Rendez-vous chez Max's

I have a very subjective method of measuring some of my all time favorite movies. If I'm surfing the remote and "hit" the movie that I just can leave, then that's it. I did this last night and when I hit "Inside Moves". This is a extremely comfortable and beautifully paced film . The scenes in Max's are so warm and intimate you feel if your in the corner of the bar observing the intimate relationships and comaraderie of the supposedly "special " people that live there. Yes, they are special..they're only aspirations are enjoying each other's company and accepting each other and their metamorphical handicaps. The scene where Louise admits she is frightened by a potential romantic realtionship with Rory is honest and heartbreaking. After checking the credits on Inside Moves I was surprised and then nodding in agreement, why it's a classic. Written by Barry Levinson...enough said..

I don't remember a lot from this movie, but I do remember that a main character played for the Golden State Warriors, part of it was filmed at the Oakland-Alameda County Coliseum arena, and that some of the Warriors on the team at that time appeared in the movie. It also looked like it was filmed in the Oakland/Berkeley area (I wonder if the bar in the movie is in that area today It was cool to see a movie that had a real team back then, rather than the Pittsburgh Pipers, NY Knights, North Dallas Bulls, etc. It is also cool that it was not not a popular team like the Bulls, Lakers, Cowboys, Yankees and whatnot. I hope I can catch it on cable some time for I doubt that is available on DVD.

It's been many years since I've seen this film, but I've never forgotten it. There's little I can offer in terms of praise that hasn't already been posted here by other commentators.

It's a film about adversity, finding friendship, and finding the inner strength to rebuild and embrace life for what it is. It's a film that shows people with physical disabilities in a very normal light, showing them to be neither noble-handicaps nor pitiful cripples, but as normal everyday folks with all the faults and good points of humanity. It's a film about coping with one's own decisions, and overcoming life's challenges.

There's some mild profanity, and references to adult situations, as well as some violence, so be warned ahead of time. It's a film the likes of which I have not seen since, and am hopeful that it'll see a DVD release someday. Until then we'll just have to wait :-(

In the meantime if you get a chance to view it, then do so :-)

This is one of my favorites. Read the other comments because they accurately reflect what is great about this movie. With the jarring beginning and all the ugly snapshots of inner city life, this movie makes me want to go back to this believable place that has been created. It makes you believe there is really a place called Max's... a place with diversity and all the complexities of humankind... and that there is hope for mankind! Some of my favorite lines that I repeat constantly (probably wrong): "He'll come back. He just wants to spend some time with his dream." "You've got it backwards. First you get crippled, then you try to commit suicide". Of course... "I'm big, BIG, bigger than you...but that's not hard to be Jerry ... that's not hard to be!" (BTW, does anyone know what Roary (that's how Rory spells it) says after that?... it sounds like "Oh, my hiney" Let me know. My wife and I have played it back 100 times. John Savage has many great lines throughout this. I could never figure out why he didn't win an award. Finally,I think the often-called hokey/corny ending is necessary to bring us back from a hard smack on a Buick. "Hey Roary!"

This is a movie about the kind of people most of us spend our lives trying to avoid: drunks, whores and cripples of every description. The setting is seamy, mostly taking place in an old neighborhood bar; no ferns here, no clever reparte between beautiful people. The is a story of loneliness and not a little darkness, leavened with gentle, often self-effacing humor.

The miracle here is the degree to which you wind up truly caring about what happens to these folks. The action in the movie is simple. The people are not, and it is a remarkable feat of storytelling to bring this ensemble to such rich, moving life.

This is truly a sleeper, Steinbeckian in its evocation of the common humanity in us all.