Babylon
- 1980
- 1h 35min
NOTE IMDb
7,3/10
2,1 k
MA NOTE
Le film se concentre sur Blue. Il est à l'avant-garde d'un système de son reggae basé dans l'ouest de Londres. Le film capte les épreuves et les tribulations de jeunes noirs dans la ville tr... Tout lireLe film se concentre sur Blue. Il est à l'avant-garde d'un système de son reggae basé dans l'ouest de Londres. Le film capte les épreuves et les tribulations de jeunes noirs dans la ville troublée de Londres au début des années 1980.Le film se concentre sur Blue. Il est à l'avant-garde d'un système de son reggae basé dans l'ouest de Londres. Le film capte les épreuves et les tribulations de jeunes noirs dans la ville troublée de Londres au début des années 1980.
- Réalisation
- Scénario
- Casting principal
Beverley Michaels
- Elaine
- (as Beverly Michaels)
T-Bone Wilson
- Wesley
- (as T.Bone Wilson)
Avis à la une
As an avid follower of British cinema, I like to think that I've seen most of the worthwhile films that our country has produced. But I'm always on the lookout for films that I haven't seen, but sound interesting, and so I stumbled upon Babylon, then tracked it down on DVD and gave it a watch.
Co-written by the writer of Quadrophenia, and directed by an Italian born director, and starring Brinsley Forde of Aswad, comedian Mel Smith, and Karl Howman, perhaps best known these days as the face of Flash household cleaning products, it seems an unlikely sort of project, which perhaps, not surprisingly due to its sensitive subject matter dealing with the institutionalised racism of late 1970's England, seemed to receive little attention when it was released.
This is a shame, as although not quite a classic film, the director, Franco Rosso, who sadly was unable to generate funding for any future film projects after making this film, shows that given time he could have been a significant voice in British Cinema. Babylon is a film made by a gifted director just finding his feet, with some memorable scenes littered throughout. It strikingly portrays working class London in the late 1970's as a pretty unforgiving environment, though, the drab atmosphere of the setting is frequently punctuated by tracks from the film's reggae soundtrack, bringing you into the characters' world as they seek solace from these surroundings in the reggae music they play through their cherished sound system.
Babylon should definitely have a place in anyone's top 100 British films of all time. For me It only narrowly falls short of classic status because the ending feels a tad abrupt, and the whole film does feel like it does not run quite as seamlessly as it should. Perhaps that's down to the editing maybe. Even so, I'd recommend it to anyone with an interest in British films.
Co-written by the writer of Quadrophenia, and directed by an Italian born director, and starring Brinsley Forde of Aswad, comedian Mel Smith, and Karl Howman, perhaps best known these days as the face of Flash household cleaning products, it seems an unlikely sort of project, which perhaps, not surprisingly due to its sensitive subject matter dealing with the institutionalised racism of late 1970's England, seemed to receive little attention when it was released.
This is a shame, as although not quite a classic film, the director, Franco Rosso, who sadly was unable to generate funding for any future film projects after making this film, shows that given time he could have been a significant voice in British Cinema. Babylon is a film made by a gifted director just finding his feet, with some memorable scenes littered throughout. It strikingly portrays working class London in the late 1970's as a pretty unforgiving environment, though, the drab atmosphere of the setting is frequently punctuated by tracks from the film's reggae soundtrack, bringing you into the characters' world as they seek solace from these surroundings in the reggae music they play through their cherished sound system.
Babylon should definitely have a place in anyone's top 100 British films of all time. For me It only narrowly falls short of classic status because the ending feels a tad abrupt, and the whole film does feel like it does not run quite as seamlessly as it should. Perhaps that's down to the editing maybe. Even so, I'd recommend it to anyone with an interest in British films.
This is a wonderful film, featuring a almost all black cast apart from a couple of white characters, one being (Mel Smith in a cameo role) as a boss and the other(karl Howman) a friend of the young black men. It deals with the race relations in a brutal way, and is quite hard to watch at times but this is what proper film making is all about imo. It has its fair share of funny moments as well, like the main character having to take his truant little bro to school but he keeps running off trying to avoid going. A film about race,family,friends and love in a well acted and competently directed film without being flashy which it does not need to be. The scenes with the token white friend and and his black pals are the strongest scenes in the movie. Also a final point which it is great to see what certain parts of London looked back then, grim and uninviting.
Saw USA release in the theatre in Austin and it beat my hopes. Great soundtrack and a story that is still pertinent to today. Sad it took so long. Need this in more mediums.
A nostalgic picture of imagery backed by the raw realism the style captures - 70s and 80's in LDN. It's hilarious, sad at times with a pendulum of the good and bad moments city life had to offer in the build up to the Brixton riots in 1981. Highlighting the divide between culture and colour. A moving picture that's a brilliant insight into the history. The language spoken IsIyaric (pseudo-dialect of English consciously created by members of the Rastafari movement) warms to your ears as the film progresses so no need for subtitles.
A lesson for anyone wanting to get a glimpse of racism in the UK. It's shows how two wrongs dont make a right, and the wheel of revenge goes round in circles with no true winners.
The music masterclass which always seams to be ticking over in the background, ever changing and adapted for dark moments in the film keeps you intrigued. That's is my favourite thing about it. It reminds us that we should all love eachother equally regardless, because we are all trying to make are way in this world and a little reggae heals the soul. A World class film that disserves more recognition in the modern day. 10/10 will stay fondly in the memory as a cult classic.
A lesson for anyone wanting to get a glimpse of racism in the UK. It's shows how two wrongs dont make a right, and the wheel of revenge goes round in circles with no true winners.
The music masterclass which always seams to be ticking over in the background, ever changing and adapted for dark moments in the film keeps you intrigued. That's is my favourite thing about it. It reminds us that we should all love eachother equally regardless, because we are all trying to make are way in this world and a little reggae heals the soul. A World class film that disserves more recognition in the modern day. 10/10 will stay fondly in the memory as a cult classic.
10d-leehim
you dun even CAAAAARRRREE!!!" Hard hitting film about black youths growing up in south london during the 80s, dealing with racism. The scenes where the two white police officers beat up the hero are chilling and brutally realistic. In the 70's black youth embraced rastafari and the movement allowed them to form their own identity and stay united. Brindsley Forbes is excellant, as is the soundtrack by aswad. Check out warrior charge "tune is had like concrete!" DUBPLATE!!! Why is this excellant film not on DVD or video? It has been shown on channel 4 once before and I did have it on tape but lost it.
Nowadays the only way to see it is by renting it from some black music/video shops if you can find it. Yes ronnie is the guy from brush strokes. "Fat larry your one crook" "Brixton y'acall dis?" The only OTHER film that has lyrics like this is The Harder They Come. If anyone has this on video can you please contact me so I can get a copy!
Cheers!
Nowadays the only way to see it is by renting it from some black music/video shops if you can find it. Yes ronnie is the guy from brush strokes. "Fat larry your one crook" "Brixton y'acall dis?" The only OTHER film that has lyrics like this is The Harder They Come. If anyone has this on video can you please contact me so I can get a copy!
Cheers!
Le saviez-vous
- GaffesThis is likely to be a 'deliberate error by the film-makers', but in one scene you see two characters putting up a poster advertising a gig. The date shown is Saturday 23rd December (year unspecified). The nearest year that this date fell on was 1978, which is 2 years before the film was released. It is possible that various anachronisms in the film may occur due to this, for example release dates of records, or registration number plates of new cars.
- ConnexionsReferences Alien, le 8ème passager (1979)
- Bandes originalesWarrior Charge
Performed by Aswad
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Babylon?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 109 749 $US
- Week-end de sortie aux États-Unis et au Canada
- 21 214 $US
- 10 mars 2019
- Montant brut mondial
- 111 456 $US
- Durée
- 1h 35min(95 min)
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant