Un ancien moniteur, grièvement brûlé à la suite d'une farce qui a mal tourné, rôde dans un camp d'été du nord de l'État de New York, déterminé à tuer les adolescents responsables de sa défig... Tout lireUn ancien moniteur, grièvement brûlé à la suite d'une farce qui a mal tourné, rôde dans un camp d'été du nord de l'État de New York, déterminé à tuer les adolescents responsables de sa défiguration.Un ancien moniteur, grièvement brûlé à la suite d'une farce qui a mal tourné, rôde dans un camp d'été du nord de l'État de New York, déterminé à tuer les adolescents responsables de sa défiguration.
- Réalisation
- Scénario
- Casting principal
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Aspect ratio: 1.85:1
Sound format: Mono
An abusive caretaker at a lonely summer camp is disfigured by fire during a prank which goes horribly wrong. Five years later, he returns to the area to take revenge against one of his former persecutors (now a camp counsellor) and the kids in his charge.
Makeup artist Tom Savini rejected an opportunity to work on "Friday the 13th Part 2" (1981) in order to create effects for Tony Maylam's THE BURNING, yet another in the assembly line of low-budget horror movies which emerged in the wake of HALLOWEEN (1978). Savini warned the film's producers - including a fledgling Harvey Weinstein! - that the script for THE BURNING shared uncomfortable similarities with the "Friday" sequel, though fans may have been too dazzled by the gruesome set-pieces to either notice or care. In truth, THE BURNING shares only a handful of superficial details with "Friday 2", including a late night campfire episode in which the villain is dismissed as an urban legend, culminating in a false 'scare' which today's audiences will probably see coming a mile off. Despite a couple of groan-inducing incidentals ("Oh, I forgot my vitamins - I'll have to go back to my cabin through the dark, creepy woods!"), the narrative develops organically from one scene to the next, and characters react believably to the escalating situation. Unfortunately, the climax - set mostly within an abandoned mineshaft - is staged and executed with little flair or suspense, and amounts to something of a major disappointment.
Of course, the main point of interest - besides seeing some familiar faces in early roles, including Jason Alexander (TV's "Seinfeld"), Fisher Stevens (SHORT CIRCUIT) and an unrecognisable Holly Hunter - is Savini's horrific makeup effects: Victims are slashed, stabbed, punctured and poked in graphic detail, and blood flows copiously from some horribly convincing wounds. Indeed, the film reaches a crescendo of horror during a notorious sequence involving an 'abandoned' canoe (I'll say no more), one of the most vicious set-pieces of the 1980's 'slasher' cycle. Briskly paced, and scored with a series of electronic doodles by no less than Rick Wakeman (!), THE BURNING may seem awfully simplistic to modern viewers, but it delivers the gory goods in no uncertain terms. The movie was censored for an R-rating, but the uncut version has since been released on home video.
Prank leaves camp caretaker horribly disfigured and ready for some harsh vengeance. Enter a band of teenagers and a sharp pair of garden shears...
While admittedly The Burning isn't the most well-written horror movie of the period, it's definitely one that delivers great atmosphere and suspense. Even better for genre fans, it boasts the spectacular gore FX from master makeup artist Tom Savini. The FX in this film are highly bloody, especially during the infamous 'raft' scene. This, along with a spirited cast, nice wilderness locations, and a tension-filled electronic music score makes this film a pretty well done slasher flick. Oh, also there's a good bit of nudity which helps to make it even more of a guilty pleasure for slasher fans.
Cast-wise the movie holds its own too. Brian Matthews makes for an OK leading man, but it's really the supporting cast that highlights here. Young Jason Alexander and Fisher Stevens both make their film debuts here (along with a passing Holly Hunter) and prove to be likable goofs. Also good is Larry Joshua as the beefy camp bully.
So slasher fans, The Burning is one flick that's not to be missed. Be sure to find an uncut version of it though.
*** out of ****
The Burning is nearly identical in plot and storyline to Friday the 13th. Here the bad guy is a burn victim as a result of a prank gone awry and years later he takes vengeance on unsuspecting campers in gruesome fashion. While the movie is pretty slow and the gore fest doesn't really start until an hour in it's never boring. Here's where the film is different from Friday the 13th and many others: The teens aren't merely disposable pricks who you can't wait see get their grisly demise. They're actually a pretty likable bunch, well played by some future stars (Jason Alexander, particularly likable here, and Fisher Stevens among them) and when some get slashed you kinda feel bad for them.
Now for what really counts. Two things; gore and mood. The Tom Savini gore effects do not disappoint. Keep in mind that this is 1981 and digital effects have improved horror gore somewhat but this is pretty impressive stuff. The raft scene is a particular standout. As for mood, you can't beat these early 80's alone-in-the-woods scenarios and they're all well played out here. Although there are a lot of false scares here, they're buildups are great and the creepy surroundings go a long way. If films like Psycho made people afraid to take a shower and Jaws made people afraid of the water then films like The Burning and Friday the 13th must have made a few parents hesitant at sending their kids to summer camps.
Fans of slasher films will not want to miss The Burning. Although Friday the 13th is more suspenseful and The Burning feels a bit too stretched, it nevertheless has plenty of good moments and top notch kill scenes. What's not to like?
The caretaker of a summer camp is burned alive and left deformed after a prank goes wrong. Years later, he's released from the hospital and returns to the area where the accident occurred. A new group of campers have arrived for the summer and he has horrific plans for them. Hedge clippers in hand, the caretaker begins his reign of terror on the counselors and attendees.
"The Burning" has the raunchy toilet humor of "Meatballs" mixed with everything you came to expect from slasher films like "Friday the 13th" and "Sleepaway Camp." You have nice girls making bad decisions by hooking up with bad guys. Unfortunately, the killer sees all and punishes them for their perverse deeds.
I always thought the killer in "Friday the 13th, Part V: A New Beginning" was the first to utilize hedge clippers. I was very wrong, as you can see in "The Burning." It's obvious the psycho in "A New Beginning" took inspiration from the crazy caretaker.
It's unbelievable how many big names are attached to "The Burning." Harvey Weinstein created and co-wrote the story. Bob Weinstein co-wrote the screenplay. Special Make-up Artist Tom Savini returns to camp for a second time after his classic work on "Friday the 13th." His handiwork keeps the blood flowing efficiently.
Brian Backer plays a character more annoying than the one he did in "Fast Times at Ridgemont High." Jason Alexander (yes, George Costanza) portrays a sporty and popular high schooler. He has a full head of hair and doesn't wear glasses. Holly Hunter can be seen briefly as a camper. She looks like she was maybe 13 years old.
"The Burning" is another one of those cult classics many people forget about in the shadow of "Friday the 13th." If you're a fan of 1980s slasher movies, it's a must-own.
The story follows campers from summer camp goes with canoe trip to Devil's Creek once there they become targets, from a former summer camp caretaker, horribly burned from a prank gone wrong, with a pair of hedge clippers to take revenge on the campers. Once there they are trapped while assailant is stalking them and kills them one by one.
I enjoy this film it is not a bad slasher horror film it is instant classic and really puts most of horror films to shame. It has a lot of nudity with girls been naked and sexy. This days I don't see any naked girls in any slasher horror films today. They don't make horror movies like this one in the woods today. Back in the 80's was more work than today. Tom Savini from Dawn of the Dead makes special effect for more gory blood and they work. Just like he did special effects for Friday the 13th, Friday the 13th: The Final Chapter and Dawn of the Dead he makes effects for this movie and the gory kills really works. There is a lot of scares and twists in here that keeps getting you interested and intense. It doesn't allowed you to stop watching it. Friday the 13th part 2, My Bloody Valentine, The Burning, The Howling and American Werewolf in London are really in my top five favorite films from 1981 in horror genre. Why can't we get movies like this?
Directed and original story by Tony Maylam who directed the film really good. I miss movies like this today and I think it is a really good movie. Brian Matthews, Brian Backer, Carrick Glenn and Carolyn Houlihan were believable at acting and they were really good. 8/10 this movie is an instant classic in the horror genre from the 80's for me.
Le saviez-vous
- AnecdotesThe concept of the film (originally scripted as "The Cropsy Maniac") is based on a campfire story told at summer camps in and around New Jersey and upstate New York. The story is still in circulation and is also the basis for the documentary Cropsey (2009), though this film is not referenced in the documentary.
- GaffesWhen Cropsy is set on fire at the beginning of the film, it is possible to see his crash helmet.
- Citations
[last lines]
Camp Counselor: They never found his body, but they say his spirit lives in the forest. This forest. A maniac, a thing no longer human. They say he lives on whatever he can catch. Eats them raw, alive maybe. And every year he picks on a summer camp and seeks his revenge for the terrible things those kids did to him. Every year he kills. Right now he's out there. Watching. Waiting. So don't look; he'll see you. Don't breathe; he'll hear you. Don't move; you're dead!
- Versions alternativesThe version of the film shown on the MonstersHD channel (August 2006) is completely uncut. However the added bonus for this version is that they showed the film in its proper widescreen format. The film has never been issued in a widescreen format at all (short of its theatrical run) previously to this.
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Détails
Box-office
- Budget
- 1 500 000 $US (estimé)
- Montant brut mondial
- 315 $US