La Fureur du juste

It's true that it may not appeal to martial arts movie lovers across the board because it actually has quite an involved, twisty plot and is going to be too slowly paced for some. There's not much in the way of action until the big finish. Still, for an undemanding B action picture, this viewer found the production values to be reasonably good, and there are some fine performances among the supporting cast. What lends "The Octagon" a high amount of unintentional hilarity is Chuck's overdone internal dialogue, all done with an exaggerated echo effect.

Chuck stars as Scott James, a former fighter with bad memories, particularly of growing up with a hostile adoptive brother, Seikura (Tadashi Yamashita), who as an adult is now running a training camp for terrorists. A beautiful young heiress, Justine (Karen Carlson), wants revenge against Seikura because her father was one of Seikura's victims, and tries to hire Scott for her purposes. Scott isn't too happy that somebody would try to use him, and doesn't particularly want to get involved, but eventually realizes that he must.

This is boosted to a degree by the engaging presence of Lee Van Cleef, who's a gas as an anti-terrorism expert / old friend of Scott's. Art Hindle ("Black Christmas" '74, "Invasion of the Body Snatchers" '78) co-stars as Scott's buddy A.J., who makes a mistake in getting interested in a cause and gets in over his head. Sexy Carol Bagdasarian, daughter of composer / songwriter / actor Ross B., plays Aura, a terrorist-in-training who experiences a change of heart. Kim Lankford ("Malibu Beach") is likable during her brief screen time. B movie legend Richard Norton makes his film debut in two credited roles and several uncredited ones as faceless ninjas. (He's joked that he must have died a total of eight times in this movie.) And keep an eye out for people such as Brian Libby (whose next screen role was as Chuck's psycho nemesis in "Silent Rage"), Jack Carter, Ernie Hudson, Chuck's son Mike who plays Scott as a teenager, and an uncredited Tracey Walter.

Good production design (by James L. Schoppe), cinematography (by Michel Hugo), and music (by Dick Halligan) help to make this a decent if unexceptional bit of entertainment. Chuck, as always, fares much better when kicking ass than when simply acting, but he still makes for a formidable hero. And the snarling Yamashita is a worthy bad guy. Some viewers may be amused to note how brutal the violence is at times.

Overall, this is fun enough to watch.

Seven out of 10.

The Octagon's premise is simple. Chuck Norris vs Ninjas. That's really about it. Norris is Scott James, a man haunted by memories of his growing up and rivalry with his former martial art brother Seikura, who now heads a Ninja training camp and is teaching international terrorists the ways of the Ninja. James must stop the organization and face off, once and for all, with his former brother.

There's little in the way of story, and sadly the film takes it's time in getting to the point where Norris finally takes out the Ninja trash. Like a lot of his movies, the lack of much plot means the film moves pretty slowly between the action. When the action does kick in, it's quite impressive. The real standout though is Norris infiltrating the Ninja base in the film's climax. It's classic Norris.

The cast are okay. Lee Van Cleef and Richard Norton pop up in small roles, Richard Norton actually has a few different roles here.

I would have rated it an 8 out of 10 if there was a bit more action in the middle half of the film. For the most part, only Chuck Norris and ninja fans will get the most out of THE OCTAGON (1980).

Overall worth watching..7 out of 10

In a world of choices, for one man there is no choice , a hero named Scott James/Chuck Norris must face The Octagon . A martial artist expert (Chuck Norris who sports a bushy mustache in this fourth starring role in a cinema movie of action) must defeat a plan by ninjas to create a worldwide training camp for terrorists . Scott later becomes drawn closer to a vicious crime ring known as The Octagon ruled by Seikira (Yamashita) . Along the way Scott James is helped by Justine (Karen Carlson) , McCarn (Lee Van Cleef) and A. J. (Art Hindle) . At the end takes place a breathtaking combat in arena , an "octagonal training compound of the Ninja cult, a school for terrorists of all types" (the set had a 12' foot perimeter wall and was built north of Los Angeles at a location known as Indian Dunes and spanned the size of an American football field) .

Action star Chuck Norris in this exciting picture filled with thrills , tension , suspense and violent as well as spectacular fights with high Body Count : 40 . The movie displays a plethora of martial arts fights , as Norris cleans up the nasty fighters by means of punches , kicks , bounds and leaps with struggles certainly slick . It's violent, frenetic and hectic and not particularly literary but worthy entry in Kung-Fu genre , although runs out energy surprisingly early . Average Norris-thriller , moving and tense at times with fine fight-work from Norris , Yamashita and Richard Norton . Impressive and fierce combats , as Chuck Norris kills eleven bad guys and beats up another twenty-one of them . The film belongs Norris's early period , during the 80s such as : ¨Code of silence¨ ,¨Delta Force¨ ,¨Silent rage¨ , ¨Forced vengeance¨, ¨Delta Force¨ I,II , ¨An eye for an eye¨ , among others with successful box office at cinemas and video-rentals . In the 90s and 2000s with exception of ¨Walker Texas Ranger¨, the Norris star has gone down .

Fighting Stars Magazine ranked the climactic fight between Chuck Norris and Tadashi Yamashita as #13 on their list of the 25 greatest fight scenes of all time . A few years after this film was made and released, the word 'Octagon' later became in 1983 the name of a caged enclosure used by mixed martial arts matches and the Ultimate Fighting Championship . Nice production design , cost approximately US $200,000 to blow-up "The Octagon" major arena and fortress set. This was cheaper and more cost efficient than dismantling and disassembling the gigantic construction and taking it away to the dump . First major Ninja picture of the 1980s popular ninja movie cycle which was first released in the 1980 year before Enter the Ninja in 1981 , the 1967 You Only Live Twice and Sam Peckinpah's 1977 film The Killer elite had both previously featured ninja characters . Thrilling screenplay by Paul Aaron , in fact the movie's finale was re-written to make the climax of the film a much bigger pay-off .

The movie featured three members of the Norris family in acting roles. These were Chuck Norris , Aaron Norris, and Chuck Norris' character of Scott James at eighteen years of age was portrayed by his real life son Mike Norris . Actor Richard Norton played dual roles in this movie , though he is completely mute and never speaks for the entire picture ; Norton portrayed both the characters of Longlegs and Seikura's enforcer Kyo . The motion picture was regularly directed by Erik Karson . This was debut theatrical feature film directed by Karson , an expert on thrillers and action movies . Action addicts will give this one a passing grade ,all others need not apply . If you're a previous Norris fans ,you'll appeal it but contains enough action and violence for enthusiastic of the Karate genre .

...after the 500th repeat on TBS. It involves Norris in his best non-acting minimalist role. But Lee Van Cleef is having a grand ole time hamming it up in a role which seems to have nothing to do with anything. Basically, it boils down to a set piece to A) feature ninjas (they were big in the early 80's), and B) feature martial arts sequences. And...well, it features a lot of ninjas.

The plot seems to have something to do with ninja training terrorists in some kind of summer camp for bad boys. And the head ninja has killed someone in Chuckie's past. Or...something. It's hard to tell, really. Chuck does so little "investigating" that it's hard to figure out what's going on. Nothing really leads to anything.

The martial arts sequences are pretty fun, although you kinda wonder why ninjas (and just some of them) are running in grey robes like oversized Jawas. The main bad-ass ninja is pretty cool, and wields a mean pair of sai. And the main antagonist wields a mean pair of scythes (or whatever they're called - the Japanese term escapes me).

But basically, Octagon is an early Norris showcase. He gets a lot of whispery flashbacks (probably the inspiration for that Airplane bit where Robert Hayes hears baseball announcers in his head), but is pretty much humorless. He does get a couple of cool fight sequences, though, so give it a looksee.

This one just joins that line of Chuck no brainers, but seriously, The Octagon isn't a badly made film at all. It takes itself too seriously, where chop suey kickarse action, takes a backseat between long bores and snores for some, and you can see it that way, but the serious element, only enhances the quality. The Octagon does have a few things going for it, like the extra hot Karen Carlson, a beauty who just sizzles up the screen, and enlists help of badarse bodyguard, Chuck, who doesn't put in a half bad performance, but there's still that stoic acting seeping through, and is outweighed by better actors and performances like Carlson's, and Art Hindle's, but Chuck holds his own. Hindle (Porky's) who plays Chuck's best buddy, AJ, is a real engaging reck-loose, fly off the handle character, and gives the downplayed movie, the buzz it needs. Carlson is on a personal mission of revenge, sort of using Chuck, who's mission here, hits a little too personal, as involving former family members. The Octagon is kind of patchy too, not a total clear path of story, and action fans, will fare better, renting many other Chuck flicks. Some quite heavy blood spilling violence, early in the peace, and again Lee Van Cleef is wasted as Chuck's former protegee, an old buzzard with an iron will, and is underused here. What's bloody annoying here, is the unnecessary use of Chuck's echoing voice overs, that echo that annoyance, I got out of all those QT'S unnecessary V.O'S. in Once Upon A Time In Hollywood. Here, it just adds self consciousness, and amateur feel, and this flick is a little self conscious. Watch out for fine character actor, Tracey Walter in a scene stealing cameo. Regardless of it's faults and it's restrained, short sheeted volume of action,The Octagon still warrants a viewing, especially Chuck fans, but sexy lass Carlson in that fur coat, a chick with class (Two Marriages) will remain imprinted in memory. Don't believe the way over hype about the end fight. It was saggy, and in no way memorable, like Carlson.