Les loups de Haute Mer

When terrorists commanded by Kramer (Anthony Perkins) and Harold (Michael Parks) take over two oil rigs and threaten to explode them if their demands are not met, an unique commando unit led by Ffolkes (Roger Moore sporting a beard and whose character has been criticized for being sexist as well as James Bond) is sent in to stop them . The next 12 hours could cost you 1,000 million pounds and 600 lives you need a man who lives second by second . Ffolks is a misogynistic man who dislike of women due to a failed marriage and having several sisters as opposed to being a ladies man; being moody, cranky and cantankerous .

Thrilling film about a North Sea hijack full of suspense , tension , excitement and some humor in charge of Roger Moore . This picture and its source Jack Davies 'Esther, Ruth and Jennifer' novel were both first released in the same 1979 year ; the meaning and relevance of this movie's source novel is that the three names refer to the three sea-based entities that are threatened to be blown-up in the story in both the book and the film. Roger Moore's likable performance playing a misogynistic character including pet obsession with his pussy cats and having an effeminate needlework hobby. The definition and relevance of this movie's ffolkes title is that it refers to the surname of the central character played by Roger Moore , the full name is actually Rufus Excalibur Ffolkes, and has been interpreted as being sexist. Though the character is supposed to be very much a polar opposite to his James Bond character, paradoxically, the character was arguably just as sexist, just in a different way. Very good support cast as James Mason as Admiral Sir Francis Brindsen as Michael Parks as Harold Shulman , David Hedison as King , Jack Watson as Capt. Olafsen ,George Baker as Fletcher ,Jeremy Clyde as Tipping . Rousing and moving musical score by Michael J. Lewis . Colorful cinematography by Tony Imi , filmed on location , the Norwegian dockyard port scenes were actually filmed not in Norway but in Ireland in the harbor town of Galway , the Galway Docks were made-up to look Norwegiana and the Scotish castle seen in the movie was portrayed by Dunguaire Castle which is near the village of Kinvara, County Galway, Ireland .

This movie marked the second teaming of director Andrew V. McLaglen with star Roger Moore who had worked together on ¨The Wild Geese¨ , they would work together again on ¨The Sea Wolves¨, their third and final movie together. Of these three films, Ffolkes is the only one which was not a war movie. The motion picture being well realized by Andrew V McLagen, son of great actor Victor McLagen . He's a a known Ford's disciple . Andrew holds the distinction of directing the most episodes of "Gunsmoke" . Furthermore , he holds the honor of filmmaking the most episodes of ¨Have gun , Will travel" (1957). And is one of the few directors to have directed both Clint Eastwood and John Wayne . He's a Western expert (McLintock, Shenandoah, Bandolero, Chisum, Cahill, Way west) and warlike specialist , such as proved in several films ( Return to Kwai, Wild Geese , Dirtdozen: the next mission, Sea wolves, Breakthrough ) . Rating : Nice , acceptable and passable , 6 . The picture will appeal to Roger Moore fans , an old master in the art of conjuring sympathy out of nothing . Worthwhile watching

North Sea Hijack is a fast paced, frequently entertaining thriller about the ingenious hijacking of a major North Sea oil rig. It features a totally off-the-wall performance by Roger Moore as an anti-terrorist expert who has some bizarre habits indeed, such as sewing, raising cats, and drinking whisky at 10a.m. Other memorable characterisations are conveyed by Anthony Perkins (the principal baddie), James Mason (a stiff upper lipped admiral), David Hedison (a stressed out oil rig official) and Faith Brooks (a strong willed lady prime minister).

The core of the action occurs at sea, with Perkins and his menacing bunch hijacking a supply ship and planting mines beneath the oil rig. Moore is brought in to thwart them, and plays a tense psychological games with his adversaries, constantly provoking them and second guessing their actions whilst trying to ascertain the most effective way to attack them aboard their vessel. There are some well delineated scenes, such as an exciting sequence in which a couple of ships crew try to poison their captors but are found out and killed. Another invigorating sequence features Moore having to sneak up on the terrorists whilst clad in a glowing red wet suit (it was the only wet suit available to him on the oil rig).

Moore's character is wonderful. He has an uncharacteristic beard and follows a series of bizarre daily routines to the letter. His savage side, especially towards women (whom he seems to hate more than terrorists) provides some amusement.

This is an under rated gem. It is the kind of film you discover by accident (it doesn't have a particularly high reputation), but by God it really moves and is enormous fun whilst on.

This little seen film is the original version, and earliest example, of what is now commonly see as the modern actioner. Long before Bruce Willis saved Nakatomi Plaza, Roger Moore was involved in this rescue of a 2billion pounds worth British Oil rig in the North Sea. The story is thus, Anthony Perkins and his crew of villains hi-jack a supply ship heading for Ruth and Jennifer, two British oil rigs. When docking with them, they are rigged with explosives, and are to be detonated if a hefty ransom is not met. Cue eccentric English naval expert Moore, and his daring plan to save the day. Not as explosive as its predecessors, but as interesting.

It has often been said that Roger Moore can't act - that all he can do is raise his eyebrows a few inches. This film refutes this notion. Here we see Roger Moore in an unusual role...for anyone, not just him.

A group of hijackers take over an oil rig. The owners have no choice but to call in an SAS-style group of mercenaries under the command of Roger Moore's character - an eccentric woman hating cat lover named ffolkes (with two small fs), who lives in a Scottish castle.

The plot is pretty formulaic and predictable. What makes this film watchable is Roger Moore's character.

Hilarious are the reactions of the passengers in a first class train compartment to ffolkes doing his petit point while slugging a huge bottle of whisky.

He is also superb in his acting just before he gets rejected by the terrorists for "grinning like a cat." It's enough to make one a Roger Moore fan!

If you've seen Roger Moore as The Saint, as 007, as any other character, even if you haven't liked him, you'll enjoy him as "ffolkes," the cat-loving misogynist of this movie. Even though I'm very much a feminist I loved this character. I don't think that the casting of Anthony Perkins was too obvious, I think he brought complications to a simply drawn character. The supernumeraries on either side are just complicated enough to be slightly confusing and still enjoy their conflicts.

This is one of my favorite movies. Of course, so is "Eating Raoul."