Sorcellerie

In the seemingly endless quest to find well made, well acted horror films, it is all-too-rare to find one that even comes remotely close to hitting the mark. Needless to say, I was very pleasantly surprised when I stumbled across "Burned at the Stake" on a U.S. cable network while I was flipping channels. The premise is reasonably simple. In 1692, young Ann Putnam (Swift) is the most vocal witness against alleged witches, leveling baseless charges against anyone who earns her displeasure. Manipulating her for his own ends is Reverend Parris (Peters) who also serves as the court's guide on matters pertaining to witchcraft and Satanism. Things get complicated when Ann starts accusing members of the Goode family of witchcraft. Salem (of 1980 or so), Loreen Graham (also played by Swift) begins having unusual visions shortly before she visits the Salem Witch Museum. A strange man in seventeenth century garb tries to accost her there and the building. He continues to stalk her while strange phenomena begin to involve her more and more. Soon, it appears that she is becoming possessed by the spirit of Ann Putnam. Unfortunately, further description gets rather involved and would give too much away. Though the film is not action-oriented and would likely be of little interest to many viewers, the performances are good and the seventeenth century dialogue used in the film's many flashbacks sounds very convincing. The production values are solid with the possible exception of some of the special effects. In a side-note, the film's technical advisor was Laurie Cabot, Salem's official witch. Viewers who appreciate a well-made, atmospheric, but understated horror film may appreciate this. The writer/director, Bert I. Gordon, has had a long career in horror and science fiction filmmaking and is best known for his work on a number of "big bug" films and similar works years earlier.

I honestly had no idea that the Notorious B.I.G. (Bert I. Gordon the director; not the murdered rapper) was still active in the 80's! I always presumed the deliciously inept "Empire of the Ants" stood as his last masterful accomplishment in the horror genre, but that was before my dirty little hands stumbled upon an ancient and dusty VHS copy of "The Coming", a totally obscure and unheard of witchery-movie that actually turned out a more or less pleasant surprise! What starts out as a seemingly atmospheric tale of late Dark Ages soon takes a silly turn when a villager of year 1692 inexplicably becomes transferred to present day Salum, Massachusetts and promptly attacks a girl in the history museum. For you see, this particular girl is the reincarnation of Ann Putman who was a bona fide evil girl in 1692 and falsely accused over twenty people of practicing witchcraft which led to their executions at the state. The man who attacked Loreen lost his wife and daughter this and wants his overdue revenge. But poor and three centuries older Loreen is just an innocent schoolgirl, … or is she? "Burned at the Stake" unfolds like a mixture between "The Exorcist" and "Witchfinder General" with a tad bit of "The Time Machine" thrown in for good measure. Way to go, Bert! The plot becomes sillier and more senseless with every new twist but at least it never transcends into complete boredom, like too often the case in other contemporary witchcraft movies like "The Dunwich Horror" and "The Devonsville Terror". The film jumps back and forth between the events in present day and flashbacks of 1692; which keeps it rather amusing and fast-paced. The Ann Putman girl is quite a fascinating character, reminiscent of the Abigail Williams character in the more commonly known stage play "The Crucible" (also depicted by Winona Ryder in the 1996 motion picture). There are a couple of cool death sequences, like the teacher in the graveyard or the journalist in the library, that are committed by the ghost of malignant reverend who made a pact with Ann Putman and perhaps even the Devil himself. The film gets pretty spastic and completely absurd near the end, but overall there's some good cheesy fun to be had. Plus, the least you can say about Bert I. Gordon is that he definitely build up some directorial competences over the years.

This film begins in 1692 with the Salem witch trials. Ann Putnam is a young girl who has accused several people of witchcraft. This scene is actually based on real events and characters and the real life Putnam was a young girl who ultimately accused 62 people of witchcraft! At first, folks believed her rants and several folks were put to death or imprisoned but after a while it became apparent that Ann was just a nasty piece of work!

The scene then switches to the present. Loreen Graham (also Susan Swift) is on a class field trip to Salem and soon weird stuff starts happening all around Loreen. A guy dressed in stereotypical Puritan garb chases after her and he keeps appearing and reappearing. And, the girls' teacher is killed right before their eyes in a weird 'accident'! Eventually, this same Puritan guy appears IN Loreen's home and he's shot several times...with no effect whatsoever! The police arrive and handcuff the guy (which is odd in light of the bullets) and tossed him in jail...and there the man out of time languishes!! Later in the film, Loreen starts acting like Ann...as if she is somehow becoming this hellishly awful person.

Considering the film was directed by Bert I. Gordon, I automatically assumed it would be crap. After all, he's responsible for crap such as "Empire of the Ants", "Food of the Gods" and "Picture Mommy Dead"...and quite few other genuinely bad films. But despite this and a rather low overall score of 4.3, it's pretty good for what it is...and has several interesting twists that help it stand apart from dozens of other Satanism films (a VERY popular genre in the 70s and early 80s). Overall, a tad silly but quite entertaining for this sort of thing.

FYI--The Salem Witch Museum portrayed in this film is an actual museum which brings the trials to life. I visited there myself many many years ago.

As a fan of Susan Swift's OTHER and much better known reincarnation movie - 1977's Audrey Rose - I was eager to see The Coming. It took me ages to find a copy of the video, and when I did locate one in a second-hand shop, I had to spend £10 to get it! But I was not disappointed. I thought it to be a highly intelligent and original horror movie, which dealt superbly with the fascinating 17th century Salem witch hunts. As Loreen Graham/Ann Putnam, Susan Swift was brilliant, and I am amazed that the film is barely heard of anywhere in the world. I strongly recommend that you try and see it.

On the whole horror films are not known for attention to detail. But when entire plot devices are based on complete historical fiction it's just sad. First of all the title of the film: Burned at the stake, this would not have been so bad if it was not set in Salem, Massachusetts. Accused witches were sometimes burned at the stake, this is true. But none of the 19-22 people who died during the Salem witch trials were burned at the stake. Almost all were hanged and one was pressed to death. Hanged isn't necessarily the best title but it would have been a more accurate one. The other huge inaccurate that I have a problem with is Sarah Good's husband. First of all the man was an uncaring husband and father, this is a historical fact. He did not defend his wife or his daughter during their trials in fact he gave evidence against them. Dorcas was 4 years old when she was accused and she was accused after her mother but before her mother was executed. Dorcas was convicted of witchcraft but never executed, instead she spent months in jail. After the panic was over in Salem and Dorcas and the other imprisoned accused were released there are numerous records of Dorcas's father petitioning the government for reparation money claiming that the months of imprisonment had rendered his daughter useless to him. Where's the caring father here? If you can see past the false history that this entire film is based on then I'm sure it's an okay horror film