A Town Like Alice

A TOWN LIKE ALICE first captivated me when I was only 14 and caught a re-run of it on T.V. in 1984. It has since remained one of my most favorite romances on film. It is a modest, understated and "un-Hollywood" (thank God!) work, yet it is epic in the way it depicts the two very likable main characters, Joe Harmon and Jean Paget (played by Bryan Brown and Helen Morse, respectively) meeting during a tumultuous backdrop of war and despair, falling in love in spite of it, and then becoming blissfully reunited. But don't worry--I haven't given away the "happy ending!" The last half of the film that follows is what gives this work its integrity. The lovers then have to overcome the adversity of the differences of their cultures and beliefs--her being English and he being Australian. Jean Paget is an admirable, headstrong character, who when placed in the backwards Australian outback of the 1940's, is put to the test with her lover Joe, making one realize that love relationships don't go perfectly, but if the love is strong, it will persevere.

This movie truly pulls the viewer into the romance between Jean and Joe and you feel every heartache and every joy that they share in your heart as well. But these are not shallowly constructed "romance novel characters." They are complex and imperfect and through their hardships, show the audience that any love such as theirs is truly worth fighting for.

So, as long as this movie is on tape (being a two- part mini-series), please be patient with it (like you would with an E.M. Forster novel-to-film adaptation) because I guarantee the reward will be ever so sweet. It will draw you in and be compelling from start to finish with a story you will really care about. A wonderful, wonderful picture! Plus, the soundtrack is absolutely gorgeous and moving.

I remember watching this series avidly and being so disappointed when it came to an end. Over the years since then, I have tried to find out if I could obtain a copy of it on either video or d.v.d., to no avail. However, I was delighted to find this website with details of it, only to be disappointed again at the point of purchase, that the videos available will not play on English recorders! This production was so wonderful, being absolutely accurate with Nevil Shute's novel, taking the storyline through after the end of the war, with Joe and Jean's subsequent life together - absolutely marvellous - and I just wish I were able to see it again, as since it's original screening, there have been no repeats of it on British television.

I cannot believe it has been 25 yrs since I first watched this story on TV. I remembered to have been very much touched by it and was lucky to get the VHS tape several years ago. I did not watch it again until just recently. I have been watched it over and over ever since. I must have watched it 10 times in the past 2 wks.

The acting is superb, the story is compelling, and I am embarrassed to say that I did not appreciate actor Bryan Brown's talent until now. The playful facial expressions shown in the first half - when he gave Jean the stolen medicine in Malaya is such a contrast to his very reserved and nervous body languages shown in the second half: in their first drink together in Caines and the touring of the homestead. We have to wait until the wedding reception, especially the final dance scene to see his open display of affection for Jean. The same dancing eyes that first revealed his admiration in Malaya. Who wouldn't want to be his Mrs. Boong ?

While Joe changed from a cocky, almost bigger than life figure in the Malaya jungle to a somewhat self-conscious average Joe in his own backyard, Jean took the opposite road; her wartime experience seems to have given her new confidence. She wasted no time and went after what she wanted. She took steps to take what she could get - exactly as Joe had told her to once upon a time.

For me, all these transformations helps to show this is more than just a love story - this is a story about growth, courage and fragility in life. The solicitor -Noel is both a sweet and sad figure. He too gave much to Jean - he gave his last hope for love. At the end, he did what true love requires -- he put her happiness ahead of his own.

I happened to like the fight between Joe & Jean that was not in the book. I thought it's an appropriate and necessary addition for it helped to surface the inner struggles they both had to deal with in order to make their life together possible.

Now, I am older, maybe I understand life, love and loss a little better. This story touches me even deeper.

I am, however, surprised to see B. Brown has blue eyes in the promo photo shown on this site. He most definitely did not in "A Town like Alice." Well, 25 yrs is a long time !

I first saw the series on Msterpiece Theater on PBS in weekly hourly installments tgat went for about 14 or 15 weeks in the 70's. If there was a movie from that, that's too bad because the entire series had to be viewed in its entirety with the detail that 14 or 15 hors of plot give. The theatrical movie version that was done in the 50's with Peter Finch doesn't do justice to the story. The plot divided into two parts...1)the World War II agony of the trek through the jungle and stay in a prisoner of war camp and 2) the relationship that develops in the Outback of Australia. One of the most vibrant scenes I recall was the character Paget being elated that Harmon was, in fact alive, skipping and jumping for joy down the beach after having thought he died years previously. Wonderfully filmed throughout the series.

Apparently this Australian film based on Nevil Shute's novel exists in more than one form. Beware heavily cut versions sometimes shown on cable or satellite, running anywhere from 95 minutes to 2 hours. Only the full 5 hour miniseries version tells the story properly. It is a very close realisation of the story, suffering only from editorial faults commonly found in TV movies: choppiness and episodic progression. But this excellent cast carries the story forward very well with generally good production values accompanying their work. Yuki Shimoda is notable as "Gunso Mifune", one of the guards assigned to accompany the women on their agonising trek. In the end he becomes a friend. You will agonise with him when his loss of face leads him into death.Helen Morse as "Jean Paget", pretty but not a great beauty (she resembles Sigourney Weaver a bit)registers just the right amount of spunk and winsomeness as the occasion demands. The miniseries properly emphasises the beautiful love stories, three of them: "Joe" and "Jean", "Noel" and "Jean", and "Jean" and Willstown. Gordon Jackson plays "Noel Strachan" appealingly, but as a somewhat younger man than Nevil Shute indicated in the novel. The third love affair I mentioned doesn't get quite the emphasis it is due, and the full significance of the title is diminished. "Jean" is devoted to the goal of bringing businesses to Willstown that will attract young women and girls and their civilising influence to this god-forsaken out back town. She wants to make it "A Town Like Alice"; Alice Springs, that is. We get only a few hints of this in several scenes. If you have the five hours to spare, this miniseries is a truly rewarding experience. Nevil Shute based his novel about the cruelty of the Japanese military in shunting a large group of women and children from one place to another on the Maylay Peninsula on a true occurrence. It happened on Sumatra, according to Shute, though, rather than on the peninsula. The crucifixion of "Joe" by a Japanese officer for stealing chickens to feed the women is probably fiction, but the cruelty of the Japanese in dealing with prisoners is certainly a matter of record.