Le club des monstres

From the moment I started watching, I was enthralled by every set piece, costume and plot detail.

This film, to understate, is rare indeed. A low-budget "horror" movie with a moral, loveable monsters and superb acting. Each of the three stories is well thought-out and entertaining, and the scene in which we learn of monster genealogy is wonderful.

Price is on top form, as usual. He is, with the possible exception of Peter Cushing, the best horror actor of all time. His sincere manner coupled with his traditional English accent make him the most unusual vampire you will ever see.

The first story is slow to start, but soon quickens pace. It features the best acting of the three tales, and the three lead characters have deliciously different personalities. It encompasses a moral, and is touching at times, but still manages to retain at least a little horror. The premise is not very good, but I liked it all the same.

The comedy in this film is plentiful. The second story features horrormeister Donald Pleasence in his catch-the-evil-creature role he played six times in the Halloween series. But the way his character meets his demise and the wonderful plot twist will have you rolling on the floor with laughter.

The third story is not really funny, or scary. It is the most serious of the bunch, and I suspect the filmmakers intended it to be awfully frightening. It just isn't. It show its age, and features poor acting. The set pieces are top-notch, though, and are definitely its saving grace. I can tell you now that the plot twist at the end is totally expected, and not very good.

The stories are interjected with entertaining dialogue between Price and Carradine, and new wave 1980s rock music. Some of you will recognise a youthful UB40 performing a song. There is also one about a stripper, and when you see the stripper's act, you will be suitably impressed. I won't say any more about that - watch it for yourself.

All in all, it was a good way to spend an hour and a half, and I was sad when the stories were over. Just one word of advice, though - don't be put off by the costumes of the monsters.

The Monster Club was the final installment in Amicus studios portmanteau series and concerns R.Chetwynd-Hayes(John Carradine)a noted Horror writer who runs into an elderly Vampire named Erasmus (Vincent Price) .Erasmus duly takes his fill of the authors blood and after recognizing him becomes all apologetic and invites him to The Monster Club where he hopes Chetwynd-Hayes might garner some new ideas for a new book.As the guest of Erasmus, Chetwynd-Hayes is regaled with three stories of the macabre.

Story 1:A young couple George and Angela are hard up for cash, so they answer an advertisement in a newspaper looking for someone to help catalogue antiques in an old manor.Angela goes and meets the owner who as it turns out is a Shadmock,kind of a Vampire/werewolf hybrid,Angerla is scared of at first but soon settles in to her job.Angela soon becomes friendly with the soft spoken and thoughtful employer but comes under increasing pressure form George to steal something from the house, and she decides to take advantage of an invitation to a masqued ball with the Shadmock's family at the manor to fulfill her objective.

Story 2:A Vampire stalks the London underground is being chased by the B-squad a team of vampire hunters lead by Pickering, (Donald Pleasance) . Pickering uses the vampires son who unknowingly leads the B-squad right to his father.

Story 3: Stuart Whitman plays Sam an American movie Director scouting the English countryside for the perfect location for his upcoming movie. He stumbles across a fog bound town full of Ghouls where he befriends a Humghoul (Human and ghoul hybrid) and struggles with her help to make his escape from his living nightmare.

Review The shadmock story I found to be quite unique, its nice to have a different monster and this one was a rather a nice chap and I felt for his pain at the end, but it was definitely a missed opportunity, the idea of a masqued monster ball I find intriguing, but Ward obviously only used this as a means perhaps to save money on Monster make-up.The second story is played for laughs which is a shame and is by far the least of the three stories.The Ghoul story I found to be the best,and full of atmosphere with a nice twist at the end.The in between segments with Price and Carradine are poor and full of very bad monster make-up and annoyingly bad music(No really bad), these two great horror legends were fine,considering the quality of script, but they deserved more. This is the kind of film I was raised on and for that reason and the people involved I really enjoyed it,sure its not the best from the esteemed Amicus studio or Baker,but for pure fun its hard to beat and I unreservedly give this a whopping 6/10 against my better judgement.

Fun horror anthology film from producer Milton Subotsky, who produced similar pictures for Amicus in the 1960s and 70s. It's directed by Roy Ward Baker, who also directed some of those previous anthologies. There are three stories here plus a wraparound segment that connects everything. The first story is about a shadmock (don't ask). It's an ok segment with a standout sympathetic performance from James Laurenson. The second story is about a vampire hunter (Donald Pleasence) targeting the father of a bullied boy. It's a decent story with a goofy ending. The third story is the best. It's about a move director (Stuart Whitman) who finds himself trapped in a town full of ghouls while scouting for a filming location. This is the only story that feels like it could have been its own movie. The wraparound segments feature Vincent Price as a vampire who takes famed horror writer John Carradine to the titular club where monsters hang out and dance to early 80s rock bands. Super cheesy but also loads of fun.

All in all this isn't as good as many of the older horror anthology films but it's all very charming and innocent fun. Hardcore horror nuts will likely hate it for not being serious or gory enough. I think in my initial viewing years ago I was unimpressed but it's grown on me over the years. Give it a shot. The music numbers alone are worth your time.

It's been many years since I last saw this anthology, and though it's usually reviled I think it's gotten better with age. I love the air of black comedy that prevails in the scenes with Vincent Price and John Carradine in the Disco (both perform very tongue in cheek and appear to be having some fun spoofing their images), and the three horror tales aren't bad, either. The stories manage to be satirical, humorous, and even a little scary. I even liked some of the rock tunes sung at the club (my favorite probably being B. A. Robertson's SUCKER FOR YOUR LOVE). I also like MONSTERS RULE O.K. by the Viewers. Okay, so I wouldn't go out and buy the album perhaps, but the songs work nicely within the bizarre context of the film. Price and Carradine actually get up on the dance floor to boogie with the ghouls, and it's good fun all around. **1/2 out of ****

The Monster Club (1981) is a movie I recently watched off Shudder after seeing it on Into the Darkness (it's also available for free on Tubi). The storyline focuses on a vampire who is a fan of an author's work. He introduces himself to the author, takes him back to a club filled with nothing but monsters and tells him a series of short stories that explains how monsters work. This movie is directed by Roy Ward Baker (Aylumn) and stars Vincent Price (Tingler), John Carradine (Stagecoach), Donald Pleasance (Halloween) and Simon Ward (The Three Musketeers). This movie is definitely a little bit cheesy in the interactions and songs between scenes, but is still fun in a nostalgic way. Vincent Price is awesome as you'd expect and there are some great sequences that will make you chuckle. Loved the end of the first story, Donald Pleasance's vampire story and ultimately how the movie ended and depicts humans. Overall, this is a must see for fans of the classics and I'd score it a 6.5/10.