Le miroir se brisa

The Mirror Crack'd is one of the many Agatha Christie stories made into an all-star film. This one is more campy and less opulent than "Murder on the Orient Express," for instance, but for what it is, it's pretty good.

Set in the '50s in Miss Marple's village of St. Mary Mead, the film stars lots of big names from that era: Elizabeth Taylor, Rock Hudson, Tony Curtis, Kim Novak - a veritable who's who of '50s megastars.

Angela Lansbury plays Miss Marple, and she's perfect in the role. The film also has an appearance by Pierce Brosnan in a small, uncredited part.

The script has the Taylor and Novak characters camping it up with bitchy insults which I don't quite remember from the book. The story concerns a movie star, her husband, her co-star nemesis, etc., coming to St. Mary Mead to make a movie.

During a party, a local resident is murdered, but the intended victim is assumed to be Taylor. It's up to Miss Marple to unravel the mystery as more murders occur.

The scene between Taylor and Edward Fox is especially good, and I've never been sure if Taylor falling on top of Hudson on the bed was supposed to be funny or not - in the movie theater, it got a laugh.

It's great to see all these old stars in the same film. By the way, perhaps this was mentioned by one of the posters - this story is based on a real-life incident that happened to Gene Tierney.

Being a fan of both Agatha Christie, Angela Lansbury, and Rock Hudson I watched this film with pleasure. The cast here has done a great job, everybody is convincing, even Liz Taylor, although her acting is at times overdone, as usual. The movie has a good pace, dialogues are witty and humorous, and the mystery itself engaging. I think the proportions of each character's involvement in the story are true to the original (I was afraid they'd make Miss Marple into an action figure or something, but was glad to see she stayed in the background to make her grand entrance in the finale). All in all, it's a very good and convincing adaptation of Christie's book.

Highly underrated, this low-key little whodunit manages to bring together two unlikely genres, the English village murder mystery and the catty Hollywood self-satire. While who did do it is not that surprising, the reason why is clever and touching. (Interestingly, the central plot is loosely based on the real-life tragedy that befell Gene Tierney, star of the legendary film noir "Laura.")

The cast of 50's Hollywood icons give very good performances, though, sadly, for most it represents the last really good parts they have had. Hudson is especially good in a bittersweet role. Lansbury is crisp and efficient as Miss Marple and could have made a series of these films had she not found meatier material as another mistress of murder on "Murder, She Wrote."

Indeed, though I adore Margaret Rutherford, I think Lansbury does better by the role of Miss Marple. This is not a great mystery movie, but works very well as light entertainment and as a last hurrah for several fine actors.

Lord Brabourne who produced The Mirror Crack'd as he did a few other films adapted from Agatha Christie's work was lucky to have produced this at all. He was the son-in-law of Lord Louis Mountbatten and when the IRA blew up the yacht they were on, Brabourne's mother and son were killed on the vessel as well as Mountbatten. Brabourne, his wife and a younger son survived. This all happened a year before The Mirror Crack'd filmed and was released.

This film is right in keeping with the high standard of pictures Brabourne made of Christie stories like Murder On The Orient Express and Evil Under The Sun. As the story involves an American film crew over in Great Britain in 1953 Brabourne was able to get a quartet of top Hollywood names in support of Angela Lansbury as Jane Marple.

Producer Tony Curtis and Director Rock Hudson are collaborating on a film about Mary Queen of Scots that will star Hudson's wife Elizabeth Taylor in the title role. Curtis's wife Kim Novak plays what would be billed as a cameo in the film as Queen Elizabeth. Taylor and Novak are rivals in the tradition of Bette Davis and Joan Crawford and get off some truly bitchy lines at each other.

Maureen Bennett who is one of the villagers and who met Taylor years ago in passing when she was a WREN and Taylor was entertaining troops is poisoned at a gathering of the villagers and the film crew. Someone spiked Bennett's daiquiri and who could possibly want to murder this ingenuous fan. Later on Hudson's secretary and girl Friday and trenchant observer of the whole Hollywood scene Geraldine Chaplin is also poisoned when her inhaler is similarly spiked.

When Lansbury figures out the who in the film it all becomes deceptively simple. The motive however is an incredibly complex and obscure one involving a trivial passing incident that brought to life a great tragedy suffered by one of the visiting Americans.

The film is a reunion of sorts with Hudson and Taylor as co-stars of the classic Giant from the Fifties, a personal favorite of mine for both its stars. Also back in those days Rock Hudson and Tony Curtis were both the leading contract stars at Universal studios, but they never starred together in anything. They did appear in Winchester 73 as featured players but had no scenes together. I really liked Curtis the best in this film with him doing a wonderful satire of Darryl F. Zanuck in the producer part. I'm sure Agatha Christie must have met Zanuck sometime because she had him down great and of course Curtis knew him as well.

Definitely The Mirror Crack'd is a must for Agatha Christie fans and for fans of the stars. And considering what its producer went through we are lucky to have it at all.

They gathered an amazing celebrity cast for this, many of whom were top Hollywood draws in their younger years.

Unfortunately the performances are really inconsistent which takes the shine off things.

Liz Taylor is probably the biggest name and also the most variable. In some scenes she is fantastic, in others she is barely there, with a predilection for delivering her lines under a "beauty light" which I doubt was the director's choice.

Rock Hudson stands out and is the heart of the story. Kim Novak has the funniest lines as Taylor's siren rival. Tony Curtis is good too.

But Angela Lansbury's Jane Marple simply isn't on screen enough, with Edward Fox's wooden police officer doing far too much of the in-person investigation before Miss Marple weaves her magic.

And the reveal, although authentic to the book, is a bit too unexpected to be really satisfying.