Ajouter une intrigue dans votre langueA large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.
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- Scénario
- Casting principal
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Tokyo has not seen an earthquake over 5.0 in a long time (1923), so this generation has gone soft. What will they do when hit by a 7.9 quake? Because one is projected to happen within one month...
Directed by Kenjiro Ohmori, who is not even known in Japan for anything.
The Fortune 5 DVD was apparently copied from VHS, with the jumpy frames and snow. The dubbing is what you might expect. Sometimes called "Earthquake 7.9" and other times "Megaforce 7.9" or even "Deathquake".
There is a scene where they purposely crash cars head-on into each other, in order to design a fireproof automobile. Why? Because "in an earthquake, cars will burn first". And in an earthquake, it is fire that kills, not the shaking.
There are some interesting Japanese cultural aspects, with a focus on disgrace of a family name, rather than an individual -- the prediction of an earthquake is a big deal, it seems.
Directed by Kenjiro Ohmori, who is not even known in Japan for anything.
The Fortune 5 DVD was apparently copied from VHS, with the jumpy frames and snow. The dubbing is what you might expect. Sometimes called "Earthquake 7.9" and other times "Megaforce 7.9" or even "Deathquake".
There is a scene where they purposely crash cars head-on into each other, in order to design a fireproof automobile. Why? Because "in an earthquake, cars will burn first". And in an earthquake, it is fire that kills, not the shaking.
There are some interesting Japanese cultural aspects, with a focus on disgrace of a family name, rather than an individual -- the prediction of an earthquake is a big deal, it seems.
Special effects and pyrotechnics are the only virtues in this otherwise wholly forgettable little Japanese disaster flick, about a monstrous-sized earthquake occurring in Japan. First 45-minutes are little more than melodramatics between geologist and his family, and his possible, impending divorce, and the disgrace of his family's name. He believes a major earthquake will strike Japan in the very near future, but is not believed.
The film eventually comes alive in a well done special effects sequence where a Japanese city is destroyed (or a miniature version of it, anyway) and buildings crumble, cars crash, cameras shake, and, in my opinion, a well-staged plane crashes while coming in for a landing, the city is thrown into chaos and panics when they realise he was unfortunately correct. These scenes are, in my mind anyway, quite well done and impressive, the only reason to search for this film, really, but it is a LONG wait for them.
I'm rewatching this and writing a review of this only couple of days after the 9.0 earthquake occurred in Japan, so we're finding out, in real life, what the Japanese and he rest of the world's response would be to just such an event. Or is that what full and complete 127-minute version of the film deals with? Perhaps that improves the American 96-minute version, with more miniature effects and a more complete ending? Or was that just more soap opera baloney in the first scenes? In the America version, the ending also probably only makes sense to people who are aware of the Japanese veneration of suicide.
The film eventually comes alive in a well done special effects sequence where a Japanese city is destroyed (or a miniature version of it, anyway) and buildings crumble, cars crash, cameras shake, and, in my opinion, a well-staged plane crashes while coming in for a landing, the city is thrown into chaos and panics when they realise he was unfortunately correct. These scenes are, in my mind anyway, quite well done and impressive, the only reason to search for this film, really, but it is a LONG wait for them.
I'm rewatching this and writing a review of this only couple of days after the 9.0 earthquake occurred in Japan, so we're finding out, in real life, what the Japanese and he rest of the world's response would be to just such an event. Or is that what full and complete 127-minute version of the film deals with? Perhaps that improves the American 96-minute version, with more miniature effects and a more complete ending? Or was that just more soap opera baloney in the first scenes? In the America version, the ending also probably only makes sense to people who are aware of the Japanese veneration of suicide.
Geologist realizes a big earthquake is coming but no one will listen. Whats worse is his father in law had predicted the 1923 Tokyo disaster and he's been called unworthy to be his successor. Of course the big one comes and Tokyo is knocked flat.
A poorly dubbed Japanese film that is pure soap opera for the first half. The second half- after the earthquake destroys a model city its an escape drama. There are some nice moments but the film wastes them either by undercutting the action by too many poor miniatures or by having people do unreal things. Hokey and not very good it has an ending you won't believe...
A poorly dubbed Japanese film that is pure soap opera for the first half. The second half- after the earthquake destroys a model city its an escape drama. There are some nice moments but the film wastes them either by undercutting the action by too many poor miniatures or by having people do unreal things. Hokey and not very good it has an ending you won't believe...
How many disaster movies can there be before we get tired of them. Come on, we can see them on the Discovery channel all day long.
I agree with the comment that the first part of this movie is just a soap opera. The Great Predictor's grandson makes a prediction and everybody starts moaning about how he is ruining the family name. The evil mother-in-law convinces the wife to throw him out into the arms of his mistress, whom she wants to meet. Can you believe that? The wife wants to approve the new wife! At the same time the mistress' has someone in love with her that doesn't have a wife, but she sends him packing.
Now, that the soap opera is over, the earthquake appears.
The special effects are really good, but the dubbing is bad. That is why I like subtitled films. The actors are all very experienced and have won many awards, so you will get to see some of Japan's best in an oft-repeated story.
But, the soap-opera story returns with a kitchy ending.
I agree with the comment that the first part of this movie is just a soap opera. The Great Predictor's grandson makes a prediction and everybody starts moaning about how he is ruining the family name. The evil mother-in-law convinces the wife to throw him out into the arms of his mistress, whom she wants to meet. Can you believe that? The wife wants to approve the new wife! At the same time the mistress' has someone in love with her that doesn't have a wife, but she sends him packing.
Now, that the soap opera is over, the earthquake appears.
The special effects are really good, but the dubbing is bad. That is why I like subtitled films. The actors are all very experienced and have won many awards, so you will get to see some of Japan's best in an oft-repeated story.
But, the soap-opera story returns with a kitchy ending.
Le saviez-vous
- AnecdotesThe film was a follow-up to a TV movie from early the same year, Tokyo Daijishin Magnitude 8.1 (1980), starring Shin'ichi Chiba, with special effects by Kôichi Kawakita, and also produced by Toho.
- Crédits fousAlthough the title is at the beginning, all of the credits are at the end of the movie (in the original Japanese version).
- Versions alternativesIn all versions of the film, the title is shown early in the film (in the shot of the crater of Mount Mihara), but in the original Japanese version, all of the credits are at the end of the film; after the final freeze-frame of Kayo Matsuo's character (Yuko Kawazu), the film fades out, and a credit roll in white text over a black background is set to the sentimental pop song "Amethyst Sunray" (performed by Hatsumi Shibata), ending with a "The End" ("Owari") credit. In all international versions, the cast credits are placed over the opening footage of Oshima Island (before the title), and the rest of the credits over the aerial montage of Tokyo (right after the film's title), both originally credit-less, and the film ends with the final freeze-frame of Matsuo's character (with "The End" and the Toho copyright superimposed over the shot). "Amethyst Sunray" is omitted altogether.
- Bandes originalesAmethyst Sunray
("Amejisuto Sanrei")
(Closing credits theme - Japanese version only)
Composed by Masaaki Hirao
Lyrics by Makoto Kitajô
Arranged by Tatsumi Yano
Performed by Hatsumi Shibata
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