Carbon Copy

I first saw one scene of this largely forgotten movie on TV in the early '80s. A white man told his white wife that the black teenage boy with them was his son. She became hysterical and told her husband that God would never forgive him. He responded by saying "How do you know? Maybe he's pleased? Maybe God is black!" As a white kid about 12 years old, somehow I found "Maybe God is black" to be one of the funniest things I'd ever heard! Over the years, I quoted that line many times, mostly in arguments with my mother and maternal grandmother about inter-racial marriage. I supported it and they opposed it, though their opposition was out of fear of the social stigma rather than hatred for other races.

That scene was all that I ever saw of "Carbon Copy" until I was 19, when I saw it in a video store and rented it. I loved it but didn't see it again until getting the newly released DVD for Christmas last month. Now 34 and in an inter-racial marriage, I find the movie funnier than ever!

Now for my synopsis of the movie! Walter Whitney (played by George Segal) is a wealthy businessman who lives a high society lifestyle with his snobbish wife Vivian (Susan St. James) and his equally snobbish step-daughter Mary Ann (Vicky Dawson). That changes one day when a 17-year old black boy named Roger Porter (Denzel Washington in his first movie) arrives at Walter's office and, after an extensive display of crude behavior, cheerfully says "Hi, Daddy!"

It turns out that Roger was the product of Walter's relationship with a black woman, now dead, who he loved. But he left her when his longtime employer and now father-in-law Nelson Longhurst (Jack Warden) advised him that it would be harmful to his career to be with a black woman. It's also revealed that Walter changed his last name from Weisenthal to hide his Jewish ethnicity.

Walter is shocked to learn that he has a son and nervous about the way it might disrupt his life. But he attempts to help Roger by telling Vivian that he wants to adopt a poor child for the Summer to show him a better way of life. Vivian reluctantly agrees, then changes her mind shortly after meeting Roger, which leads to the scene that I mentioned to start this review.

Vivian proceeds to kick out Walter and her father fires him, takes his company Rolls Royce and his many job benefits. Walter learns that his total worth is the $68 in his wallet.

So Walter and Roger, the day after meeting, seek shelter together. They first check into a cheap motel and later move into an apartment in Watts while Walter looks for a new job. But in the town of San Marino, his reputation turns out to be ruined and out of desperation to make some quick cash, he ends up shoveling horse manure.

As the movie progresses, it's obvious that Walter regrets leaving Roger's mother. And now he must decide whether to keep Roger at a distance for the sake of social acceptance or try to make up for the mistakes of his past by attempting to build a close relationship with his son.

Throughout the movie, the interaction between Walter and Roger is fabulous. Though they are father and son, their lives have been radically different. Their cultures often clash and this results in many hilarious situations. The movie does a great job striking the very difficult balance between having fun with racial stereotypes but still condemning racism.

And during the last 15 minutes, when the movie makes the transition from comedy to drama, it does so surprisingly smoothly.

In conclusion, "Carbon Copy" gets my vote as the best culture clash comedy ever. I also consider it to be one of the most underrated movies ever. It's a great movie to watch for lots of big laughs. 9/10.

Carbon Copy was previously unknown to me but recommended by a friend of mine. I'm a fan of Denzel Washington's work and to see him in a comedy, I figured why not. It has certain similarities to Trading Places as a riches to rags story. George Segal plays a successful white yuppie executive type who's life gets turned upside down when he discovers he has a black son that he won't turn his back on. He ends up losing his job and assets because of it and does the best he can do to deal with the situation. The film deals with a lot of race and class issues that are not much different and relevant today. The race situation is a little better, but we have a ways to go with that in America. Another theme of the movie is selling out has consequences and it is much better to stick to your principles than to take the more financially lucrative situation. Even with some of these themes , Carbon Copy is a comedy and a funny one that doesn't come across as preachy or pretentious.

I was very surprised to see this movie today on a channel that plays lots of familiar movies. I had never heard of this one before, but I figured with Denzel Washington how could I go wrong? Yes, Carbon Copy is over-the-top in its depiction of snooty racists, and some of the comedy borders on slapstick. But if you concentrate on the relationship between the Denzel Washington and George Segal characters, you're in for a real treat. They are truly wonderful together and Denzel, especially considering this is one of his earliest roles, has all the charisma, polish, and depth we have come to expect from him. Bonus points for some really funny lines and a serious point that is made with heart.

Before watching this, I feared I was in for some cringy, eye rolling moments. Not as many racial slurs as I'd thought, plus two great actors (Denzel Washington and George Segal) starring in this. I was thrilled that I was about to witness Denzel's film debut, and I'd hoped it wasn't as offensive as I'd imagined. I mean, for young Denzel to be in such a film? I had expected something... better.

There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!

I saw this movie in the 1980s on German TV (in English). Fortunately, I taped it, because I never saw it again -- until 2006 on the MGM cable channel (and now I recorded it on DVD!). In the meantime, I wrote a thesis that dealt, among other things, with integration and denial issues (compare it to Woody Allen's "Zelig", for example!), and I found more quotable poignant and funny lines in this movie than in any other. On top of it, it has all those minor jokes that you probably won't catch the first time around and that make a comedy great. This movie is extremely funny, well written and has great actors, who should really be proud of it. The only thing that surprises me is that with all those big names attached the movie is so frequently overlooked and almost forgotten. If you haven't seen it and get a chance to, by all means, watch it and spread the word. By the way: I won't claim I saw Denzel's potential back then, but when I look back at this movie now, in hindsight, you can detect an Oscar winner in the making. Why didn't I give ten points? Well, I have to admit that the movie tapers off a bit at the end. If it had started more slowly, it would be OK, but the first half is just one funny line after another, and it just doesn't keep up its pace. And maybe the end is too unrealistic -- but then again, what do you expect from comedy? For me, it still works because it has a lot to say, and it does so in a brilliant way.