Les yeux du mal

Although I haven't watched this movie in at least seven years, I have always enjoyed watching it. I personally thought that the movie was a great one to watch. It may be on the low end of horror flicks as far as bloodiness and actually murder scenes, but it does get the point across. I have been unable to find this movie in video stores, even ones with older movies. So, even if anyone wants to watch the movie it may be hard to find. I truly loved the context of the movie. I think that it does show the lack of technology that we had in the 1980's compared to now, but I have seen many movies from the 1980's that are about the same in the technology area. However, it doesn't make them bad. However, this is just my opinion.

Although the film is called 'The Godsend' there is nothing godly here, and is a creepy display of the devil's work through the 'innocence' of a young child. The movie has a similar premise to 'The Omen'.

Strolling through the woods, the Marlowe family meets a mysterious, pregnant woman, whom they invite to their home. Alan has an uneasy feeling about the woman, who keeps staring at him. That night, she gives birth to a baby girl, and stays the night. The next morning, she is gone, and the family decides to keep the baby, naming her Bonnie.

Alan and Kate Marlowe has four children, and one by one they start dying in apparent accidents. Alan is the first to become suspicious of Bonnie, but he has no proof. Over the next few years, with tensions rising, grief and suspicion takes its toll on their relationship. Alan realizes he has to resort to drastic measures to save his family.

Wilhelmina Green gives an incredibly creepy performance as the 4-year old Bonnie. I mean this girl is evil personified! Malcolm Stoddard also gives a good performance as Alan. 'The Godsend' is a psychological thriller that's sure to send a chill down your spine, and also ends on a chilling note.

Another movie about a seemingly cute child with a not-so-cute side; Portland's video/DVD store Movie Madness has in the horror section a whole shelf devoted to Killer Kids. In this case, a typical English family one day picks up a woman who gives birth in their house and then disappears without a trace, leaving her infant daughter with them. Sure enough, their children start getting killed. Basically a rehash of "The Bad Seed", "Rosemary's Baby" and "The Omen". Still, "The Godsend" has a neat side, as the vicious little girl makes some faces that no one would ever associate with a little girl; she did look kind of scary.

But in the grand scheme of things, there's nothing new or important about this movie. Not to mention that it ends rather abruptly. Menahem Golan and Yoram Globus produced much better movies over the years. This is the sort of flick that you rent if there's absolutely nothing else available.

I saw this film when it first came out in 1980. I enjoyed it. I also read the book and found that the movie was a very faithful adaptation. This is the kind of movie that is not high-budget, nor is it laced with overwhelming special effects. But is a very entertaining, low budget, late night "get away from it all" type of film.

The makers of this decent horror drama do get high marks for good intentions here. Their film does score to a degree by focusing on the human element, as the devastating effects of tragedy hit a young country dwelling couple. This couple, Alan (Malcolm Stoddard), and Kate (beautiful Cyd Hayman), already have four children of their own. They meet a mysterious, pregnant stranger (played by Angela Pleasence, the daughter of Donald P.) who gives birth in their home and promptly disappears. They keep her baby as one of their own, but their own children start dying under mysterious circumstances, starting with their infant. Alan comes to believe that the new kid, Bonnie (played at different ages by Wilhelmina Green and Joanne Boorman), is responsible, but Kate just can't accept that this adorable moppet could possibly be a danger.

This may be too slow and quiet to suit some horror fans expecting something more along the lines of "The Omen". It really does stress its dramatic elements more than anything, shying away from anything such as graphic violence. It does have a suitably eerie mood, beginning with the effectively enigmatic performance by Ms. Pleasence. The rest of the cast, including Patrick Barr as the sympathetic Dr. Collins, does fine work. Location shooting is good and atmosphere is strong but the music by Roger Webb is a little overbearing. The script is by Olaf Pooley, based on a novel by Bernard Taylor, and the film is dialogue heavy, with producer / director Gabrielle Beaumont (making her feature debut here) never rushing through the story. The ending fails to be completely satisfactory; in fact, it's kind of abrupt, but overall those genre fans who prefer subtlety may find it to their liking.

Six out of 10.