Ajouter une intrigue dans votre langueDuring World War II, a teenage Jewish girl named Anne Frank and her family are forced into hiding in the Nazi-occupied Netherlands.During World War II, a teenage Jewish girl named Anne Frank and her family are forced into hiding in the Nazi-occupied Netherlands.During World War II, a teenage Jewish girl named Anne Frank and her family are forced into hiding in the Nazi-occupied Netherlands.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Primetime Emmys
- 4 nominations au total
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Rarely have I seen a work of literature translated so badly to the screen. The hysterical cast of b-movie and sitcom extras simply make the characters seem like bad Jewish stereotypes. The worst of all is Melissa Gilbert, who you hate from scene one and never develop any sympathy for. Performances like this should be noted and used against actors who wish to work again. All in all, a seedy, low-budget made-for-TV film of the sort that gives made-for-TV films a bad name.
Same thing happened with the 1979 TV adaptation of "The Miracle Worker" - the too-tall, too-old Gilbert got to play Helen in that very sunny, CA adaptation funded by her production company (Hint: see the superior 1962 film instead). For this one, Gilbert is too perky & too American as Anne. Also annoying - Doris Roberts as Mrs. van Damm. Clive Reville I had not seen since on the screen he played Fagin in the 1968 film "Oliver." Joan Plowright & Maximillian Schell are the best of the cast, but this adaptation is still too bright & sunny. Better to stick with the 1959 film version.
Some stories don't need to be dramatised. The weight of the genuine events that took place in the life of the Franks, the awful reality of the suffering of those who died in concentration camps and the terrifying implications all these events have for the nature of the human are beyond the grasp of all but the most brutal and bleak of film productions.
Enter Melissa Gilbert of Little House on the Prairie, skipping gaily, full of life and joy and entirely lacking in depth or gravity.
As a country girl of ludicrous naiveté in 'Little House' Gilbert is nauseating enough but to watch her trample all across the character of a young Jewish holocaust victim is bordering on offensive.
Some cast members are convincing and assured enough to carry off the roles to which they have committed themselves but the truth is that these are in the minority. The overall picture comes across as a poor taste 6th Form production put together by minds too young to realise the blasphemy of their actions.
I have the misfortune of having to show this drivel to pupils at the school in which I teach. It makes me feel uneasy to think I'm polluting the minds of young adults with such low culture.
Keep away.
Enter Melissa Gilbert of Little House on the Prairie, skipping gaily, full of life and joy and entirely lacking in depth or gravity.
As a country girl of ludicrous naiveté in 'Little House' Gilbert is nauseating enough but to watch her trample all across the character of a young Jewish holocaust victim is bordering on offensive.
Some cast members are convincing and assured enough to carry off the roles to which they have committed themselves but the truth is that these are in the minority. The overall picture comes across as a poor taste 6th Form production put together by minds too young to realise the blasphemy of their actions.
I have the misfortune of having to show this drivel to pupils at the school in which I teach. It makes me feel uneasy to think I'm polluting the minds of young adults with such low culture.
Keep away.
I saw this on television when I was in the 7th grade and at the time knew absolutely NOTHING about the Holocaust. Yes, Melissa Gilbert's Anne is real perky, the whole movie is, well, a little perky, which only STUNNED the 12 year-old me when I found out these people were MURDERED. This shock got me very interested in this period of time. I believe this is an excellent introduction to a terrible and interesting and sad chapter in human history.
I would like to correct Erik-32's belief that this is a bad adaptation of literature. In fact, it is almost identical, line-for-line, to not only the 1959 movie with Millie Perkins, but to the dramatic play script.
I grew up with this movie, and it once made me cry as I realized some my ancestors (I am of Jewish descent) may well have suffered the same situation. I would recommend this version for young children, because it's easy to understand the dramatizations. The 1959 movie would be more appropriate for older children and young adults.
I grew up with this movie, and it once made me cry as I realized some my ancestors (I am of Jewish descent) may well have suffered the same situation. I would recommend this version for young children, because it's easy to understand the dramatizations. The 1959 movie would be more appropriate for older children and young adults.
Le saviez-vous
- AnecdotesThe original Broadway production of "The Diary of Anne Frank" by Frances Goodrich and Albert Hackett opened at the Cort Theater on October 5, 1955, ran for seven hundred seventeen performances, won the 1956 Tony Award for the Best Play and the Pulitzer Prize in Drama in 1956.
- Citations
Otto Frank: We don't need the Nazis to destroy us. We're destroying ourselves.
- ConnexionsVersion of Le journal d'Anne Frank (1959)
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