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Terreur à Hadleyville

Titre original : High Noon, Part II: The Return of Will Kane
  • Téléfilm
  • 1980
  • TV-14
  • 1h 36min
NOTE IMDb
5,2/10
383
MA NOTE
Terreur à Hadleyville (1980)
DrameOccidental

Ajouter une intrigue dans votre langueFormer Marshal Will Kane returns to Hadleyville a year after he resigned and finds the town in the grip of a tyrannical Marshal who abuses his power.Former Marshal Will Kane returns to Hadleyville a year after he resigned and finds the town in the grip of a tyrannical Marshal who abuses his power.Former Marshal Will Kane returns to Hadleyville a year after he resigned and finds the town in the grip of a tyrannical Marshal who abuses his power.

  • Réalisation
    • Jerry Jameson
  • Scénario
    • Elmore Leonard
  • Casting principal
    • Lee Majors
    • David Carradine
    • J.A. Preston
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    383
    MA NOTE
    • Réalisation
      • Jerry Jameson
    • Scénario
      • Elmore Leonard
    • Casting principal
      • Lee Majors
      • David Carradine
      • J.A. Preston
    • 16avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
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    Rôles principaux19

    Modifier
    Lee Majors
    Lee Majors
    • Will Kane
    David Carradine
    David Carradine
    • Ben Irons
    J.A. Preston
    J.A. Preston
    • Alonzo
    Michael Pataki
    Michael Pataki
    • Darold
    Katherine Cannon
    Katherine Cannon
    • Amy Kane
    M. Emmet Walsh
    M. Emmet Walsh
    • Harold Patton
    Frank Campanella
    Frank Campanella
    • Dr. Losey
    Tracey Walter
    Tracey Walter
    • Harlan Tyler
    Britt Leach
    Britt Leach
    • Virgil
    Pernell Roberts
    Pernell Roberts
    • Marshal J.D. Ward
    Charles Benton
    • Emmett
    Sanford Gibbons
    Sanford Gibbons
    • Frank Stam
    Stonewall Jackson
    • Telegrapher
    Francesca Jarvis
    Francesca Jarvis
    • Mrs. Garver
    Henry Kendrick
    Henry Kendrick
    • Martin Garver
    • (as Henry Max Kendrick)
    Kirk Koskella
    • Richie
    Warren Stanhope
    Warren Stanhope
    • Desk Clerk
    Tiny Wells
    • Riley
    • (as Tiny Welles)
    • Réalisation
      • Jerry Jameson
    • Scénario
      • Elmore Leonard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    5,2383
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    10

    Avis à la une

    8ffattahi

    The harsh criticism of this movie in previous comments are quite unfair.

    I just can't believe all the nasty comments about this movie. Everybody seems to think this movie actually has to measure up to the classic with Gary Cooper and Grace Kelly. Well, it doesn't. It doesn't even claim to. IT'S A TV MOVIE FOLKS!! Indeed for a TV movie it does a good job. It has a great cast. The acting is actually very good. Pernell Roberts, in an extreme departure from his Bonanza role, steals the show. His Marshall Ward is the the quintessential villain that you love to hate. Nasty and cool at the same time. In a slightly smaller role, J.A. Preston does a great job of portraying the conflicted black man who assists Ward in tracking down the good guys. The always reliable David Carradine is quite likable as the one-time outlaw who makes you root for him.

    Much criticism is directed toward Lee Majors' acting in the other comments. "Stiff?" "One dimensional?" Has Majors ever been accused of being a Shakespearean actor? He is Lee Majors. The guy who plays quiet strong characters and relies on his looks for likability. Within that limited range, he is very good. I can see why he was picked to portray the same strong and quiet Will Kane that Gary Cooper portrayed in the original.

    I have only two little problems with this picture. First, the original happens at high noon, thus the title. This one establishes neither the climax nor any major part of the plot as occurring in midday. Having failed to do so and still retaining the High Noon title it does open itself up to the unfair criticism of being a rip off of the original. My other issue with this movie is with the ward-robe folks who dressed Majors in almost the same outfit as he wore as Heath Barkley in The Big Valley. That, in my opinion, makes it a bit more difficult for us to accept him as Will Kane. The characters make frequent verbal references to the original High Noon story, so there is a deliberate effort here to make us remember it. Therefore, dressing Majors in a darker outfit reminiscent of Cooper's Will Kane would have served far more effectively to help us make the necessary emotional connection to the original.

    If you want to watch a deep drama with a lot of character development you will be disappointed. In fact characters mostly start the same and are the same at the end of the story. What little character development there is happens with Preston's Alonzo. Also, the aforementioned references to the original seem to be merely a buildup to re-examining, albeit too briefly, the courage (or lack thereof) of the town folks who left Kane alone in his predicament in the first story. Here, was an opportunity lost when the filmmakers shortchanged us By not expanding enough on that particular point.

    If you want to watch the simple story of an incident in a western genre that's done well you will not feel robbed of two hours of your life. All in all, this is an entertaining western which I would not mind, if ever on DVD, purchasing and placing right next to my cherished copy of the original.
    moviecat-6

    What a disaster. Even worse by comparison.

    This movie (?) is a disaster, and that's a compliment. It falls from just being very bad to being the worst due to its attempt to play on the greatness of its earlier namesake.

    "Thou shalt have no false gods before me", says God to Moses in "The Ten Commandments". A similar comparison and warning apply here. If you loved "High Noon", you will certainly hate "High Noon, Part II". It is a disgrace to the memory of Gary Cooper.
    4rooster_davis

    Why make the incredibly lame connection (High Noon Part 2) to a classic that has almost nothing to do with this story?

    I hated this movie when I watched it, and after watching it again now I know why I hate it so much.

    High Noon, Part II: The Return of Will Kane had virtually nothing to do with the original High Noon. It cashed in in the original to give us a title character and that was about all. Near the beginning we get a gratuitous slaughter of a pen full of horses as the bounty hunter tries to catch a guy he knows could not have committed the crime he's charged with. Since the guy is in with the horses, just shoot the horses to find the guy, right? I wasn't angry with the guy who shot the horses, I was angry that the writer and producer thought that disgusting and unnecessary scene would be worth including in the movie. I don't care that they of course didn't REALLY shoot the horses, it was still gratuitously sick. It didn't make me hate the bad guy (which he earned on his own), it made me hate the movie. And, it never got any better afterward.

    Lee Majors as Will Kane was horrible. Talk about a stiff, cardboard, unsympathetic portrayal. Pernell Roberts came across as the biggest jerk on the planet. Sure, you're not supposed to like the 'bad guy' but in this case it went beyond 'dislike' to 'I despise this movie because the bad guy is so annoying.' (Actually, Richard Jaeckel, Skip Homeier and Richard Boone played numerous bad guys who I still enjoyed watching even though I wanted them to 'get theirs'.) I don't know how Majors or Roberts has ever been a success in acting; neither of them can play a character I care one iota about.

    I think though that I could tolerate Majors and Roberts and the storyline a lot better if there wasn't this tenuous attempt to connect this story with High Noon. It could have stood on its own as a story and in my opinion would have been much better had it been a story in its own right than with the attempted High Noon tie-in. Lee Majors compared to Gary Cooper is like Tom Selleck compared to Clark Gable. This movie's biggest annoyance is that they tried to cash in on the name of a classic Western, for no good reason. Now, if we saw a much older Will Kane having to face the sons of the men he had to kill, that would be a relevant story to make a Part II; this however is ruined by trying to make the connection. I'm changing my '1' rating to a '4', but really this was a very misguided effort.
    8martycthomas

    With all due regards it wasn't nearly that bad Henry! So lighten up.

    Gary Cooper indeed. It's a Western Filmed in Tucson on the Old Tucson Movie Set. It's got its own sense of style to it that works. There's a plot that can be followed, although its somewhat predictable. But it was worth the watch. Believe Me, I've seen My share of stinkers & this one doesn't smell that bad. So for You to bash it makes no sense to Me. Why not let people decide for themselves? There's several classic Actors in this Movie. And Henry just so You'll know, Gary Cooper doesn't make Movies anymore because He's Dead! IMDb Says that My Review has to be longer, & that I'm not supposed to pad this. But the problem is they don't appreciate brevity. I said all I needed or wanted to say already! You can't force people to write more than what they wanted or needed to say. That's just not right!
    1KidRegno

    This TV (movie) was terrible, and that's a gross understatement...!

    I searched the several dictionaries I have available to me at my office and came up with at least 40 adjectives that would have "added and reinforced" my one line statement above. But I felt adding, "and that's a gross understatement" would give you a clear and brief picture of my thoughts on this 1980 TV disaster...!

    I apologize if I have offended any of you who felt the TV rendition was even worse then what I indicated above...!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shot on location at Old Tucson Studio in Tucson, Arizona.
    • Citations

      Marshal J.D. Ward: The only law you got is this piece of tin worth about two bits...

      [drops his marshal badge on the justice of the peace's desk]

      Marshal J.D. Ward: Now you got nothin'.

    • Connexions
      Follows Le train sifflera trois fois (1952)

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    Détails

    Modifier
    • Date de sortie
      • 15 novembre 1980 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • High Noon II: The Return of Will Kane
    • Lieux de tournage
      • Tucson, Arizona, États-Unis
    • Société de production
      • Charles Fries Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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