The Hitch Hiker's Guide to the Galaxy

I've been into Douglas Adams' "Hitchhiker's Guide" series since grade school where it was introduced to me. So when I learned that I could have it presented to me in visual form, I was interested...just how could they adapt this novel, which strays every which way from the central story, into a mini-series of epic proportions?

Easy. As long as the Brits do it.

Get yourself a heard of young but experienced talent, who are no stranger to the airwaves in the UK, and stick close to the story. You're assured a winner. The book tells amazingly well on the screen, and the characters are pretty close to what your mind would imagine from descriptions in the text. Important points in the story occur when Adams strays from the main plot, and jumps into a description of the history of a certain object, person or event as described by the "Hitchhiker's Guide To The Galaxy", a futuristic electronic know-all dictionary. The mini takes this to heart so it seems, and sticks with it, showing viewers animated sequences to what the Guide would be showing it's user. This is where the film turns in it's most brilliant sequences.

Granted, some of the effects are cheesy, but for the time of the film (1981) and the budget of a mini, I say they did well. So Zaphod's second head is a motionless blob of plastic, with a moving mouth for about three sequences. The look, and attitude of Marvin the depressed robot is just fantastic and should be ranked up there with C-3P0 and Data as one of the greatest androids to appear on a screen.

The final word on this one is that once again, the BBC has put together another gem. It may scare you, being on two tapes and all, but it's worth a look. A genuine quality piece.

I have read through the reviews and find that many people are questioning whether this series is faithful to the books. It pre-dated most of them! I remember listening to the original radio shows on the BBC – I loved them: the humour, the wit, the sheer mind-boggling grandeur of the concept. Later when Adams rewrote his early radio scripts as a book I read it, but was disappointed: for me, it lacked the immediacy and the warmth of the radio scripts – I personally think the later books that were not radio script rewrites were better, or maybe it's just that I wasn't finding fault with differences between the books and the loved original.

Yes this was first a radio show, then a book (later books) and during the process of writing the books was transcribed from radio to a TV comedy in 6 half hour episodes closely matching the equivalent radio episodes from the first (radio) series. Don't assume you are watching a film or a mini-series – you are not! This was produced, because the Radio series was absolutely cult for many baby-boomers who had listened to it during their University years and the BBC recognised the demand and catered for it. Yes it was low budget, yes of course there were many things wrong with it, but Adams, himself, was involved in the TV scripts and the story changes were his or at least approved by him.

For those of us who had loved the radio series, this was good stuff; the right jokes were there and more importantly the late great Peter Jones was still the voice of the book. In fact we had the same Arthur Dent, Zaphod and Marvin as well. I, personally, was reasonably happy with the new Ford Prefect, but oh so disappointed by Sandra Dickenson as Trillian; for me, as for so many, this character had to have Susan Sheridan's voice and I will never be able to imagine her as blond.

It wasn't the radio series, but it was still very good, so please see this show in context as something between the original radio series and the books: it was never an adaptation of a book it was an adaptation of a radio script as were at least half of the books (I say at least half, since Adams wrote more radio scripts than were ever made and I think some of the later books were first conceived as radio scripts). Finally please remember you are criticising what was designed to be a sort of six episode sitcom it was never a mini-series. And for those of you who are only familiar with the books go back to source, if you can, and revel in the original radio series (12 half hour episodes in two series) and please remember these are not an adaptation of the books: these are the original and were made and broadcast before the first book was ever written.

Unlike the recent Movie, this mini-series is mostly good, and does an excellent job of capturing the quirky spirit of the radio original.

Probably the biggest reason why this adaptation works well is that the marvelous dialogue of the radio version has not been messed up. There are changes (as there have been in every medium the guide has been adapted into), but unlike the film version, the best and most memorable parts haven't been tampered with – See the memorable quotes section for examples of this. The biggest difference between this version and the film may be that Douglas Adams was directly involved with the production of the Television version, but sadly was not around to oversee the film version, for which the loss is evident.

The special effects aren't great (think Doctor Who, circa 1980), but the performances are enough fun that it doesn't matter all that much. Many of the cast members are the originals from the radio series, and even those that aren't originals mostly do a good job with their characters. The one exception is Sandra Dickinson, who just isn't convincing as Trillian – She's supposed to a very bright astrophysicist, but comes across as a bimbo/airhead. Still, the rest of the casting is excellent, so this one lapse can be forgiven.

The best part of the whole series is the visuals for the actual Guide. These are extraordinarily detailed animations, buttressing Peter Jones' voice-over from the radio original with lots of extra visual jokes and humor. One of the best parts about being able to watch this on DVD is the ability to freeze-frame some of the more interesting bits to be able to better appreciate all of the funny stuff contained within. These visuals were actually accomplished using a painstaking manual animation technique to simulate the computer displays, as 1980-era computers just weren't up to the job of doing things like this. Ironically, the simulated computer animations are a lot funnier than the actual computer animations (with 25 years worth of improved technology) in the film version.

In sum, given the choice between this and the film version, I would take this any time. The DVD version also includes lots of extra material – production notes, making-of documentaries, and a tribute to the late Douglas Adams.

I first listened to the BBC radio broadcast and loved it. Later I read all the books in the series and became a fan for life.

This series follows the books and radio broadcast almost word for word but as someone pointed out earlier, like most books, your own imagination makes it better, provided you have one. I must say though, being a long time fan, a friend bought me this series on two VHS cassettes which included a paper back copy of the 1st book and have to say, I did enjoy it.

The movie that was made in 2005 was a huge disappointment so if you want to watch it, instead of reading or listening to it. I definitely recommend this series.

In this 6-part Mini based on the Douglas Adam's radio scripts, Ford Perfect (David Dixon) saves his friend Arthur Dent (Simon Jones, whom made not one, but two of the best mini's of the '80's, this and Brideshead Revisted, both in 1981 mind you. I'm inclined to think that Simon got a hold of the Infinite Improbability Drive) from the annihilation of Earth to pave the way for an intergalactic hyperspatial express route . Ford, unbeknowst to Arthur is an alien and whisks him away on a comical adventure that includes, but not limited to, everything. The humor is delightfully British,most of the characters dead-on (a given, since a lot of the cast were holdover's from the radio play). The effects may be a tad dated (an understatement if I ever heard one), however I feel that it adds to the charm of the show rather than detracts. All in all a marvelous adaption.

My Grade: A