La Guerre des gangs

"Contraband" is Lucio Fulci's sleazy and gloriously violent gangster flick that tells the story of how cigarette smuggler and gangster Luca Di Angelo played by Fabio Testi overcomes the threat of violent cocaine smugglers attempting to muscle in on his operation and overturning the existing order.Being a fan of Lucio Fulci's uncompromising gory mayhem I always wanted to see "Contraband",which is his mix of mafia and poliziotteschi genre.It's undoubtedly the goriest gangster film ever made with its scenes of rape,the brain blow-outs,burn victims and shotgun blasts to the throat.The film has some dull spots and lifeless sequences,the cast is mediocre,but if you are a fan of sadistic Italian gore "Contraband" certainly delivers.Still I prefer early 80's horror movies of maestro Fulci.7 out of 10.

Lucio Fulci brings his unique brand of sadism to this okay entry into the Eurocrime genre. Fabio Testi stars as Luca Di Angelo, a cigarette smuggler / family man who does have some principles. His organization is now constantly being threatened by rival outfits who want to control the drug traffic in the area. Luca is ready for revenge when one of the first victims is his brother Mickey (Enrico Maisto), but the bad guys, led by the power hungry Marsigliese (Marcel Bozzuffi) up their game when they decide to kidnap Lucas' wife and son.

The script, credited to four people (including Fulci) is ultimately very routine. There's nothing special about any of the characters, even if they are entertainingly played. Testi, as always, is a rugged and studly "hero". The joy here lies in the fact that the movie is so utterly violent. A face is burned to a crisp with a torch, a throat is torn open, a head is shot apart, and bodies are continuously riddled with bullet holes.

Supporting Mr. Testi are Ivana Monti as Lucas' wife, Saverio Marconi as the cocky young mafia man Perlante, Fabrizio Jovine as a police chief, and Ajita Wilson as Luisa. The actors are fine, especially Mr. Bozzuffi as a thoroughly nasty and despicable villain.

The action set pieces are not spectacular, but they are fun, and Fulci gives this trashy story (complete with full frontal female nudity as well as gore) decent pacing and a visceral appeal.

Fans of Fulcis' bloody horror films from this period may also like this feature.

Look for Fulci near the end in a cameo as one of the gunmen.

Seven out of 10.

On a blood and guts level, Fucli's "Contraband" fires up. The squib hits are extreme, giant chunks of flesh are shot out of necks, bad guys die in glorious slomo, and one woman has has face melted for attempting to sell a drug dealer cut coke.

On another level, the film is ponderous, the plot is predictable, and the performances are anemic. Fabio Testi, who was solid in "Revolver", plays a very weak character here and I didn't buy his campaign to wage revenge one little bit.

The action has a muscular quality to it and Fulci makes the most of his access to half a dozen boats. A funeral on the boats is a poetic touch, too. The film is not a bad one, but it misses being great because the script is feeble. You can spot the bad guy a mile off and the dubbing, as usual, is terrible.

The Fabio Frizzi score is memorable but used inappropriately and too often.

One of the best stunt sequences involves an assassinated man rolling down an embankment. There is a worthwhile killing at a racetrack involving a gun shoved a throat.

"Contraband" is a fast-forward job for viewers, and on that level, it offers some satisfaction.

(aka: CONTRABAND)

Normally I don't comment on non-horror or mondo films but since Fulci directed it, and since there's enough gore splatter in here to finance a small horror film, I'm gonna put my two cents in.

Fabio Testi plays a Neapolitan cigarette smuggler who's territory is being muscled in on by the Margliese (Marcel Bozzuffi) who wants a clear way to smuggle heroin into Italy using Naples as an entry point.

One by one, Testi's comrades are being killed off in many different gruesome ways, including the backs of heads being blown off, a rotting cadaver thrown through a window, blood bags exploding in stomachs with intestines flying out, and a pretty female drug courier getting half her face burned off by one of the Margilese's henchman.

This has to be one of the goriest crime thrillers I have seen so far. Fulci pulls no stops here and the bad guys are truly gonna get what they deserve. The ending shootout in the street between the Margilese's men and the retired Camorra bosses is classic Fulci.

The Blue Underground DVD uses an excellent widescreen print that is only marred in a couple of places by bad splicing. The only extras that come with it are a couple of bios (Fulci and Testi) and an American trailer.

If you want to see violent crime thriller that doesn't pull any stops like the American ones do, then go see this one!

Recommended! 7 out of 10

Here's another one outside the horror genre for director Lucio Fulci. He crafts a brutally biting, if disjointed Italian crime melodrama that serves to make you squirm in it gratuitous acts of extremely depraved violence and sleaziness. Fulci definitely left his calling card on this one, with many unforgettably unflinching nasty moments (like an uncomfortable face-melting scene). The superfluous gore and mean-spirited nature is great, but a lack of any real tension-building does hurt it. The twisty story is frank and unspectacular even with its shifty chain of bleak events and the script is weakly penned (the unsuitable humour when included falling flat), but being broken up by its impulsively vivid action stunts (nice use of slow-motion too) and gorgeous Naples' backdrop, leaves quite a hypnotic imprint. Sergio Salvati's brashly sharp and tight camera-work, interlocks with Fulci's kinetic visual bursts and rounding it off nicely is composer Fabio Frizzi's ever-changing, saucy music score that doesn't lye down. Performances are workably tailored. There's a humanely chiselled and honest performance by Fabio Testi. Marcel Bozuffi makes for a great smarmy, calculating French Mafia Don trying to take over Testi's character's turf. Ivana Monti, Ferdinand Murolo, Saverio Marconi and Guido Alberti provide able support. Quite an edgy, blunt and vicious crime joint that basically gets it kicks off its effectively rousing, if scandalous violence than anything more.