Ajouter une intrigue dans votre langueThe Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
- Phil Balsley
- (as The Statler Brothers)
- Lew DeWitt
- (as The Statler Brothers)
- Harold Reid
- (as The Statler Brothers)
Avis à la une
Movies like this get made all the time, where a very basic plot line is sketched out, and then the rest is filled in as the writers on the set come up with it. When good ideas get scarce, they try to fill the gaps with gags on a common theme. But like any good joke, it's only funny when it is at least semi-plausible. That's what made the original Smokey and the Bandit so much fun. But S&tB II is just TOO unbelievable to be funny any more. It might appeal to 12 year olds, but the original audience of 16-25 year olds just don't find them funny.
All the negativeness of the above aside, S&tB II is still better than part III. I didn't think it could get worse, but...
The plot is essentially the same as the first film, with the more politically-correct elephant replacing 400 cases of good ol' Coors, and for a higher stake - $320,000 more than their original run to Texarkana. While Reynolds, Field, Reed et al are entertaining and do the best with a mediocre repeat of the original plot, the true star here is Gleason. Particularly memorable is the scene where Justice and Junior stop for a toilet break and Junior announces after paying a visit, that his zipper is stuck. What happens next is hilarious, and I won't spoil it.
I agree with one of the other reviews in that the original premise of the characters as defined in the original was completely ignored in this sequel, but maybe this was done on purpose. Maybe the writers felt they were giving the characters more depth. This is the downfall of the movie, that and the script...especially the inclusion of brothers Reggie and Gaylord Justice.
Having said that, it's not completely awful. The saving graces are Gleason, Dom DeLuise as the leading gynaecologist (or gornocolagalist as he pronounces it) in Pompeii (population 23) on a sabbatical to the Deep South, and Mike Henry as the long suffering and equally very dim Justice Junior. The latters' performance, while certainly not Shakespeare material, is exactly what is called for - bewildered and confused.
Everyone who was anyone in the country music industry contributed to the soundtrack, including Jerry Reed once again recording the film's theme (a virtual carbon copy of East/West Bound and Down). Brenda Lee and Don Williams make cameos, as do Burt's buddies Joe Klecko, Terry Bradshaw and Messrs Dudley Remus and Hal Carter.
All in all, disappointing and disowned by hardcore fans of the original, but definitely worth a look for Gleason's contributions. They are what keeps the film going when the rest of it is bogged down and turned into a melodrama of sorts, rather than sticking with the winning formula that made the original such a smash and a classic. Beware though, it's nearly destroyed towards the end with the inclusion of his "twin brothers", but that isn't Gleason's fault - blame the scriptwriters and director. Mixed feelings on this one, guys and gals...
I loved the first film, I loved Burt Reynolds, I loved Jerry Reed and I even liked Sally Field for the first (and probably last) time in my life. But this second film just does not have the same vibe and simply does not appeal to me on the same level. An elephant? How does that have the same feel as Coors? It is just silly. It is one thing to be a comedy, but another thing to be silly.
I have not yet watched part three, but from what I hear it is even worse... with Reynolds almost entirely out of the story! What the heck? Original only, please!
Some of the scenes with Justice were even better than the original, at least until he met up with his brothers. Down hill from there.
Everything about the film seemed rather contrived, especially the comedy. The comedy seemed to be forced most of the time.
While I can watch the first film over and over and it never seems to get old for me, the second film wore out its welcome almost right away. I don't know, but maybe if they hadn't tried so hard with the second film to measure up to the first film it would have been better.
Le saviez-vous
- AnecdotesJackie Gleason's scenes were filmed first because he was ill and he wanted to be finished with the movie as soon as possible.
- GaffesThere is no desert between Miami and Dallas.
- Citations
Junior: Daddy, look at that big ugly alligator.
Buford T. Justice: That reminds me; I gotta call yo' mama tonight.
Junior: You know, Daddy, I like this place. All the 'gators and snakes and stuff. Why don't we move down here?
Buford T. Justice: Why don't YOU move down here?
Junior: Oh no, Daddy, I ain't NEVER leavin' home. That's a promise.
Buford T. Justice: Don't you ever, EVER threaten yo' daddy like that again!
- Crédits fousJackie Gleason is credited as Ms. Jackie Gleason for the character Gaylord.
- Versions alternativesThe most recent home video version boasts that some of the music has been changed.
- ConnexionsFeatured in The Electronic Press Kit: Psycho II (1983)
Meilleurs choix
- How long is Smokey and the Bandit II?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 66 132 626 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 883 835 $US
- 17 août 1980
- Montant brut mondial
- 66 132 626 $US