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A Tale of Two Cities

  • Téléfilm
  • 1980
  • Not Rated
  • 2h 42min
NOTE IMDb
6,6/10
1,1 k
MA NOTE
Alice Krige and Chris Sarandon in A Tale of Two Cities (1980)
DrameGuerreL'histoireRomanceDrame carcéralDrame politiqueDrames historiquesÉpiqueRomance tragique

Ajouter une intrigue dans votre langueAn ex-aristocrat from France and an alcoholic English lawyer find themselves crossing paths and in love with the same woman during the French Revolution.An ex-aristocrat from France and an alcoholic English lawyer find themselves crossing paths and in love with the same woman during the French Revolution.An ex-aristocrat from France and an alcoholic English lawyer find themselves crossing paths and in love with the same woman during the French Revolution.

  • Réalisation
    • Jim Goddard
  • Scénario
    • Charles Dickens
    • John Gay
  • Casting principal
    • Chris Sarandon
    • Peter Cushing
    • Kenneth More
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    1,1 k
    MA NOTE
    • Réalisation
      • Jim Goddard
    • Scénario
      • Charles Dickens
      • John Gay
    • Casting principal
      • Chris Sarandon
      • Peter Cushing
      • Kenneth More
    • 22avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Primetime Emmy
      • 2 nominations au total

    Photos4

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux20

    Modifier
    Chris Sarandon
    Chris Sarandon
    • Sydney Carton…
    Peter Cushing
    Peter Cushing
    • Dr. Alexander Manette
    Kenneth More
    Kenneth More
    • Dr. Jarvis Lorry
    Barry Morse
    Barry Morse
    • St. Evremonde
    Flora Robson
    Flora Robson
    • Miss Pross
    Billie Whitelaw
    Billie Whitelaw
    • Madame Therese Defarge
    Alice Krige
    Alice Krige
    • Lucie Manette
    Nigel Hawthorne
    Nigel Hawthorne
    • Mr. CJ Stryver
    Norman Jones
    Norman Jones
    • Monsieur Ernest Defarge
    George Innes
    George Innes
    • Jeremiah 'Jerry' Cruncher
    David Suchet
    David Suchet
    • John Barsad
    Bernard Hug
    • Gaspard
    Valérie de Tilbourg
    • Seamstress
    • (as Valerie de Tilburg)
    Robert Urquhart
    Robert Urquhart
    • Attorney General
    Anna Manahan
    • The Vengeance
    Gerald James
    Gerald James
    • Gabelle
    Bernard Archard
    Bernard Archard
    • Court President
    Martha Parsey
    • Little Lucie
    • Réalisation
      • Jim Goddard
    • Scénario
      • Charles Dickens
      • John Gay
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,61.1K
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    10

    Avis à la une

    8ldeangelis-75708

    Excellent Adaptation of Dicken's Classic

    I was very impressed with this movie, as it was well told, and didn't go in for melodrama. You can really feel like you're glimpsing actual moments from the past and get swept up in the French Revolution, with sympathy for both sides.

    This is not the first time I've appreciated seeing Peter Cushing in a role other than Van Helsing, and in a film other than the horror genre. He did an excellent job here as Dr. Manette , as did Chris Sarandon in the dual role of Charles Darnay and Sidney Carlton.

    I was also pleased, as an Agatha Christie fan, to discover that David Suchet (a.k.a. Hercule Poirot) was a part of this movie, too.

    This one's a winner, not to be missed.
    10notperfect_justloved

    Wonderful movie, full of emotion

    I thought this was an incredible movie, especially for being an '80's movie. Most movies from the '80's hardly impress me, but this was an undoubtable exception. We watched this in my history class and I was honestly shocked at the emotion and feeling put into every part and the realism represented by the film-makers. Very historically correct, which especially impressed me. It was a very good representation of Dickens' wonderful book, which I read last summer and plan on reading again as a result. I was literally in tears, and in front of my history class, too! It was very moving and aroused a feeling of sympathy in my heart. The theme of absolute love was shown well and made a great impact. Wonderful movie. I thoroughly enjoyed it and was surprised just how closely it followed the book and history as well.
    TaeDanielle

    I thought the level of emotion was fine

    I saw it as part of his characterization that Chris Serandon didn't show very much emotion as Carton in the end. It came across, at least to me, as trying to be strong for the sake of the other characters in the movie. I also thought that that was a great amount of emotion displayed in Darnay's supposed final meeting with Lucie after he is condemned. That aside though, I think I've decided I like the movie better than the book because Charlie is just a little bit too wordy for my taste. That's what we get for paying him by the minute...
    7TheLittleSongbird

    A very decent version

    A Tale of Two Cities is a wonderful book, ranking Dickens' works it's to me towards the top. It is wordy with a very complicated story, but it is also very compelling and the characters especially Sydney Carton and Madame Dufarge are memorable. This 1980 version is not the best(the 1935 film) or worst(the animated Burbank Films Australia version) of the book, but adaptation-wise and on its own it's very decent. It is hampered by Chris Sarandon's stiff and emotionally cold Charles Darnay, a rather cheap, under-populated and lacking-in-suspense-and-urgency storming of Bastille scene and the on-the-saccharine-side romantic theme in the music score. The adaptation could also have done a better job at differentiating between Charles and Sydney, visually especially with the hair they are never quite distinctive enough. But the production values are generally quite decent, it does at least make an effort to be true to Dickens and the historical period it's based in and they have good colour and atmosphere if lacking somewhat in refinement. The music serves the adaptation well, while the script is intelligently adapted and does nobly with conveying Sydney's sardonic humour, the heartfelt tragedy at the end and the dark, foreboding humanity. The story is faithful in spirit to the book, though there are things inevitably missed out, and doesn't feel too confused. It's solidly paced too. With individual scenes the standout has to be the ending which is extraordinarily moving, though the final forty minutes generally is very suspenseful. The acting is fine on the whole. While Sarandon disappoints(to me at least) as Charles he is outstanding as Sydney- that Sydney is a far more interesting character helps-, he is humorous and sardonic while also poignant and dignified. Alice Krige is an emotive and beautiful Lucie, Flora Robson's Miss Pross is regal and loyal and Barry Morse is rightfully hissable as Evremonde. Billie Whitelaw is fine as a very snake-like Madame DuFarge, David Suchet characterises the conflicted character of Basard brilliantly and beautifully, Peter Cushing is perfect as Dr Manette and Kenneth More is more than competent too. George Innes does a very good job too as Cruncher, very sly and funny, but the character could have been more prominent. In conclusion, decent version, worth watching but for the best adaptation look to the 1935 film. 7/10 Bethany Cox
    7MissSimonetta

    A solid TV adaptation

    I wouldn't call it the definitive version nor would I, for every conceivable criticism you could give this film, vote it low for not showing them cutting everyone's hair before beheading them as a previous reviewer did. As far as Dickens adaptations go, this is alright if you need a visualization of the novel. The actors all do good jobs, especially Peter Cushing as Doctor Mannette, Billie Whitelaw as Madame Defarge, and especially Alice Krige as Lucie Mannette, who makes the character feel a little more real than she was in the original novel. In the dual role of Charles Darnay and Sydney Carton, Chris Sarandon does alright. Obviously he has more to work with playing Carton, but I would not call either performance brilliant.

    The sets and costumes are good; obviously the production values are not sky high, seeing as this is a TV movie. The lighting is flat and dull, as was per usual in many TV productions during the 1970s and 1980s. The music is passable, but not memorable.

    Still, even at over two and a half hours, this film feels rushed. We never as close to the characters as we should be and Sydney's "last dream of my soul" line and most of his final speech being cut are criminal. I think the whole production could have benefited from an extra thirty minutes.

    Nothing special, but a nice way to illustrate the novel for an English class or for your own enjoyment. Just don't expect the definitive A Tale of Two Cities adaptation.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Final performance of Kenneth More (Dr. Jarvis Lorry).
    • Citations

      Sydney Carton: It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.

    • Connexions
      Edited into Hallmark Hall of Fame (1951)

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    Détails

    Modifier
    • Date de sortie
      • 2 décembre 1980 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • arabuloku.com
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Hallmark Hall of Fame: A Tale of Two Cities (#30.1)
    • Lieux de tournage
      • Château de Vincennes, Vincennes, Val-de-Marne, France(location)
    • Sociétés de production
      • Hallmark Hall of Fame Productions
      • Marble Arch Productions
      • Norman Rosemont Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 42min(162 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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