Les massacreurs de Brooklyn

Jan-Michael Vincent who usually stars in rural setting films either western or modern goes to the mean streets of the Lower East Side of New York for Defiance. But the plot for Defiance could have come from any number of B westerns back in the day.

Vincent is a seaman who's suspended from the union and anxious to get back to sea. While adrift on land, he takes an apartment on the Lower East Side where he gets involved in the local neighborhood struggles with a gang that's terrorizing the place.

The film plays like the James Stewart western, The Far Country where the new town of Klondike miners look to him for leadership against the gang headed by John McIntire. Vincent of course sees himself as an outsider and in point of fact he really is. In fact with his All American boy looks, he's definitely an outsider in the very ethnic Lower East Side.

Most of all until the end Vincent disappoints Theresa Saldana who's a nice Jewish girl who'd like to get a little something going with him, but not if he won't protect the neighborhood.

Art Carney plays the local delicatessen owner and Danny Aiello is a neighborhood tough from bygone days. The gang leader, truly a despicable character is played by Rudy Ramos, his is the grittiest and best part in the film.

This 'western' was shot on the Lower East Side, I recognized some of the area myself. It does give it a nice feel and a lot more realistic than the Lower East Side of Leo Gorcey and Huntz Hall. Still it's really an average western on the mean streets of New York.

I enjoyed this movie quite a bit. In fact, I really can't think of many negative things to say about this movie, other than that the story moved slowly a few times throughout. The main characters were quite likable, and the script was coherent enough. The film gives us a realistic look at the lawless nature of what inner cities may be like without a strong police foothold, painting a gritty picture of urban life and the struggle for survival.

The performance by the lead protagonist as the reluctant hero was solid, bringing a sense of vulnerability and determination to the role. The supporting cast also did a commendable job in adding depth to the storyline.

One of the highlights of Defiance is its portrayal of community and the power of standing up against oppression. The film's depiction of vigilantism is both thrilling and thought-provoking, raising questions about justice and morality in desperate circumstances.

The cinematography captures some interesting scenery throughout the city, adding to the film's authentic feel. The urban setting serves as a perfect backdrop for the tense and often violent confrontations that occur.

Overall, I'd say this movie is definitely worth a watch, especially if you enjoy movies about vigilantes. While it may not be a groundbreaking film, it offers a compelling story with engaging characters and a gritty, realistic atmosphere that should keep you emotionally invested throughout.

For me, DEFIANCE was/is a film that delivered. Is it 'high art'?--I dunno. But it sure held my interest. JMV is our reluctant hero, 'Tom'. A merchant seaman, stranded in New York because of a beef on the job, near penniless Tom is forced to seek cheap digs in a slum rental while he waits for another ship assignment. He quickly crosses paths with 'The Souls', the Latino gang that holds the neighborhood in a grip of terror.

Tom is no white knight or crusader. A world weary pragmatist, he's just a guy trying to keep to himself until he can catch that much-needed next freighter out to sea. Though not an immediate champion of justice, neither is Tom indifferent to the suffering of others and gradually he finds himself being drawn into the lives of several of the local residents.

It is the leader of the Souls gang, 'Angel', with his determination to maintain his grip on his turf, and interloper Tom, with his stubborn refusal to abandon his newly made friends, who ignite the inevitable final--and highly satisfying--confrontation.

Is DEFIANCE a film filled with startling plot twists and dazzling production value? No. But I found it to be highly entertaining with real sincerity--and it continues to please me after repeated viewings. All hands involved in this production deserve praise for working within their limited budget to craft a tough, tender and edgy action/drama where an average fella, who cannot ignore his heart, takes a huge risk to correct a great injustice.

Is it SHANE?--Naw. (But what is?) I will tell you this: this flick delivers a whole fist-full of solid scenes. Fer instance: the moment when Tom draws his 'line in the sand'. Waiting until cover of darkness, Tom strides out of the shadows, club in hand, and begins to demolish Angel's beloved 'low rider' as an invitation to the gang--"Come and get me."

That scene works on EVERY level: script, direction, photography, JMV's smoldering fury, the startling, hot musical score that punctuates the moment--IT ALL WORKS! It gave me goose bumps the first time and it still gives me a kick to this day. DEFIANCE had me in it's grip: "Yeah, Tom! Screw the consequences! Let's take it to these vicious punks."

This flick never had anywhere near the budget or status of say, a DIE HARD, but it sure has the heart. In the early '80s, as I lived in my tiny apartment in Hollywood and struggled to write, I kept a tattered DEFIANCE poster tacked to my wall for inspiration.

DEFIANCE: a solid, commendable script, in the hands of a no-nonsense, focused director, who's leading a sincere and supportive cast--all in pursuit of a simple, but meaningful, action/morality tale that can't help but touch you on some level if you believe in justice and decency. Not too shabby, folks. Not too shabby at all.

Now I just wish somebody would get DEFIANCE onto a proper DVD (and throw in a few extras like cast/crew interviews, a trailer, maybe even some out-takes). I'd buy a copy in a heartbeat. And five more for some friends.

Back when Jan Michael Vincent could be recognized, physically and vocally, and he had so much going for him he slipped this smallish cheesy cult classic into his filmography. Tommy Gamble is a sea merchant suspended for fighting. He gets stuck in a tough rundown New York neighborhood while he waits to get reinstated so he can catch a ship out of the scummy rough neighborhood overrun by the hoods and thugs (laughable & absurd 'Cholo' gang stereotypes) known as the 'Souls'. During his stay he has multiple run-ins with the Souls and stands up to their antics and bullying, showing the neighborhood that fighting back may be the answer to their problems. The plot is a tad thin but, like screenwriter Walter Hill's other efforts, there is a surreal atmosphere that is a lot harder to find in films these days. The acting is good and you don't feel like these actors are surrounded by cameras like most films today. The supporting cast includes actors Danny Aiello and Art Carney but there are few others who are memorable. It's a very hard film to find but it's a good watch if you have nothing else to do on a very late Saturday night.

This entertaining but often overlooked film stars Jan-Michael Vincent as a seaman who must temporarily reside on the tough, crime-filled and gang-infested streets of New York, where he is persuaded by fearful residents to join them in their war against "The Souls," a local Puerto Rican gang led by Angel Cruz (played by the underrated Rudy Ramos, who would later work on "Quicksilver" (1985) with Kevin Bacon). "Defiance" was filmed mostly in New York's East Village (specifically on 12th Street between Avenue A and B) at a time when street gangs did in fact control that particular area of Lower Manhattan. This film brings to mind the highly controversial release "The Warriors" (1979), about a group of young fighters framed by a rival gang. Director John Flynn is dead on with the emotional aspect of the film, capturing the heart-wrenching struggle between good and evil, the romance between Tommy (Vincent) and Marsha (Theresa Saldana) and the brutal and poignant deaths of two characters - Whacko (Lenny Montana, who played Luca Brasi in "The Godfather" (1972)) and Abe (Art Carney).

Highly recommended for cult film enthusiasts. I would love to see a DVD edition in the near future by MGM/UA (formerly Orion).