NOTE IMDb
5,6/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueA prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.
- Réalisation
- Scénario
- Casting principal
Michael V. Gazzo
- Tazio
- (as Michael Gazzo)
Royce D. Applegate
- The Father
- (as Royce Applegate)
Billy Jayne
- The Boy Thief
- (as Billy Jacoby)
Avis à la une
Overlooked early 1980s film. The movie is a depressing look at two seedy characters trying to make it through life. The acting is solid and both Fields and Jones look the part of someone living on the edges of society. Jones is a two-bit club boxer with a reputation for losing. He comes across in a less then positive light, yet down deep, there's a heart of gold. Fields as a street hustler looks beat-up in this film. He rarely cracks a smile, and it's one of here meaty roles. However, the film is a somewhat depressing look at life, at least from the standpoint of street people. It's a fairly entertaining movie and if you're a fan of either Sally Fields or Tommy Lee Jones, then Back Roads is a film to see.
Amy Post (Sally Field) is a low rent prostitute in Alabama. She gets caught up with jobless drifter ex-boxer customer Elmore Pratt (Tommy Lee Jones) as they go off on a rambling road trip.
Norma Rae director Martin Ritt reunites with Sally Field. I think it's intended as a grimy tough rom-com. Whether it's the script or the much rumored bad relationship between Field and Jones, the couple is plagued with bitter anger and the chemistry is never good. The movie is filmed in a low rent 70s style Grime-o-Vision. It works sometimes like playing pinball in a roadside bar but mostly it looks like a poorly made indie. In the end, the relationship never blossoms as it's suppose to. Sally Field does have a good breakdown, but Tommy Lee Jones have the acting range of a grumpy old man.
Norma Rae director Martin Ritt reunites with Sally Field. I think it's intended as a grimy tough rom-com. Whether it's the script or the much rumored bad relationship between Field and Jones, the couple is plagued with bitter anger and the chemistry is never good. The movie is filmed in a low rent 70s style Grime-o-Vision. It works sometimes like playing pinball in a roadside bar but mostly it looks like a poorly made indie. In the end, the relationship never blossoms as it's suppose to. Sally Field does have a good breakdown, but Tommy Lee Jones have the acting range of a grumpy old man.
Despite the presence of two Oscar-winning actors in its cast, "Back Roads" has been forgotten for the most part. Seeing it, it becomes clear why it hasn't built a cult. I won't say that it's a terrible movie - there are a few good things about it. It's nice for a change to see a major Hollywood studio movie that is fairly downbeat in nature. Also, the acting by both Jones and Field is pretty good - in fact, while watching the movie, I never thought I was watching two movie stars, but instead watching two characters. But their characters aren't that interesting. We don't learn much about them, and their frequent bickering becomes ultimately tiring. Also, when the movie ends, it ends at a point where it seems unfinished. It's like the director said, "We've got a 90 minute running time, so let's call it a day." Only worth watching if you want to see why the CBS network wasn't very successful in making theatrical movies.
Just recently checked out this little known film from 1981 called "Back Roads" and I knew it would be a winner when it had Tommy Lee Jones and Sally Field in it and I was right the chemistry had worked. This is a heartfelt little tale of struggle and a journey of survival it touches your emotions showing that everyone has good in them and life is an unexpected journey. Set in the deep rural south I believe Alabama you have Sally Field as Amy Post a sweet and love like street walking hotel staying hooker who earns 20 dollars for each bang she gives. Things shakeup a little bit when she meets the rough and rugged Elmore Pratt(Tommy Lee Jones) a man who's dreams of becoming a prize fighter has blown up in smoke as now he moonlights as a taxi car washer! After hooking up the two decide to journey out to California the best way they can as money will not stop them. This is an interesting journey in which both each learn respect, love and courage it proves life is a journey of discovery and learning how to love. Overall good little underrated gem to watch.
This movie was an upside down love story of two people who were unlikely to end up together. It was great to watch because you know what's going to happen in the end, but you want to see how they get there. The one problem I had with this movie was Sally Field playing a prostitute. It just didn't seem believable to me. Sally Field looks to innocent and sweet to play a character like this. Tommy Lee Jones, on the other hand is just great. He plays the part of a drifter that moves from town to town and does almost everything to survive, but also maintains a good heart towards this woman(Sally Field)that wants nothing to do with him. If you are going to watch it, watch it for Tommy Lee Jones. One other thing, they should of chosen more than just one song for the movie. The theme song plays about 3 or 4 times throughout the movie. This is one movie that I would love to see remade. It's a timeless movie.
Le saviez-vous
- AnecdotesReportedly, Sally Field and Tommy Lee Jones disliked each other and did not get along during production.
- Citations
Mason: When was your last fight?
Elmore Pratt: I ain't had it yet!
- Bandes originalesAsk Me No Questions (I'll Tell You No Lies)
Written by Henry Mancini
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Sue Raney
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- How long is Back Roads?Alimenté par Alexa
Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 809 387 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 046 339 $US
- 15 mars 1981
- Montant brut mondial
- 11 809 387 $US
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By what name was Un duo d'enfer! (1981) officially released in India in English?
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