Le lion sort ses griffes

Solid film that has multiple people working together to pull off a jewel heist. David Niven is good, and Burt Reynolds breaks out of his "Smokey" types role and does something more sophisticated. Very much on the Oceans mold, though not as good. I always enjoy catching it on TV, fun film with some unexpected twists and turns.

Don Siegel assembled a good cast together and did a terrific job directing Rough Cut. Especially with Burt Reynolds doing a bad Cary Grant imitation for Lesley Anne Down setting the stage. He reminded me of Cary and she of Grace Kelly from To Catch A Thief. Add David Niven to the mix and this film is a winner.

Niven is a chief inspector for Scotland Yard and de for retirement and a rocking chair. But before he goes he's going to get Reynolds a known thief he hasn't been able to touch because Reynolds is so darn clever. But he has a libido and Niven blackmails another jewel thief Lesley Anne Down to keep tabs on him. She does in every way she can.

Nice location cinematography in London and Amsterdam One interesting moment was when Niven at a low moment appears drunk and disheveled. Highly unusual for that most unflappable of actors.

And the ending, a complete surprise. he closest I can think of is Joe Mankiewicz's western There Was A Crooked Man, a western with some dark comedy moments, a considerably darker film than Rough Cut. But the endings are similar and this one will floor you.

This one is a real delight.

For poor David Niven, ROUGH CUT turned out to be the second heist comedy centering on diamond thieves where he gets lost in the mix: First of course was THE PINK PANTHER as the charming, sophisticated criminal with lawman Peter Sellers historically stealing the show, and here Niven himself is the dogged constable yet the entire picture belongs to Burt Reynolds and Lesley-Anne Down playing the suave burglars...

And although directed mostly by American edgy auteur Don Siegel and starring the American box office champ Reynolds, this British-set CUT has the witty pace and polished style of that country's crime-comedy genre including polite expository banter, lavish interior sets and plenty of champagne...

As the best scenes occur during the first half when Reynolds (initially seducing Susan Littler) and Down (who instantly catches his eye) are both figuring a way out of Niven's built-in blackmail, threatening to expose her prior classy-crookedness if she doesn't secretly help bust Burt's Jack Rhodes, the one villain who'd always gotten away...

After which the 11th hour diamond heist/con is overly complicated for both the girl caught in-between, and the audience who, in expecting another Reynolds popcorn-action flick, gets a semi-entertaining old fashion 1940's-in-the-1970's caper -- that needed much more of an edge (from both the director and its star) to give this proverbial clever riddle a more fulfilling punchline.

In his long lists of wonderful movies, Mr. David Niven has given audiences some real gems, this is among those which did not market very well, but has become a notable jewel. Niven plays an English Inspector who has tallied a great number of criminals. One however has continued to elude him for twenty years. Mr Jack Rhodes (Burt Reynolds) is the one Jewel thief he hopes to arrest before he is forced into retirement. To do that he extorts the services of Gillian Bromley (Lesley-Anne Down) another jewel thief. Her task is to lure Rhodes into a heist with a snare. The movie, Directed by Don Siegel, has many copy-cats such as 'jack of Diamonds' 'Entrapment' and 'Thomas Crown Affair.' In each is danger, interest and romance, but with this version, comedy become the additional element. Reynolds and Niven work well together and in doing so carry this film well. With good character actors like Patrick Magee and Timothy West, the story written by Larry Gelbart (MASH) fits well for all fans. As a result Reynolds and Niven create amusing fanfare for everybody. ****

An effortless superbly timed performance by Burt Reynolds ('Sam Whiskey' (1969), ('Deliverance' (1972)) as a genial, wise-cracking mustachioed jewel-thief at large in London and Amsterdam. It was NME's Ian Penman who wrote in an eighties article that Reynolds' American thespian flair acting was akin to that of a 'Rolls-Royce'.