NOTE IMDb
6,2/10
884
MA NOTE
Ajouter une intrigue dans votre langueA shallow Broadway press agent learns he is dying just as his son by his ex-wife arrives for a visit.A shallow Broadway press agent learns he is dying just as his son by his ex-wife arrives for a visit.A shallow Broadway press agent learns he is dying just as his son by his ex-wife arrives for a visit.
- Nommé pour 1 Oscar
- 2 victoires et 14 nominations au total
Avis à la une
A beautiful film. Mind you it's a simple film, but a beautiful one and it introduces us to some of Jack Lemmon's best work. By this time, Lemmon was a Hollywood legend. He'd been playing young romantic leads and comic goofs, now was time when he truly started challenging himself and his craft. His Oscar nomination, I would imagine came about because of the end of the film. As Scottie Tempelton slowly walks onto the stage, after a battle with sickness and possible death, he looks on into the audience to find his son and it's one of the most touching moments I have ever experienced. When he yells his son's name and he says that wonderful line "Give me a kiss...right here!" And taps his cheek slowly. As the son goes in to kiss his cheek, Scottie quickly turns and it becomes a kiss on the lips. The moment is so lovely that it's hard to put into words the feelings I have. It was a very special moment for me. Lemmon's performance in this film is very special to me.
I am bias though because He is my uncle Andy!! I loved him and miss him much these days since his passing. He was a great Actor and loved his craft.He was just starting to get noticed when he died. He did a lot for Canadian Television. My Uncle Andy worked with some great Classic Actors like David Niven. He told me once that Acting was one of the greatest freeing of the soul. and that it gave him great joy! He also had a great love for the theater. He said that true actors never want to be a star they just want to be part of the process. A good actor is a en-sable actor. Its the group that make the greats.
Jimmy Burgess
Jimmy Burgess
Jack Lemmon recreates his Tony-nominated stage role playing a Broadway press agent who has always shied away from adult responsibilities, treating everyone--from doormen to movie stars--like the life of the party. This devil-may-care approach to living has naturally alienated Lemmon's tightly-wound son, a begrudging twenty-year-old who doesn't share his father's sense of humor. Bernard Slade adapted his play for the screen, and he's positively shameless while decorating the narrative with pure-hearted friends and doctors, a gold-plated prostitute (who receives her own tribute from a lifetime of johns at Joe Allen!), an adoring ex-wife, and Kim Cattrall as a frisky young thing who flits from father to son as if she's in the running for the prostitute's job. None of this makes much emotional or logical sense--and little of it amounts to anything substantial by the end--although Lemmon's manic, zinger-filled performance gooses the movie and brings it to a near-boil. As the embittered son, Robby Benson tries hard to bring off a dim role; his occasional success here is miraculous considering Slade never gives him a strong line of dialogue. Lemmon is reunited with his "Days of Wine and Roses" co-star Lee Remick, and they have a built-in rapport that is wonderful to see...however Jack is really the whole picture. Slade has manufactured the proceedings to slant completely in the star's favor, showing off his sass and pathos, and as a one-man vehicle for the talented actor it obviously has some worth. **1/2 from ****
I'm a big fan of Jack Lemmon's dramatic roles but not this one. The movie is about Lemmon and his estranged son played by Robby Benson, who has a deep hatred for his father. After learning Lemmon is dying, Benson tries to make thing right with his father. 125 minutes of Benson talking about how bad of a father Lemmon was, combined with Lemmon's corny jokes, does not not equal a good movie
I saw Tribute back when it first came out and i found it to be a great movie for me. I was only 22 then, but all my friends told me that i was very much like Scottie Templeton. He was so outgoing and wanted everyone to like him almost too much. But as the movie went on it became sadly obvious that he forgot to get his priorities straight. His family. Now that i am almost 50 (his age), i also have a son who is so much different to me. Just like Judd (Robbie Benson) in the movie. I can relate to both of their roles now even more as my son is very much like Judd. The thing that i got out of this movie was that i was able to make my son my first priority, no matter how different he may be to me. My favourite line was when Jack Lemmon was told in a nice way that "he treats everyone the same, no matter if you are a hooker or family'....that was it for me. Thanks Mr Lemmon and Mr. Benson for letting me better understand who i am today!!
Le saviez-vous
- AnecdotesAn accomplished, self-taught pianist, Jack Lemmon wrote the theme for the movie Un fils pour l'été (1980).
- Citations
Scottie Templeton: I spent a little time in the hospital, Maggie. It turns out that I'm in less than perfect health.
Maggie Stratton: [quavering] how imperfect?
Scottie Templeton: Well, I'll tell you. When they advise you to get your affairs in order, you tend to think they're posting a closing notice.
- Crédits fousOn the American prints the 20th Century Fox logo plays without the fanfare.
- Bandes originalesWe Still Have Time
Music by Barry Manilow
Lyrics by Bruce Sussman & Jack Feldman
Performed by Barry Manilow
Produced by Barry Manilow and Ron Dante
Recording enginieer: Michael Delugg
(p) 1980 Manilow Music (BMI) / Appogiatura Music Inc. (BMI) / Camp Sngs Music Inc. (BMI)
All rights reserved. Used by permission.
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Détails
Box-office
- Budget
- 8 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 000 000 $US
- Montant brut mondial
- 9 000 000 $US
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