NOTE IMDb
5,3/10
1,5 k
MA NOTE
Un tenant de bar intrépide aide une jeune et belle femme à retrouver son ancien amant et sa fortune disparue.Un tenant de bar intrépide aide une jeune et belle femme à retrouver son ancien amant et sa fortune disparue.Un tenant de bar intrépide aide une jeune et belle femme à retrouver son ancien amant et sa fortune disparue.
- Réalisation
- Scénario
- Casting principal
Ernest Esparza III
- Pepe
- (as Ernest Esparza)
José Chávez
- Bustamante
- (as Jose Chavez)
Martin LaSalle
- Aparicio
- (as Martin La Salle)
Conrad Hool
- British Crewman #1
- (as Alan Conrad)
Manuel Martín
- Inquest Clerk
- (as Manuel Martin)
Avis à la une
This is very slickly made film which sadly doesn't have a good reputation or a decent widescreen release. The camera-work on the film is excellent with much moving camera a great score and good locations.
The odd thing is the bursts of full frontal nudity and one really graphic death scene. These seem to be included for fans of Bronson's gritty films but seem totally out of place here.
Sondra is dull as usual. Bronson solid. Robards doesn't seem to want to be bothered by doing a German accent. It has real visual sweep. Odd rather forced voice over which seems to be trying to set this up for a sequel perhaps at the end.
Despite these forced elements--of violence, nudity,and nostalgia--the bulk of the film works as a mystery and intrigue--rather than say action. One of the few of director Thompson's later films that really hearken back to his early Hollywood career of sweeping location quasi epics.
The ending builds suspense only to pay it off in an offbeat--and perhaps off putting way for some. Jerry Goldsmith contributes a fantastic score too, btw.
Deserves more respect and proper restoration than it gets especially among the later career of Bronson. In fact, as a bit of an update a blu ray of the film does now exist, you can see and enjoy the widescreen phototgraphy to it's full impact. The blu ray also includes a well made making-of-film done at the time, by one of Gregory Peck's children, no less!
The odd thing is the bursts of full frontal nudity and one really graphic death scene. These seem to be included for fans of Bronson's gritty films but seem totally out of place here.
Sondra is dull as usual. Bronson solid. Robards doesn't seem to want to be bothered by doing a German accent. It has real visual sweep. Odd rather forced voice over which seems to be trying to set this up for a sequel perhaps at the end.
Despite these forced elements--of violence, nudity,and nostalgia--the bulk of the film works as a mystery and intrigue--rather than say action. One of the few of director Thompson's later films that really hearken back to his early Hollywood career of sweeping location quasi epics.
The ending builds suspense only to pay it off in an offbeat--and perhaps off putting way for some. Jerry Goldsmith contributes a fantastic score too, btw.
Deserves more respect and proper restoration than it gets especially among the later career of Bronson. In fact, as a bit of an update a blu ray of the film does now exist, you can see and enjoy the widescreen phototgraphy to it's full impact. The blu ray also includes a well made making-of-film done at the time, by one of Gregory Peck's children, no less!
It seems like almost all Hollywood stars have to have their own version of Casablanca.
Even Shakespeare plays must not have attracted so many varied 'interpretations'.
Even Charles Bronson ?!
But surprisingly the movie is still a typical Bronson movie. Factor in the nudity, the fights, the thrills, and the 'he-men' that populate your regular Bronson movie.
I personally found the ending a bit'weak and maybe obscure'; but it helps to differentiate the movie from being a direct Casablanca copy.
Overall, it stands up OK for die-hard Bronson fans.
Even Shakespeare plays must not have attracted so many varied 'interpretations'.
Even Charles Bronson ?!
But surprisingly the movie is still a typical Bronson movie. Factor in the nudity, the fights, the thrills, and the 'he-men' that populate your regular Bronson movie.
I personally found the ending a bit'weak and maybe obscure'; but it helps to differentiate the movie from being a direct Casablanca copy.
Overall, it stands up OK for die-hard Bronson fans.
Cabo Blanco (1980)
** (out of 4)
Peru, 1948 is the setting for this adventure film about a group of criminals living in Cabo Blanco. A bar owner (Charles Bronson) finds himself caught up in a mystery dealing with missing gold, which includes a beautiful woman (Dominique Sanda) searching for her husband, a Nazi war criminal (Jason Robards) and a crooked police chief (Fernando Rey).
CABO BLANCO is often laughed at because it's considered a rip-off of CASABLANCA. While this film does borrow heavily from that classic picture, the overall movie isn't nearly as bad as its reputation. At the same time, I really have to scratch my head as to why the producers would call the film CABO BLANCO because with that title you just know people were going to compare it to a much better film. It didn't really matter how this movie turned out, the odds of it being better than that Humphrey Bogart classic was very slim so why put your film in a bad position from the word go?
As for the film itself, it's slight entertainment, although there's no question that there are plenty of flaws throughout. I think the biggest problem is the actual screenplay, which has way too much story and at times it gets rather bogged down in dialogue. The story itself could have been more interesting had there simply not be so many characters talking about so many different things. I know the film had some production issues so perhaps this might explain some of this but at just 87 minutes it seems like there's way too much story here than is needed.
The film has some terrific visuals and especially if you view the film in its original 2.35:1 ratio. The locations are certainly beautiful and adds a lot to the story. The performances really aren't that bad either. Robards is entertaining as always and I thought Rey was extremely good in the role of the police chief. I thought Sanda made for a good femme fetale as well. As for Bronson, this isn't his typical tough guy role. This character is a lot more of a "normal" person so to speak and I thought the actor did a fine job with it.
CABO BLANCO also suffers from some weird issues in regards to content. There's really no profanity and the violence is never too graphic or brutal. These elements are certain PG worthy yet there is all sorts of nudity that pushes it pass the family friendly rating. I'm not sure why they added on the nudity but nothing else but oh well. In the end CABO BLANCO is neither good nor bad but just pointless.
** (out of 4)
Peru, 1948 is the setting for this adventure film about a group of criminals living in Cabo Blanco. A bar owner (Charles Bronson) finds himself caught up in a mystery dealing with missing gold, which includes a beautiful woman (Dominique Sanda) searching for her husband, a Nazi war criminal (Jason Robards) and a crooked police chief (Fernando Rey).
CABO BLANCO is often laughed at because it's considered a rip-off of CASABLANCA. While this film does borrow heavily from that classic picture, the overall movie isn't nearly as bad as its reputation. At the same time, I really have to scratch my head as to why the producers would call the film CABO BLANCO because with that title you just know people were going to compare it to a much better film. It didn't really matter how this movie turned out, the odds of it being better than that Humphrey Bogart classic was very slim so why put your film in a bad position from the word go?
As for the film itself, it's slight entertainment, although there's no question that there are plenty of flaws throughout. I think the biggest problem is the actual screenplay, which has way too much story and at times it gets rather bogged down in dialogue. The story itself could have been more interesting had there simply not be so many characters talking about so many different things. I know the film had some production issues so perhaps this might explain some of this but at just 87 minutes it seems like there's way too much story here than is needed.
The film has some terrific visuals and especially if you view the film in its original 2.35:1 ratio. The locations are certainly beautiful and adds a lot to the story. The performances really aren't that bad either. Robards is entertaining as always and I thought Rey was extremely good in the role of the police chief. I thought Sanda made for a good femme fetale as well. As for Bronson, this isn't his typical tough guy role. This character is a lot more of a "normal" person so to speak and I thought the actor did a fine job with it.
CABO BLANCO also suffers from some weird issues in regards to content. There's really no profanity and the violence is never too graphic or brutal. These elements are certain PG worthy yet there is all sorts of nudity that pushes it pass the family friendly rating. I'm not sure why they added on the nudity but nothing else but oh well. In the end CABO BLANCO is neither good nor bad but just pointless.
A big fan of j lee thompson and charles bronson i found this movie worth a watch. its very layed back and old school like a visit to your folks.its south American local and tropic feel was a real plus and Charley was in in good form.but thompson was slumming it a bit,maybe enjoying the sun to much.the pace was slow even for this sort of film.
i think i could of enjoyed it more if the copy i had was any good, but it is poor with only the widescreen formate save it from being unwatchable. it is such a rare movie that i was happy enough to see it at all.
if you enjoy 70's style movies and gumshoe movies give it a go its good late night fodder.
i think i could of enjoyed it more if the copy i had was any good, but it is poor with only the widescreen formate save it from being unwatchable. it is such a rare movie that i was happy enough to see it at all.
if you enjoy 70's style movies and gumshoe movies give it a go its good late night fodder.
An inkeeper : Charles Bronson and an assortment of misfit characters are searching for a nazi treasure with unexpected consequences. This variety of other characters include an ex Nazi officer : Jason Robards , a mysterious French woman : Dominique Sanda , a suspect police chief : Fernando Rey , an adventurer : Simon MacCorkindale , among others .All of them assemble in Peru after WWII and everyone shares a common interest : to find a missing treasure of gold , lost in a ship wreck.
This is an adventure, thriller, suspense movie full of flaws and gaps , dealing with a motley group searching for a Nazi loot sunken off the coast of Peru. The plot sounds familiar as the film results to be a very inferior crossover between Casablanca and The treasure of Sierra Madre , taking parts here and there . Average screenplay by Victor Andres Catena and Jaime Comas Gil with plenty of twists and turns .The main and support cast is frankly excellent though really wasted , giving mediocre interpretations. Bronson plays in his usual wooden style a tough and two-fisted bartender who runs the local watering hole ; Dominique Sanda is a beautiful woman searching for his lover ; Jason Robards plays a nasty Nazi who controls the townsfolk and the police chief well performed by Fernando Rey . Here appears an important plethora of secondary actors as Gilbert Roland , Camila Sparv , Simon MacCorkindale , Clifton James , Anna De Sade and brief appearance by the Spanish Aldo Sambrell . Atmospheric cinematograhy by the Mexican Alex Phillips , being necessary a perfect remastering because of film copy is washed-out. Adequate and sunny scenarios by the expert production designer Jaime Perez Cubero. Evocative musical score by Jerry Goldsmith , but far from his great soundtracks.
The motion picture was regularly directed by J.Lee Thompson . Lee made various Charles Bronson vehicles , both of them got some successes , working in titles as St Ives, White Buffalo , Ten to midnight, Death Wish the crackdown , The evil that men do, Murphy Law , Messenger of death , Kinjite forbidden subjects and this Cabo Blanco . Thompson's greatest hit was Navarone guns as well as MacKenna gold . Rating : 4.5/10 . Mediocre , though the movie will appeal to Charles Bronson fans
This is an adventure, thriller, suspense movie full of flaws and gaps , dealing with a motley group searching for a Nazi loot sunken off the coast of Peru. The plot sounds familiar as the film results to be a very inferior crossover between Casablanca and The treasure of Sierra Madre , taking parts here and there . Average screenplay by Victor Andres Catena and Jaime Comas Gil with plenty of twists and turns .The main and support cast is frankly excellent though really wasted , giving mediocre interpretations. Bronson plays in his usual wooden style a tough and two-fisted bartender who runs the local watering hole ; Dominique Sanda is a beautiful woman searching for his lover ; Jason Robards plays a nasty Nazi who controls the townsfolk and the police chief well performed by Fernando Rey . Here appears an important plethora of secondary actors as Gilbert Roland , Camila Sparv , Simon MacCorkindale , Clifton James , Anna De Sade and brief appearance by the Spanish Aldo Sambrell . Atmospheric cinematograhy by the Mexican Alex Phillips , being necessary a perfect remastering because of film copy is washed-out. Adequate and sunny scenarios by the expert production designer Jaime Perez Cubero. Evocative musical score by Jerry Goldsmith , but far from his great soundtracks.
The motion picture was regularly directed by J.Lee Thompson . Lee made various Charles Bronson vehicles , both of them got some successes , working in titles as St Ives, White Buffalo , Ten to midnight, Death Wish the crackdown , The evil that men do, Murphy Law , Messenger of death , Kinjite forbidden subjects and this Cabo Blanco . Thompson's greatest hit was Navarone guns as well as MacKenna gold . Rating : 4.5/10 . Mediocre , though the movie will appeal to Charles Bronson fans
Le saviez-vous
- AnecdotesDuring production of this movie, Charles Bronson said: "It's not the role I accept, it's the possibility of the picture being entertaining. I work for the whole, not for myself. I work for the audience. I've always felt that people deserve that much when they pay to see your picture. This is why, when I choose a role, I believe in giving what I feel is worth the price of a ticket. I believe in giving service."
- GaffesWhen the diving device is raised from the deck(at around 3 mins), the winch is rotating in the wrong direction, and when the capsule is lowered into the water, the rotating direction is the same as when lifting.
- Citations
Gifford Hoyt: I don't want that girl to die here like the Englishman.
Gunther Beckdorff: How can I be responsible, whether she lives or dies? Death comes to us all, Giff, at one time or another. And to die in Caboblanco, well... there's always that colorful cemetery on the beach.
Gifford Hoyt: I'm glad you think it's colorful. Because if anything does happen to that girl... rest in piece.
- Versions alternativesA much longer version of this film was released in theaters in Europe. The Clifton James character is featured in several scenes in this version. His entire role was cut out in the shorter American version.
- ConnexionsFeatured in The Making of Cabo Blanco (1980)
- Bandes originalesThe Very Thought Of You
Sung by Nat 'King' Cole
Composed by Ray Noble
Published by Warner Bros Music, a division of Warner Bros, Inc.
Courtesy of Capitol Records
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- How long is Cabo Blanco?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Caboblanco
- Lieux de tournage
- Barra de Navidad, Jalisco, Mexique(fishing village)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Durée
- 1h 31min(91 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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