Le jour de la fin du monde

Yes, this is the typical 70's all-star disaster flick. Though this one was made in 1980. This one, however, was not a hit. When "The Towering Inferno" was in theaters, it made over 100 million at the box office. When this one was at theaters, it made less than 2 million. Part of the problem is that it doesn't look much like a movie for the theater. In fact, when I first saw it, I thought it was a made for television movie. I think most of the budget in this one went to the stars, and not nearly enough went into special effects. The story in this one is typical of a volcano movie as it has someone trying to warn people that the volcano is going to erupt. Of course no one believes them and then an eruption occurs. We have people getting fried, and a select group trying to head for safety. Along the way they have to cross a bridge, and it turns out there is someone who has a special ability to be put in use here like the character in "The Poseidon Adventure" who was an excellent swimmer. This one has some good qualities though and if you have nothing else to do it may be worth a look-see, but it is definitely nothing special.

WHEN TIME RAN OUT… is a silly, superficial and often cheesy coda to the cycle of disaster movies produced by Irwin Allen in the 1970s. As a huge fan of disaster movies, I found myself enjoying this film a lot, even if everything that happens has been done before and better. This film sees an all-star cast menaced by a volcano on an Pacific island, and you can pretty much guess every plot point along the way if you've seen any of Allen's other, earlier, better disaster flicks.

Still, you can't say that Allen doesn't try his best…it's just that the budget (or lack of it) lets him down this time around. The volcano itself is a silly little miniature, the rivers of lava are back-projected nonsense, and the final 'disaster' scene at the hotel is so poor as to beggar belief. Even ignoring the below-par special effects, this film takes the biscuit. Although it's notably shorter than the likes of THE TOWERING INFERNO, it takes half the running time for the volcano to actually blow, and until that point we have lots of cheesy dialogue scenes involving romance between uninteresting characters.

Thankfully, things really get going once the disaster hits home as Allen throws tsunamis, explosions, cliffslides and whatnot into the mix. Twinkly-eyed Paul Newman is on hand, thankfully, to take charge and act all manfully, although he's up against a scheming James Franciscus as the island resort's owner who'll stop at nothing to protect his investments. Also caught up in the mix are the usual stereotypes: doting (or should that be dotty) old timers (step forward, Burgess Meredith); hard-timers (Ernest Borgnine in his umpteenth disaster outing), youthful beauties (Barbara Carrera and Jacqueline Bisset, the latter looking a bit off) and even a few ethnic types too (Pat Morita, going Chinese). Much of the resultant running time follows Newman's group as they scramble for safety, evading dangers along the way.

It's no surprise as to who lives or dies, but the 'obstacle' scenes are great fun, especially the extended 'bridge crossing' which makes up the film's climax. And I'll never tire of those ultra-cheesy 'falling into lava' shots which are repeated at various intervals. It's just a shame that the volcano itself only has coming of a cameo appearance in the movie, and that the characters are never menaced by ash clouds or falling lumps of pumice…now that would have been something to see!

Another funny film by Irwin Allen. This one is a hoot to watch. I really like the blue screen effect whenever the lava is shown--lol. If it has Shelia Matthews in the cast, you can be sure that it is going to be a funny film, especially if it is a drama. The ending with the volcano is hilarious--I did not know that volcanos could shoot a fireball that far away and still hit the target head-on!! Impressive. Sort of like scenes from "Bird of Paradise" meets "Diamond Head" were taken and spliced together and then had a few more ingredients added. All that was missing was the sacrificial virgin--but then, maybe that is why the volcano exploded--LOL. Not a movie to be missed for laughs!!

A volcano creates problems.

Cool explosive special effects, a knockout Lalo Schifrin score, William Holden being pleasing as always and a well played sense of doom in the opening sections of the film. There are reasons to watch!

Paul Newman/James Franciscus go down in that craft to the very centre of the volcano. This scene alone makes the whole film worthwhile: very well done and full of suspense! All the scenes with William Holden and uncomfortable Franciscus together are well played.

In a nutshell: the movie is not perfect but something I return to with repeat viewings all the time.

Deleted footage: About 25 minutes of footage was cut out of the final release and I have seen the missing footage. The Burgess Meredith character gets a lot more screen time, there are moments of actors looking at the volcano and cars driving around a damaged Hawaii. There is also a long sequence right near the end involving the survivors talking away in a cave that was cut out. Basically, they did the right thing by cutting out this footage.

• 2/5 STARS -

The operator of a tropical hotel conceals the mounting threat of the island's active volcano when his laissez-faire partner and a renegade oilman start asking questions. When the volcano finally blows its top, a small group of hotel residents make a dangerous trek to higher ground, but not all will survive as the peak spews smoke, fire, and lava across the island.

This relaxed disaster movie signals the end of the first Golden Age of Disaster movies. It is appropriate, then, that it was produced by Irwin Allen and recycles a variety of cliches that spanned the seventies. When Paul Newman and Jacqueline Bisset start sipping wine on the beach with the volcano in the distance, for example, we know to start counting the minutes until the mountain blows.

With both Paul Newman and William Holden playing roles very similar to those in "The Towering Inferno", it isn't difficult to draw parallels between the two movies. "The Towering Inferno", however, was a unique project involving a joint venture between two studios, a huge budget, an all-star cast, and a blockbuster script culled from the best elements of two popular novels. Does When Time Ran Out represent what we should expect from Irwin Allen when all of the cards AREN'T stacked in his favor?

When Time Ran Out harkens back to the drama-heavy days of the original Airport, with a web of infidelity that will make your head spin. Battle lines are quickly drawn between the defensive developer of the island (Franciscus) and a renegade oil driller (Newman) who believes the mountain is, as he puts it, `a powder keg.'

Occasional visits to the volcano's crater provide distraction while the relationships between the characters are cultivated for the disaster. The oilman stirs up trouble when he wants to see for himself that the mountain is safe before drilling in a high-pressure oilfield. However, it's just ridiculous to think that his inspection would involve stepping into a laughable protective capsule and being lowered inside the smoldering volcano. Naturally, the capsule--with a glass floor!--experiences a series of unexplained malfunctions that send him hurtling towards bubbling lava at the bottom of the crater.

It's the kind of special effect that Irwin Allen was famous for from his television days on The Time Tunnel and elsewhere. But the silver screen requires a much greater level of believability than is needed by television. When Time Ran Out contains some of the worst effects in the history of the genre--images which aren't even acceptable for the SMALL screen. What happened to the Master of Disaster?

When Time Ran Out is heavy on talk before the volcano erupts, but the runaway action we were expecting during the buildup simply never arrives. Only two action sequences occur with the Newman followers, and they both involve a large group of people taking a very long time to cross a treacherous path to safety. It's a snooze-fest all around.

The special effects are ho-hum, even though Irwin Allen attempts to diversify the experience with flaming meteors fired from the volcano and a tidal wave that inexplicably levels part of the same island whose shock wave created it! They're not enough. Most of the visuals are clearly pre-existing volcano footage placed on a chroma-key in front of the actors. And the rest of the eruption footage appears to be poorly executed post-production animation.

The lush tropical setting is a refreshing change of pace for most disaster movies, and Jacqueline Bisset and Paul Newman try their best to keep things classy. But an unnecessary cock fight in the village and a preposterous laboratory perched on the rim of the volcano immediately suggest that this movie needs a dose of reality--and adrenalin. The first Golden Age of Disaster Movies closes with this whimper as `time runs out'-- on the genre.