Kenny Rogers, le joueur

I never expected a movie based on a song to be a masterpiece in cinema. The "made for TV category" suits this movie just fine. For a movie that aired on network television, this film is quite good. You have two stories intertwined: Brady Hawkes meeting his son and the history there and Brady's great skill as a fair and honest poker player. Billy Montana seemed a little to pretty to pass as a cowboy in the wild west, but the character's charm makes up for it. I was expecting the Jennie Reed character to be fleshed out a little more and maybe some more interaction between Brady and his son Jerimiah. For what the film is, it works well and is an entertaining way to spend an hour and a half.

Young buck Billy Montana (Bruce Boxleitner) is on his way to San Francisco to play a big poker tournament and make his name. He's stuck in El Paso train station and joins a local game. When the game gets rough, a stranger comes to his rescue. He challenges the stranger to a game and promptly gets taken to the cleaners. He doesn't realize that his opponent is legendary gambler Brady Hawkes (Kenny Rogers). Brady had received a letter from a son, he didn't know he had, who is begging for help.

This may not be great cinema but it was darn good TV back in the day. Kenny Rogers may not be a great actor but he's functional in limited range. Boxleitner was great TV leading man back in the 80's although Billy is a bit too dumb. All in all, this is a good TV movie.

I guess you could say they gambled on the plot and lost... Haha jokes!!

Kenny Rogers stars in a made-for-tv movie based on his popular song from a year earlier. While the cast is impressive, and Rogers is just fine in his first lead role, the plot is where this thing falls apart, there's just not enough of an entertaining story going on here and the side plots don't fare any better either. Put in a pretty underwhelming bad guy in Clu Gulager who isn't really bad so much as he's just an a-hole and a rather disappointing final act where nothing seems to be resolved and you got a pretty blah watch. However, this was still a ratings succuss when it came out, and CBS cranked out 4 more of these in the mini-series format.

Legendary country singer Kenny Rogers does a creditable job acting in this amiable bit of Western TV movie fluff, inspired by his hit song of the same name. He has a relaxed, pleasing presence as Brady Hawkes, a war veteran and wise, experienced card player who travels by train to come to the aid of his former flame (Christine Belford), and his son (Ronnie Scribner), whom he never knew existed until recently. During the journey, Brady makes the acquaintance of married woman Jennie Reed (Lee Purcell) and easygoing Billy Montana (Bruce Boxleitner), whose ambition and eagerness to hit it big outweigh his common sense. However, they will all prove to be a good team as Brady goes head to head with Rufe Bennett (Clu Gulager), a ruthless town boss who's got the former flame under his thumb.

Don't go into this expecting a lot of depth, or nuance. What 'The Gambler' offers instead is good, straightforward, sentimental entertainment. It has excellent period recreation, nice music by Larry Cansler, and a mix of action, violence, humour, and suspense. The story (devised by Jim Byrnes and Cort Casady) holds absolutely no surprises, but entertains sufficiently, and TV movie veteran Dick Lowry directs with efficiency. The rich cast is the main reason to watch: Boxleitner is quite engaging, Purcell is both lovely and endearing, and Gulager and Harold Gould (as smarmy railroad baron Arthur Stobridge) make for good antagonists. Also appearing are Lance LeGault as a slick professional card player, Noble Willingham as the train conductor, and Bruce M. Fischer as a small town thug. Rogers' then-wife Marianne Gordon plays the small role of Dallas.

This viewer imagines that this material would make for good "comfort food", as it were. It has a refreshing lack of pretension, and never aims to be anything more than what it is.

Seven out of 10.

This vehicle for Kenny Rogers has a warm avuncular charm. Rogers is not much of an actor, but he's mainly called upon to lend his considerable atmospheric presence to scenes in which others do (or attempt to do) the heavy lifting. And he's good at that: he doesn't chew scenery, he doesn't attempt moments of deep emotion, but his presence keeps the lightweight script from becoming an embarrassment.

The movie is unabashedly sentimental, like a good country song. Plot elements are formulaic, but successful enough, and the direction shows a sure touch, never letting the movie get either maudlin or silly.

A must-see for the Eight-Track-Tape crowd, but not a bad choice for those who just like a little unchallenging fluff now and again.