L'autre enfer

Those looking for the typical sex and nudity expected in a nunsploitation film need to look elsewhere. This one is pure horror, with a genital removal starting the blood-fest.

The evil Mother Vincenza (Franca Stoppi) provides the best performance despite the outrageous lines given to her.

Father Valerio (Carlo De Mejo) is called in to investigate several murders that are reportedly the work of Satan. One suspects, along with the good father, that there is a psychopath lose in the convent. The answer may lie in the middle of both explanations.

Exciting pieces with long periods of nothing in between. For serious fans of Italian horror, it will be a treat, but for others, it may not be so good.

Great music throughout.

Jean-Paul Satre once said "The Other Hell is a half-arsed Bruno Mattei film." He was wrong, because all Bruno Mattei films are half-arsed, but most are entertaining. The Other Hell doesn't even FEEL like a half-arsed Bruno Mattei film, and that's where it doesn't quite work.

In an unspecified year that starts of like its the middle ages but slowly becomes clear its the 20th Century, a badly-acting nun is working on the corpse of another nun and gibbering about how the genitals are the gateway to the devil to another, more sane nun. The crazy nun then stabs the corpse in the fanny and removes said sinful genitals before going nuts and killing the other nun.

For some reason this doesn't go down too well with the local bishop (Tom Felleghy), so he sends a priest out there to the convent to check out what's happening. His answer to things is to exorcise the entire building, but the shifty Mother Superior won't let him in the attic, where a masked nun dwells. This priest's methods of 'having a good old pray' don't seem to work as weird stuff keeps happening, so the bishop then brings in a young hip priest (Carlo De Mejo) to sort things out.

Carlo is a modern priest who claims God's greatest gift to man was a brain, and he therefore is looking for a logical reason why things are a bit mad in the old nunnery. What can he find logical in bibles going on fire, nuns suffering from stigmata, and the murders of various nuns? When the other priest gets turned into a tandoori dish by a fireplace, Carlo grabs his trusty video camera and seeks to find out the truth...

You'd think a supernatural nunsploitation film made by Bruno Mattei would be a blast, but I swear the first half of the film limps all over the place before settling on some sort of plot. There's all sort of demonic goings on from Franco Garofolo being attacked by dogs to a baby being thrown in a boiling pot of water, it's just a shame that there's no real concrete backdrop to hang all these images on. The acting is truly atrocious from all and sundry, except maybe Garofolo, who could give Klaus Kinski as run for his money in the googly eye department.

I didn't hate the film, I just feel that it could have been much more than it was. Not sure what went wrong here. I read somewhere that actor Garofolo refused to kill a chicken for a certain scene, and Mattei had to do it himself. How many chickens have died in the name of devil worship films?

This Italian nunsploitation epic has been referred to be a plethora of adjectives, including sleazy, low-grade, and stupid. Perhaps these descriptions fit, but there is definitely some fun to be had for the initiated.

Weird, seemingly supernatural events plague a convent, and priest Carlo De Mejo tries to figure it all out. The perverse proceedings start off interestingly, with a nutty nun carving out the uterus of one of her sisters, ranting maniacally about how "the genitals are the doorway to EVIL!" (The first, but thankfully not last, instance of hilarious "shock" dialogue.) This is a Big Moment; the movie contains a number of Big Moments strung together by indifferent, uneventful stretches in which people argue, a creepy gardener lurks about, etc. Often possessing little regard for style or visual creativity, the film ping-pongs between effectiveness and boredom; the high points are memorably bizarre and demented, while the lows will make you seriously consider a nap.

The makeup effects range from good (a nun breaking out with stigmata) to atrocious (burn scars resembling plastic vomit). The photography is overly dark and burdened even further with bad color (everything is given a sickly yellow cast, as if they forgot to clean the camera lens). De Mejo isn't very interesting, but Franca Stoppi is marvelously over the top as bitchy Mother Vincenzia. Along the course of the story, elements from a number of more successful films--Carrie, The Exorcist, Rosemary's Baby, Suspiria--are lifted and tossed into the cauldron. On the subject of Suspiria, the one truly high-quality aspect of The Other Hell is Goblin's pounding electronic score.

Indeed, this movie is not going to win any prizes, but trashfiends will probably get a kick out of it despite the flaws. If you find naughty nun sinema to be your garbage of choice, this may be the dumpster for you.

A priest is sent to investigate an outbreak of apparent demonic possession at convent.There is certainly something dark and sinister at work there,but is it really Satan or maybe has it something to do with the Mother Superior's gloomy secrets?"The Other Hell" by Bruno Mattei is an atypical Italian nunsploitation flick.There is absolutely no sex or nudity,still there is a little bit of gore.The film offers some rather tasteless moments like genital mutilation or blood-vomiting nuns.The acting is terrible and the dialogue is stupid,but the film is fast-paced and surprisingly entertaining.So if you like Italian horror films give this one a look.My rating:7 out of 10 and that's being very generous.

When I think of Bruno Mattei, great horror films don't usually spring to mind; and The Other Hell does nothing to change that opinion of him. Much like his Video Nasty zombie flick, Hell of the Living Dead, The Other Hell is highly derivative of other, and better, genre films and came along some time after it's genre hit it's 'golden period'. Nunsploitation is most famous for sexually repressed nuns and tons of nudity, but this one adheres more closely to the Anita Ekberg vehicle 'The Killer Nun', as it features a Giallo style plot that puts most of its focus on murder and more or less completely ignores sex and nudity. This definitely does harm the film, and it's made no better by the fact that the mystery presented is hardly fascinating. The film follows a couple of murders in a convent. The Mother Superior believes that the nuns have become possessed by the devil, and a priest is dispatched to try and get to the bottom of the mystery (they'd have been better off with a detective...). Are the nuns really under the power of Satan, or is that what the Mother Superior wants everyone to believe?

Not only is Bruno Mattei one of the less talented Italian filmmakers, he also has a rather annoying penchant for ripping off the better ones. The film features a score from Goblin, which the director has ripped off from Joe D'Amato's masterpiece 'Beyond the Darkness' (he also ripped off Goblin scores for Hell of the Living Dead), and he took D'Amato's lead actress from Beyond the Darkness, Franca Stoppi. Some of the sequences in the film are very well shot, however, and although it's obvious that Mattei was taking influence from masters such as Dario Argento and Mario Bava, it's only fair to give credit where credit is due. The cinematography is crisp and clear, although the locations often leave a lot to be desired as unlike other films in the nunsploitation tradition; the convent is pretty bare. The plot gets lost sometimes, and it has to be said that a fair proportion of this movie is rather boring; but it just about comes together at the end, and while the reasons for the murders are obvious all the way through; the ending itself isn't bad. Overall, I would recommend this to die-hard nunsploitation fans, but everyone else can feel free to skip it.