La formule

This is a story about a man who discovers an evil plot and risks everything to thwart the scheme. He opposes the ultimate "establishment" and is weighed and found wanting when the time comes to take the final step to expose the ruling classes' determination to keep the lower class lower and the super upper class on top. After all his risks and frustrations and dangers the invisible powers that "be" casually regain the upper hand as if nothing has happened and once again it is business as usual. The movie is a powerful subliminal civics lesson for young people. The antithesis is another Marlon Brando movie titled "Burn." I suggest you see that one also.

Released in 1980, "The Formula" is a star-studded crime/thriller about a Los Angeles detective (George C. Scott) who investigates the murder of his friend, a retired cop, which leads to Germany and a Nazi formula for synthetic fuel that big oil naturally wants to suppress at all costs. Marlon Brando plays a shady oil tycoon but only appears for roughly 17 minutes of the almost 2-hour runtime.

The film is top-of-the-line as far as cast, location, cinematography and score go. It starts off like a Dirty Harry flick substituting Scott for Eastwood with his Asian sidekick, but the plot's complicated and there's not enough action for Dirty Harry fans. The rest of the film seems like an episode of Columbo mixed with Scott's "Hardcore" (1979) where he goes undercover in Southern California investigating his daughter's disappearance.

The highlights include the WW2 & Nazi elements, acting giants Scott and Brando, the lovely Marthe Keller, the rest of the cast, the great locations (California, Germany and Switzerland) and the emphasis on dialogue above thrills, which may be a detriment to some. Regarding the Nazi elements, there's a brief strip club scene in Europe where Nazi imagery is used as a backdrop for the dancers, fittingly showing how yesterday's unspeakable horrors are forgotten by the next generation and utilized for entertainment or recreation.

Brando has proved time and again that he has a knack for playing weird, quirky characters ("The Missouri Breaks", "Apocalypse Now", "The Godfather" and "The Island of Dr. Moreau") and he does this here with his portrayal of an oil executive based on Armand Hammer of Occidental Petroleum, but with so-so results. Still, you've gotta give him credit for trying and Brando is always entertaining.

The main problem here is the convoluted plot. There are so many names it's hard to keep up. So I recommend using the subtitles as it helps you keep track. Another issue is how the fate of certain people is redundant and therefore becomes predictable (I'd say more, but I don't want to spoil anything).

So "The Formula" is a mixed bag, but its strengths outweigh it's weaknesses. It's worthwhile if you're a fan of the stars and if you're in the mood for a thought-provoking, globetrotting crime/drama/thriller that's heavy on talk and light on thrills.

GRADE: B-

I give this a high rating simply because of George C. Scott and Marlon Brando, who rise above muddled material and breathe life into an otherwise clunky TV movie. The plot is basically oil/greed ripping off the nation, and if I didn't know better I'd say Brando was channelling Dick Cheney, but the music and the script and the camera work (zooms, anyone?) are so cheesy that it's hard to stay with this movie.

However. The performances are fresh and fun and strangely lively, all the actors are magnificent, and true or not- it's a nice little commentary on modern greed in America (and the world).

A fun watch if you've nothing better to do than watch great actors go head to head.

"The Formula" is a mess of a movie. It's a mystery/thriller in which the mystery is almost impossible to follow and the thrills are few and far between. The plot becomes confusing almost from the start and never turns itself around. Ones only reason to watch this movie would be to see two of our greatest actors, Marlon Brando and George C.Scott, performing together. Sadly even that falls short as they only have two scenes together, albeit these are the two best scenes in the movie. Brando's speech about the oil companies is terrific. Too bad the rest of the film didn't live up to that scene.

I can remember that just prior to the opening of the film at Christmas of 1980 it became public knowledge that the studio (with the backing of writer Steve Shagan) took the film away from director John Avildsen. Shagan wanted many changes made so Avildsen sent a long memo to the studio outlining Shagan's apparent wrong decisions with the editing. The studio seemed to agree - somewhat. Some of Avildsen's suggestions were restored while others weren't. Thankfully the Brando speech that I mentioned above was not cut per Shagan's request. Avildsen believed that because Brando basically improvised the scene Shagan was not happy with it.

Come to think of it I think I would have rather seen a movie based on the internal battles of the studio/writer and the director then this mess. Whomever is to blame, and it's probably 50-50, "The Formula" is a major disappointment considering all the talent involved.

I saw this movie when it came out in 1980 and enjoyed it immensely with all of the twists and turns keeping me thinking the whole time. Yes, Marlon and George were perfect for their respective roles. Brando playing the aging corporate bad guy who knows the score, and Scott an over the hill cop who gets his teeth into something he just can't seem to let go of. Both, to me, fit their respective characters well. The nature of the plot, although kept vague was necessary for the internal intrigue to build. Still, many did not like this forced need to contemplate the many aspects of this film as it was being seen. Yet, I wonder if those who did not enjoy this movie as I did might not find it more interesting if viewed today with gas heading toward $4 and then maybe $5 a gallon? Does everyone need to have everything shown to them in a movie or am I just one of the few who's head doesn't hurt when I use it for what it was designed to do? Enjoy this movie for what it is, a commentary on human greed and power.