spider dream sequence in particular. There's also a lengthy set-piece which takes place in the barn, exceptionally well-done.
Maren Jenson is a gorgeous woman (much more so than Stone), and she brings a grounded quality to her leading role. It's a pity she didn't do anymore films, TV or anything after this. This film marked Sharon Stone's first speaking role, and while she isn't great or even good, I did like her delivery when describing her dream early on. Ernest Borgnine and Michael Berryman are both favorites of mine, and they deliver two more solid characters to their resumés. The underrated Lois Nettleton is here too as Jensen's oddball neighbor.
I also have to admit that I loved the ending, which is often bashed. I thought if fit with everything that had come before, like the dog on the prowl, the spiders, Stone's dream sequences, etc. It felt like a malevolent force was influencing the surrounding area.
This film is a long-standing favorite of mine, and I for one think it deserves more respect. Of course, for that to happen, I suppose more people would need to see it first. Probably Craven's least seen film, which is most unfortunate.
The Hittites are an extreme religious sect that, "make the Amish look like swingers".
They shun anyone who does not follow their hardline path, calling them serpents, while claiming that all non-Hittite women are incubus.
When one of their own leaves the group to pursue an education in the city, and returns with a beautiful wife to claim his inheritance, and farm the land with modern methods...it is no coincidence that he winds up murdered.
However, the death doesn't stop there.
One of the Hittite boys with developmental disabilities also winds up dead, when he is caught peeping on the women next door.
It seems that something more supernatural may be afoot when doors start being slammed by unseen forces, and the women are tormented by snakes and spiders.
The question now, is, whether a murderer might be running rampant, or if some sort of Hittite golem been unleashed?
Perhaps the answer isn't so simple.
Things are left ambiguous enough to keep you guessing...as people continue to die.
And the culprits may just be the ones you least expect.
The truth is revealed in an obvious case of foreshadowing, but they leave enough room for reasonable doubt to keep you questioning things.
While an unexpected twist is spun in at the end to throw you for a loop.
All in all, it's an entertaining little horror mystery with a lot of twists and turns.
And the women are all total babes.
6.5 out of 10.
Craven's lost treasure in his film collection just might be his curiously under-seen 1981 cult film "Deadly Blessing". Finally with its DVD release in Australia, I got the chance and really enjoyed this stylishly skin crawling and at times inspired psychological shocker. Everything about Wes Craven's well-mounted set pieces is genuinely haunting and visually striking with its spontaneously unexpected and innovative jolts. Tight, pressure-boiling suspense is atmospherically tailored to the dreamy, offbeat air and Craven's judgement is immensely on song. He paints the surreal mood with great use of tinted colouring, well-lit lighting and an eerily original and alienating rural location choice. Going a long way to making the whole set-up quite effective was James Horner's alarming music score, which ripples with ripe and tight thunderous cues. Glenn M. Benest and Mathew Barr's busily symbolic story builds upon the groundwork to only end up all over the shop with its supernatural and psychological elements that seem too uneven and illogical. Boy does it become out-of-control, and strange leading to the climax. It does throw one surprise after another! However the ambiguously outrageous and tacky shock ending, now that was a real eye opener that totally felt out-of-place within the subtle context. Listen to the amusing DVD commentary to understand the reasoning for its inclusion. Robert Jessup's elegantly scenic cinematography is well observed and swiftly handled. The three beautiful lead females were convincingly accessible; a headstrong Maren Jensen, joyful Susan Buckner and a drop dead gorgeous, but fragile-minded Sharon Stone. Ernest Borgnine's steadfast, godly turn as the sect leader is superbly prominent. Michael Berryman is unforgettable. Lisa Hartman and Lois Nettleton are enjoyably lively, and Jeff East and Kevin Cooney also appear. Also Craven manages to squeeze a neat little reference to his very good TV movie "Summer of Fear".
Le saviez-vous
- AnecdotesWes Craven compared his work with actor Ernest Borgnine to John Carpenter's work with Donald Pleasance in the original La Nuit des masques (1978). He states that Borgnine was the first "big name actor" he had worked with and was at first intimidated by the actor.
- GaffesThe cult members only accuse female characters of being the Incubus. In folklore, however, an Incubus is an exclusively male demon, the counterpart to the exclusively female Succubus. **The "incubus" in this case actually was a man, who was living as a woman, so this isn't entirely a goof.**
- Citations
[in reference to Martha's land]
Vicky Anderson: If I owned a piece of property like this and I kicked the bucket, my parents would start building condos on it on the way home from the funeral!
- Crédits fousThe end credits start rolling before the narrator's dialogue is finshed.
- Versions alternativesIn the British version, to avoid what they might call confusion, they omitted the "finale" in which the incubus ascends from hell. This version runs 98 minutes.
- ConnexionsFeatured in The Directors: The Films of Wes Craven (1999)
Meilleurs choix
- How long is Deadly Blessing?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Deadly Blessing
- Lieux de tournage
- Bardwell, Texas, États-Unis(Town Store)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 279 042 $US
- Montant brut mondial
- 8 279 042 $US
- Durée1 heure 40 minutes
- Mixage
- Rapport de forme
- 1.85 : 1