Un jeune garçon rejoint accidentellement un groupe de nains voyageant dans le temps, alors qu'ils sautent d'époque en époque à la recherche d'un trésor à voler.Un jeune garçon rejoint accidentellement un groupe de nains voyageant dans le temps, alors qu'ils sautent d'époque en époque à la recherche d'un trésor à voler.Un jeune garçon rejoint accidentellement un groupe de nains voyageant dans le temps, alors qu'ils sautent d'époque en époque à la recherche d'un trésor à voler.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 8 nominations au total
Avis à la une
A terrific little fantasy that, not surprisingly, has flavors of Monty Python. My children and I first saw it in the early '80s on a night ferry from Harwich to Zeebrugge. I've seen it a few times since, and marvel at the creativity that went into the film. God's "employees" trying to use a map of the universe to track down treasure is the theme; running around through time trying to find the treasure is the game. The cameos by Cleese, Connery and the rest are some amusing highlights, but the Time Bandits themselves really make the story. The climactic scenes with the Evil Genius made me think more than a little of the Sorcerer's Apprentice.
I think it is a well done bit of fantasy for older children and adults; it helps to know a bit of history going into it. I wouldn't let my six-year old granddaughter see it -- at least not yet -- but she and her sister probably will love the adventure in a few years.
I think it is a well done bit of fantasy for older children and adults; it helps to know a bit of history going into it. I wouldn't let my six-year old granddaughter see it -- at least not yet -- but she and her sister probably will love the adventure in a few years.
Even though the movie is bookended by chaos, and fueled by a sort of demented Terry Gilliam charm (not to mention the dark-but-funny violence) "Time Bandits" is really a kid's movie. And that's what I love about it: it's just a young boy stealing away on an adventure from his mundane existence. Add to that the trappings of a magical cosmic map, the gallop through the Napoleonic Wars, Ancient Greece and Medieval England, and a cadre of greedy dwarfs and it's a lot of fun. Even with that cast of familiar faces, David Warner handily steals the movie as Evil (like Sark from "TRON", only having more fun with it). And I love that the Supreme Being turns out to be a cheeky old British guy.
It also ends with some sort of statement about modern technology, but that's just a last-minute zinger. What this really proves is that there's fun to be had in cult movies, and Sean Connery is awesome.
7/10
It also ends with some sort of statement about modern technology, but that's just a last-minute zinger. What this really proves is that there's fun to be had in cult movies, and Sean Connery is awesome.
7/10
Finding Terry Gilliam's "Time Bandits" in the bargain bin at the local movie store was too good a deal for me to pass up, and I'm so glad I didn't! This movie is probably one of the greatest modern-day fantasies I've seen, due primarily to the amazing vision of Gilliam. I was disappointed with it on my first viewing years ago, expecting a rehash of Monty Python material, but yesterday watching it I just couldn't stop grinning. This movie knows its sources, and sends them up right.
For starters, I love how Gilliam handled the boy 'hero' in "Bandits". He's not anyone spectacular, aside from an active imagination (over and above his banal parents), and he really doesn't contribute much to the story-it simply passes him by. Most of the other characters don't like him that much even. (the "stinking Kevin" line just makes me howl!) He's also not that cute, which is a rarity with child actors and which sinks most films with them. Plus, the danger of the story doesn't stop at him, as shown by the rather sobering finale. No 'It's all a dream' type cop-out here. Having studied the form of the fantasy as explained by Tolkien myself, Gilliam obviously understands how it works.
Of course, because it works, "Time Bandits" is just plain fun. The plot's out of nowhere-just kind of trips along through time and space and stranger things. Napoleon as a height-obsessed drunkard? Robin Hood as the aloof, unlikely leader of a band of violent, too-merry men? Agamemnon as the ideal father figure? It's all here, plus the technocratic, pyromaniac "Evil" vs. the Supreme Being. Ah, you always knew He was an staid Englishman in a pinstripe suit, didn't you? ("Dead? No excuse for laying off work.")
Perhaps it's not Gilliam's masterpiece, as "Brazil" could be argued for that...though one could also argue "Time Bandits" gives a bleaker perspective through the contrast of the fun and whimsy. If our reality is depressing now, and Kevin's was, is the fulfillment of our fantasies any better? Perhaps Randall said it best himself - "Heroes, bah! What do they know about an honest day's work?" :-)
For starters, I love how Gilliam handled the boy 'hero' in "Bandits". He's not anyone spectacular, aside from an active imagination (over and above his banal parents), and he really doesn't contribute much to the story-it simply passes him by. Most of the other characters don't like him that much even. (the "stinking Kevin" line just makes me howl!) He's also not that cute, which is a rarity with child actors and which sinks most films with them. Plus, the danger of the story doesn't stop at him, as shown by the rather sobering finale. No 'It's all a dream' type cop-out here. Having studied the form of the fantasy as explained by Tolkien myself, Gilliam obviously understands how it works.
Of course, because it works, "Time Bandits" is just plain fun. The plot's out of nowhere-just kind of trips along through time and space and stranger things. Napoleon as a height-obsessed drunkard? Robin Hood as the aloof, unlikely leader of a band of violent, too-merry men? Agamemnon as the ideal father figure? It's all here, plus the technocratic, pyromaniac "Evil" vs. the Supreme Being. Ah, you always knew He was an staid Englishman in a pinstripe suit, didn't you? ("Dead? No excuse for laying off work.")
Perhaps it's not Gilliam's masterpiece, as "Brazil" could be argued for that...though one could also argue "Time Bandits" gives a bleaker perspective through the contrast of the fun and whimsy. If our reality is depressing now, and Kevin's was, is the fulfillment of our fantasies any better? Perhaps Randall said it best himself - "Heroes, bah! What do they know about an honest day's work?" :-)
It IS a wavelength thing. Terry Gilliam's films are ALL Terry Gilliam films. They all have that certain something, some kind of feeling about them that makes them instantly recognizable. The same can be said of the Coen brothers. Unfortunately, movies that are that personal and unique do not work for everybody. For the people that just can't get into Gilliam films, I hope there's another filmmaker that inspires childlike wonderment in you. Because it's a great feeling. Time Bandits is magic. I've seen it many times (over 10) and each time, I find something new about it. It's a fine example of a movie that works for children and adults alike. When I saw it for the first time at age 8, I enjoyed the fantasy, adventure, and basic good vs. evil story. As I got older I started appreciating the social commentary on consumerism, the Python-esque humor, and just how imaginative and skillfully done the movie is. After watching it again yesterday, I'm having trouble deciding which is the better movie; Brazil or Time Bandits.
This movie is the funniest movie I have ever seen. When it was on cable, we watched it about 20 times and I have worn out two tapes of it. There are so many levels of enjoyment. The sets are great, the effects are wondrous, the storyline is wacky, the combination of veteran actors and new faces is perfection. The dialog is a riot and you will find quotes from this movie everywhere, which thrills me to death! I love all the actors that played the dwarfs, especially David Rappaport who played Randall and also loved his TV show "The Wizard" that was treated so shabbily. We often find ourselves saying, "Remember when Evil said this, and when Og said that?" Or laughly wonder what condition Pansy's boyfriend, Vincent, had that needed fruit? The Napoleon scene alone is enough to cause you to break a rib from laughter. I guarantee that if you have a funnybone at all, you will love this movie! Run, don't walk to the nearest video rental store!
Le saviez-vous
- AnecdotesIn the original script, King Agamemnon was introduced as follows: "The warrior took off his helmet, revealing someone that looks exactly like Sean Connery, or an actor of equal but cheaper stature." To writer, producer, and director Terry Gilliam's surprise, the script ended up in Connery's hands. He expressed interest in the part, and his agent approached them for the role.
- GaffesNumerous inaccuracies in the "historical" scenes. The film means to depict history as visualized by a well-read 11-year-old, not a formally trained historian. This is consistent with the theme of whimsical, casual time travel wherein history is deliberately contaminated.
- Crédits fousAt the end of the credits, the scene where the Bandits have their photo taken is replayed.
- Versions alternativesAt least one version shown on US television cut the sequence of the knight bursting out of Kevin's closet and much of what came after that (Kevin's Dad telling him to keep the noise down, breakfast the following morning, etc.) This truncated version goes right from Kevin getting into bed to the Time Bandits emerging from the closet, but retains the rattling closet doors that announced the knight's arrival.
- ConnexionsEdited from Atlantique, latitude 41° (1958)
- Bandes originalesMe And My Shadow
Arranged by Trevor Jones
Composed by Billy Rose (as Rose), Al Jolson (as Jolson), and Dave Dreyer (as Dreyer)
Published by Francis Day & Hunter
Performed by David Rappaport, Kenny Baker, Malcolm Dixon, Mike Edmonds, Jack Purvis, and Tiny Ross
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bandidos del tiempo
- Lieux de tournage
- Haywood, Birch Hill, Bracknell, Berkshire, Angleterre, Royaume-Uni(Kevin's street in the final scene)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 365 581 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 507 356 $US
- 8 nov. 1981
- Montant brut mondial
- 42 368 025 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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