Ajouter une intrigue dans votre langueA drifter stranded in Kansas accepts a job offer from a wheat harvester who, in desperation over his cancer and financial woes, attempts suicide but becomes a father-figure to the young man.A drifter stranded in Kansas accepts a job offer from a wheat harvester who, in desperation over his cancer and financial woes, attempts suicide but becomes a father-figure to the young man.A drifter stranded in Kansas accepts a job offer from a wheat harvester who, in desperation over his cancer and financial woes, attempts suicide but becomes a father-figure to the young man.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 2 victoires et 7 nominations au total
Rossie Harris
- Dougie Burkhardt
- (as Ross Harris)
Eloy Casados
- Dwight Willits
- (as Eloy Phil Casados)
Michael Talbott
- Tork Torkelson
- (as Michael Talbot)
Robert Weaver
- Russ Hahn
- (as Robby Weaver)
Avis à la une
This is an excellent television movie with much to say that was made during the peak of the made-for-TV era. It's the story of a widower (Dennis Weaver) and his kids who travel around the farm belt hiring out as professional wheat harvesters. Kurt Russell signs on reluctantly to help. Weaver's performance is one of his best and the rest of the cast shines as well. Top notch writing, directing, photography and score. I saw this film during a very dark time in my life and it inspired me to press on and make changes. I recommend it to anyone in need of inspiration. They don't make these kind of intelligent, sensitive and involving films for television often anymore. But these are exactly the kind of films we need today.
10tanner
I have looked for this movie on TV, satellite, and rental. It has not been shown in our area in over six years. I would like to see it released or at least shown on TV so I can copy it. It's a very good family/romance type movie. That also deals honestly with life, love, growing up, facing responsibilities and the hardship of farming during wheat harvest.
I saw this made-for-TV film when it aired 38 years ago. I recall it being much better than anticipated with cinematography featuring stunning landscapes and competent dramatic performances.
Amber Waves is a rarely-seen TV movie about wheat harvesters in the American midwest. As an Englishman, I found much of the film interesting purely because it is about a way of life totally unfamiliar to me. The landscapes are very nicely photographed, and the leading performances from Dennis Weaver and Kurt Russell are pretty engaging.
The story is about a grizzled old harvester named Bud Burkhardt (Weaver) who learns that he is dying from lung cancer. His attitudes to life are simple: work hard, be reliable and fight for your corner when you have to. However, he finds himself in a peculiar position, since he needs an operation desperately if he is to have any hope of survival, yet he doesn't have the time to be recuperating on a hospital bed when there's a harvest to be gathered. Should he put his life first, or his responsibility to deliver the crop? He hires an extra harvester in the shape of a young, failed magazine model (Russell) who initially hates hard labour, but soon comes to realise that the responsibility and drive of honest hard work is good for the soul.
There's nothing remarkable about the plot, which has elements of disease-of-the-week cliches and lots of long, loving sequences showing men driving around fields in combine harvesters. However, the engaging performances and the lovely photgraphy keep you interested. The film isn't as moving as I thought it might be (given the potentially tear-jerking storyline). There's one moving scene where Weaver phones his long estranged son and begs him to come home, but other than that the opportunities for powerful emotional scenes are generally missed.
On the whole, Amber Waves is a run-of-the-mill TV movie which has some nice touches and agreeable, interesting moments but doesn't quite hit the emotional level that it seems to be aiming for.
The story is about a grizzled old harvester named Bud Burkhardt (Weaver) who learns that he is dying from lung cancer. His attitudes to life are simple: work hard, be reliable and fight for your corner when you have to. However, he finds himself in a peculiar position, since he needs an operation desperately if he is to have any hope of survival, yet he doesn't have the time to be recuperating on a hospital bed when there's a harvest to be gathered. Should he put his life first, or his responsibility to deliver the crop? He hires an extra harvester in the shape of a young, failed magazine model (Russell) who initially hates hard labour, but soon comes to realise that the responsibility and drive of honest hard work is good for the soul.
There's nothing remarkable about the plot, which has elements of disease-of-the-week cliches and lots of long, loving sequences showing men driving around fields in combine harvesters. However, the engaging performances and the lovely photgraphy keep you interested. The film isn't as moving as I thought it might be (given the potentially tear-jerking storyline). There's one moving scene where Weaver phones his long estranged son and begs him to come home, but other than that the opportunities for powerful emotional scenes are generally missed.
On the whole, Amber Waves is a run-of-the-mill TV movie which has some nice touches and agreeable, interesting moments but doesn't quite hit the emotional level that it seems to be aiming for.
Kurt Russell is a womanizing, irresponsible male model who is both full of himself and improbably on a shoot in the wheat fields of the Midwest, while aging Dennis Weaver works nearby with the barely profitable wheat harvesting company that he owns. Each man is having the worst day of his life, as Kurt is beaten up in a bar then fired for his now un-photographable looks and he ends up headed back to NYC with no money to get there. Meanwhile, Weaver's credit is caput at his bank, he can't find a buyer for his troubled firm and his doctor has just told him he has terminal cancer. Weaver picks up a young hitch-hiker, who happens to be Russell and when Weaver drops him off in the city the cops pounce on the young man for hitch-hiking and vagrancy, which will no doubt net him a term on a chain gang.
Weaver bails out the young model and at first his motive appears to be altruism, but his agenda becomes clear when he announces he's short of labor and that he's shanghaiing Russel to be a part of his crew. A duck out of water at first, the arrogant young pretty-boy/model gradually toughens up physically and even begins to develop character, thanks to the hard work and the good example set by straight-arrow Weaver. Against all odds Russell turns into a valuable member of the crew. Enter Weaver's daughter, played by Mare Winningham, who ends up falling for Russell, who discovers a noble streak he never knew he had, as he tells Winningham to save her love for "somebody who deserves it." This is a simple, beautiful film that puts to shame the noisy, head-rattling and cartoon-ish drivel that graces our movie theaters these days. The fine script features realistic parts for Weaver, Russell, Winningham and Wilford Brimley, who deliver uniformly fine performances. After watching this you will feel you've experienced a part of America you've probably never seen and gotten to know some people who speak and act straight from the heart.
Weaver bails out the young model and at first his motive appears to be altruism, but his agenda becomes clear when he announces he's short of labor and that he's shanghaiing Russel to be a part of his crew. A duck out of water at first, the arrogant young pretty-boy/model gradually toughens up physically and even begins to develop character, thanks to the hard work and the good example set by straight-arrow Weaver. Against all odds Russell turns into a valuable member of the crew. Enter Weaver's daughter, played by Mare Winningham, who ends up falling for Russell, who discovers a noble streak he never knew he had, as he tells Winningham to save her love for "somebody who deserves it." This is a simple, beautiful film that puts to shame the noisy, head-rattling and cartoon-ish drivel that graces our movie theaters these days. The fine script features realistic parts for Weaver, Russell, Winningham and Wilford Brimley, who deliver uniformly fine performances. After watching this you will feel you've experienced a part of America you've probably never seen and gotten to know some people who speak and act straight from the heart.
Le saviez-vous
- AnecdotesThe movie was developed by Leonard Hill which was by the time he was Vice President of movies at ABC, while Philip Mandelker was producer at Time-Life Television. After the instant ratings success, both Hill and Mandelker leave their positions to set up their own production company.
- ConnexionsFeatured in The 32nd Annual Primetime Emmy Awards (1980)
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By what name was Amber Waves (1980) officially released in India in English?
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