In a sweeping move to champion Asian cinema, Chanel’s Culture Fund is making waves across Hong Kong and Thailand, uniting Academy Award winner Tilda Swinton and Palme d’Or recipient Apichatpong Weerasethakul for a landmark collaboration.
In Hong Kong, the initiative includes Chanel’s partnership with M+ museum is spearheading a restoration program under the guidance of Silke Schmickl, Chanel lead curator of moving image, who will oversee the M+ Moving Image Centre’s collections, commissions and curatorial programs. The project will restore nine Hong Kong New Wave films, with three premiering at major international festivals in 2025: T’ang Shushuen’s “The Arch” (1968), Peter Yung’s “The System” (1979) and Patrick Tam’s “Love Massacre” (1981).
“It always occurs to me that there’s no such thing as an old film, because what cinema is, is the present, so you can look at a film that was created in 1923, and you are right there,...
In Hong Kong, the initiative includes Chanel’s partnership with M+ museum is spearheading a restoration program under the guidance of Silke Schmickl, Chanel lead curator of moving image, who will oversee the M+ Moving Image Centre’s collections, commissions and curatorial programs. The project will restore nine Hong Kong New Wave films, with three premiering at major international festivals in 2025: T’ang Shushuen’s “The Arch” (1968), Peter Yung’s “The System” (1979) and Patrick Tam’s “Love Massacre” (1981).
“It always occurs to me that there’s no such thing as an old film, because what cinema is, is the present, so you can look at a film that was created in 1923, and you are right there,...
- 22/01/2025
- par Naman Ramachandran
- Variety Film + TV
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