NOTE IMDb
5,4/10
3,1 k
MA NOTE
Ajouter une intrigue dans votre langueA nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.A nuclear-plant leak turns a bus-load of children into murderous atomic zombies with black fingernails.
- Réalisation
- Scénario
- Casting principal
Michelle La Mothe
- Dr. Joyce Gould
- (as Michelle LeMothe)
John P. Codiglia
- Jackson Lane
- (as John Codiglia)
Avis à la une
A school bus drives through a radioactive fog (the result of a leak at the local nuclear power plant), turning the young passengers into black-finger-nailed zombies with a deadly, corrosive touch.
Having seen my fair share of 'killer kiddie' horror, I've come to the conclusion that it is extremely hard to make minors scary: it's unusual for children to possess the necessary acting chops to appear genuinely dangerous. The Children (of Ravensback) does little to alter my opinion that murderous movie moppets are rarely effective, but it does have a great premise, one that could work well as a remake, so long as a talented director is calling the shots and the casting goes beyond hiring the producer's children.
To be fair, this film isn't unwatchable, thanks to quite a few gruesome deaths, a willingness to kill off anyone, no matter how young, and a feeling that everyone involved was at least trying their best to create something entertaining (the cast might not be Oscar winners, but they're likeable). When the terrible tykes grab hold of someone, it causes the skin to blister and burn, which leads to some fun make-up effects, and respect is due for inflicting such a painful death on two unlikely victims: pretty farmer's daughter Suzie (Joy Glaccum) and little kid Clarkie (Jessie Abrams). I honestly didn't expect either one to die.
I also admire the fact that there wasn't what I would call a happy ending -- no antidote is found for the children -- the only way to deal with the problem being to hack off their hands, killing them in the process. The dismembered remains of several kids are shown in the aftermath.
Bonus marks too for the bizarre scene in which the town sheriff visits influential citizen Dee Dee Shore (Rita Montone), who nonchalantly sparks up a doobie in front of the cop while her partner Jackson Lane (John P. Codiglia) pumps iron by the pool, and for a subsequent scene in which millionaire Sanford Butler-Jones (Martin Brennan) persuades Deputy Harry Timmons to let him through a roadblock. Neither moment has any real bearing on the plot and one wonders what purpose they serve (although Brennan was apparently a drug dealer who supplied coke to the cast and crew, which might answer that query).
I will, however, deduct those marks for several reasons: Harry Manfredini's score is extremely derivative, borrowing heavily from Psycho, Jaws, Halloween, and even the composer's own music for Friday the 13th; the predictable 'twist' ending is lame; and the scene in which deadly youngster Paul (Jeptha Evans) scratches at the window of poor little Clarkie, waiting to be let in, is ripped off from Salem's Lot. Did they really think we wouldn't notice?
5.5/10, rounded up to 6 for IMDb.
Having seen my fair share of 'killer kiddie' horror, I've come to the conclusion that it is extremely hard to make minors scary: it's unusual for children to possess the necessary acting chops to appear genuinely dangerous. The Children (of Ravensback) does little to alter my opinion that murderous movie moppets are rarely effective, but it does have a great premise, one that could work well as a remake, so long as a talented director is calling the shots and the casting goes beyond hiring the producer's children.
To be fair, this film isn't unwatchable, thanks to quite a few gruesome deaths, a willingness to kill off anyone, no matter how young, and a feeling that everyone involved was at least trying their best to create something entertaining (the cast might not be Oscar winners, but they're likeable). When the terrible tykes grab hold of someone, it causes the skin to blister and burn, which leads to some fun make-up effects, and respect is due for inflicting such a painful death on two unlikely victims: pretty farmer's daughter Suzie (Joy Glaccum) and little kid Clarkie (Jessie Abrams). I honestly didn't expect either one to die.
I also admire the fact that there wasn't what I would call a happy ending -- no antidote is found for the children -- the only way to deal with the problem being to hack off their hands, killing them in the process. The dismembered remains of several kids are shown in the aftermath.
Bonus marks too for the bizarre scene in which the town sheriff visits influential citizen Dee Dee Shore (Rita Montone), who nonchalantly sparks up a doobie in front of the cop while her partner Jackson Lane (John P. Codiglia) pumps iron by the pool, and for a subsequent scene in which millionaire Sanford Butler-Jones (Martin Brennan) persuades Deputy Harry Timmons to let him through a roadblock. Neither moment has any real bearing on the plot and one wonders what purpose they serve (although Brennan was apparently a drug dealer who supplied coke to the cast and crew, which might answer that query).
I will, however, deduct those marks for several reasons: Harry Manfredini's score is extremely derivative, borrowing heavily from Psycho, Jaws, Halloween, and even the composer's own music for Friday the 13th; the predictable 'twist' ending is lame; and the scene in which deadly youngster Paul (Jeptha Evans) scratches at the window of poor little Clarkie, waiting to be let in, is ripped off from Salem's Lot. Did they really think we wouldn't notice?
5.5/10, rounded up to 6 for IMDb.
A leak at a nuclear plant releases a toxic cloud that poisons all the kids from Ravensback after their school bus drives through it. The kids end up being like zombies with black fingernails and they cause their parents to melt when they touch them. Jeez, talk about your nuclear family! It is up to Sheriff Billy Hart (Gil Rogers) and local dad John Freemont (Martin Shakar) to stop these radioactive little moppets. I saw this as a kid in the early 1980s and it freaked the hell out of me and my sister. It is such a simple premise (NIGHT OF THE LIVING DEAD KIDS), but the filmmakers pull it off with the creepy kids saying nothing more than "Mommy! Mommy!" or "Daddy! Daddy!" with their arms extended. Also, the method of dispatching them (cutting off their hands) is done really effective and it is rare to see kids the subject of on screen carnage. It is a nice production too, with lots of great rural locations. There are also some really bizarre choices when it comes to the town folk. Harry Manfredini provides a score that sounds exactly like his F13 compositions.
This B-grade horror flick has some surprising special effects, and a completely predictable twist ending. When a school bus drives into the fog from a nuclear plant leak, the children inside are transformed into black-fingernailed zombies that incinerate anyone they touch, apparently from the inside-out. My fondness for this movie probably stems from the circumstances in which I saw it--I was 12 or 13, alone in front of the TV at my sister's house at around 2 AM,watching a "rated R movie(!)" I had been expressly forbidden to see. I'm not sure whether I was more afraid of the movie or an adult catching me, but either way, it was good fun. I'm looking forward to the day this one is finally released on DVD.
I remember watching this movie with my mom and dad late one night on TBS, and I remember how scary it was for me then. That was back in the mid-80's though, today I think somewhat differently. I rented the movie again a few years ago just to jog my memory of it, because all I really remembered was was it was about some kids who can burn people with their hands. Now that I've rewatched it I can judge as an adult. The movie is a good one for people, like me, who love B horror movies. The premise is laughable, who ever heard of toxic gas creating zombie children who can fry people with their hands and be basically invincible to any weapon? There are obviously a lot of unconceivable premises in this movie, but that's what makes it so good. The children can't be destroyed unless their hands are cut off! Too funny. The weirdest part was the pregnant woman who gave birth after her 2 sons have been killed, and she and the father act as if nothing happened. Anyway, I wouldn't tell anyone to stray from this movie, it is a classic and lots of people are willing to pay big bucks for it just because they remember it as a classic horror movie they liked. The friendship I have now, who is also my best friend, came about over this movie. We were talking about horror movies at work during Halloween, and I brought up this movie and she started talking about how much she liked it when she saw it at the drive-in with her family but for years could not remember the title until shined the light on it for her. This movie has a lot of fans out there, and if you haven't seen it and you see it in the video store, rent it. It's one you won't forget!
I remember seeing the previews for this movie on TV when I was a kid back in the 80's. Funny thing is it always stuck with me and I had been wanting to see this movie ever since. Well, I recently went to a film festival of bad movies and The Children was one of them. I was very excited to see it. I was not disappointed. This movie is fast paced, and fun. Don't get me wrong, it is a bad movie, but a good, fun movie. What really helped the movie was the score, which was composed by Harry Manfredini who also scored that little old film Friday the 13th. So, the music helped to build some creepiness and suspense. The fact that the movie is about children who become toxic, zombie, killers makes it enjoyable on that level. Just watching the townsfolk trying to stop the children is a hoot. Rarely in films these days do we see children get dispatched on screen. That is something to enjoy. Not the fact that children are being killed but that it is a testament to how times have changed in movie-making.
Le saviez-vous
- AnecdotesCo-writer / producer Carlton J. Albright struck several deals in the course of making this film. One involved giving to the favored charity of the cemetery caretakers in order to use the cemetery seen in the film. Another involved hiring a local girl as a production assistant so her father would agree to the use of his house.
- GaffesWhen the Sheriff first comes upon the school bus, it's parked across from the cemetery. When the sheriff returns with Tommy's mother, it's now parked next to the cemetery.
- Citations
Dr. Joyce Gould: I just don't know how Leslie's gonna take it when I tell her Tommy's missing.
Sheriff Billy Hart: Don't tell her.
Dr. Joyce Gould: ...That's one way to deal with it...
- Versions alternativesThe Vinegar Syndrome home video release, as well as streaming releases, feature an additional scene set in a diner in which the sheriff speaks to a waitress.
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Détails
Box-office
- Budget
- 400 000 $US (estimé)
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