Y a-t-il un pilote dans l'avion ?

I don't know why this only shows a review of 7.7. I'd give this an 8, at least. Possibly a 9. This movie has more jokes & gags every 2 minutes than most comedies have in their entire feature. There's a joke every few seconds. It's brilliant. Hilarious. Witty & sometimes just visually ridiculous. The casting is wonderful especially from the spot-on Leslie Neilson. This was made in 1980, & here I am watching this 42 years later & it's still as good now as it was then.

This is voted as one of the funniest comedies of all time, and it deserves that honor! The film is filled with hilarious gags! Sure, in every one of these campy farces, there's usually a few gags that are way too silly. In this case, it was the "drinking problem" gag and that annoying gay man who works on Lloyd Bridges' staff. But when I can actually count on my hand how many gags didn't work, that's a good sign. The majority of the film sent me into a frenzy of laughter! One of my favorites is when the blow-up auto-pilot runs out of air and Julie Hagerty blows it back up again. You'll have to see the movie to find out why it was so hilarious! I also got a great kick out of the running gag in which every passenger who listens to Robert Hays ends up killing themselves. This is definitely the Zuckers and Abrahams in top form! Unfortunately, I haven't seen a great spoof in years. The "Scary Movie" films were pretty good, but incredibly lewd and crude. And obviously the Zuckers and Abrahams have much better eyes for satire than the Wayans brothers. I caught "Scary Movie" on cable and watched it a second time, and I didn't laugh nearly as many times as I did the first time. I can watch "Airplane" 200 times and still laugh like there's no tomorrow! The film was made back when comedies didn't go strictly for sex and toilet gags to make an audience laugh. This was back when writers used to employ this quality called "wit." "Kentucky Fried Movie" had some racy gags, but even those were witty for the most part. There is a certain rhythm in every gag that helps make the film work. For example, Lloyd Bridges starts out by saying "I think I picked the wrong day to quit smoking." Then he says he picked the wrong day to quit drinking. And when he finally says "I picked the wrong day to quit amphetamines," I was laughing my head off! So basically, you watch a film like this and feel the urge to mail a copy of the video to the Wayans Brothers and whatever crackheads wrote "Not Another Teen Movie," along with a note saying "THIS is how to make a spoof!"

There are so many other gags worth mentioning, including the "Saturday Night Fever" sendup, which is definitely one of the best comic moments caught on film! That scene also contains my favorite line: "I told the guy next to me to pinch me to make sure I wasn't dreaming." After that voice-over, we see the guy next to Robert Hays repulsed and walking away from him. Another great example of perfect comic timing and delivery!

If you want to get some authentic belly laughs--I'm not talking chuckles, but actual LAUGHS!--you must check out "Airplane." Trust me, movies don't get much more original or funny than this!

My score: 9 (out of 10)

"Airplane!" is, was and always shall be the master of spoof movies. It is single-handedly responsible for literally inventing a sub-genre of comedy. It is the ultimate Silly Movie. A satire of the disaster movies of the 1970s, particularly the "Airport" series, nothing makes sense and it doesn't need to. There's no real plot. Just laughs - and plenty of 'em.

It was helmed by the ZAZ trio (Zucker, Abrahams and Zucker), whose dedication to making the audience laugh is surprisingly adamant. Recent spoofs may have left a bad aftertaste in your mouth, but it seems to be a universal agreement: "Airplane" is the funniest film of its genre ever made. (Closely followed by "The Naked Gun" - also penned by the ZAZ trio - perhaps.)

The plot: Ted Striker (Robert Hays) is a war veteran-turned-cab-driver who decides to chase after his girlfriend, an airline stewardess named Elaine (Julie Hagerty), who has dumped him in order to pursue a new life. Right before her plane takes off, Ted climbs aboard, hitching a ride in order to woo her back into a relationship again.

When the aircraft is in midflight, both pilots become very ill after eating their meals. Eventually many passengers begin to show symptoms of a rare disease, apparently transmitted by the food. Onboard, Dr. Rumack (Leslie Nielsen) takes care of the sick passengers as Ted - an ex-fighter pilot from the war - decides to try and land the plane. If he messes up they will all die, and in a particularly funny scene, the pressure becomes so unbearable that he begins to literally sweat gallons in the cockpit.

That is essentially all the film is about, but most of its duration is spent cracking jokes. Spoof films are entirely different from other movies because normally we would criticize a film if it considered its plot to be the least important element. Not so here. This is a truly brainless piece of celluloid - a movie that doesn't try to be anything that it isn't. From the opening credits - that cleverly spoof "JAWS" - to the closing we realize that this is an altogether unique film going experience.

The movie's biggest laughs come through unexpected flashbacks, such as when Ted remembers where he first met Elaine in a crummy bar ("...it was worse than Detroit..."), and begins to disco-dance a la John Travolta from "Saturday Night Fever" (complete with Bee Gees soundtrack blaring in the background and the famous Travolta pose). Then, later, we are taken back to when Ted was hospitalized after the war, and finds out that he was responsible for the death of six men. "Seven, actually," he is informed, which adds to the pain of the moment for him.

Though this movie is very funny, many jokes misfire. If you're not pop culture savvy and you don't remember Mrs. Cleaver from TV's "Leave it to Beaver", the humor is going to go over your head. But unlike many comedies, "Airplane!" offers something unique for each person. I know that as a film lover, I picked up on many movie in-jokes that some people might not recognize. And then there were the gags that I first missed but picked up after a second viewing, or when someone explained them to me, or both. And I'm sure there are many yet that I'm not aware of. It seems that every time I watch it, there's something else to laugh at that I missed previously.

"Airplane!" not only was a huge success in 1980 (the year of its release), spinning off a horde of imitators and one sequel - it was also responsible for crowning Leslie Nielsen "The King of Spoof." Prior to "Airplane!" Nielsen had been a veteran of more serious productions, stemming back to playing cowboys on "The Mickey Mouse Club" and other embarrassing attempts at acting. However, Nielsen later claimed that he had always wanted to do a comedy, even when he first started acting seriously with projects such as the classic "Forbidden Planet" (one of the best science-fiction films ever made). He later reunited with the ZAZ trio for "The Naked Gun" trilogy, appeared in similar spoof films over the years such as "Wrongfully Accused" and "Scary Movie 3," and had his iconic comedy shtick ripped off by many screen veterans - most noticeably by George Gaynes in the unbearable "Police Academy" (1984).

When it comes down to a single evaluation, "Airplane" is simply the best spoof film ever made. It's like a MAD Magazine parody come to life. There are the occasional misfires, but unlike many other spoof film imitators, this one contains far more hits. The deadpan acting is genius and everything else fits into place, resulting in what may arguably be one of the absolute funniest films ever conceived and put on the big screen. And if you decide to watch the movie, don't blink - you might miss a gag or two. The "Police Academies" will come and go but "Airplane!" will never be forgotten.

In a tense moment where Ted Striker (Robert Hays) needs to land an airplane where the pilots (Peter Graves and Kareem Abdul-Jabbar) have fallen sick, and several passengers need to get off the airplane for various reasons, all Striker can think to himself (with an echo in his mind, of course) is "I've got to concentrate... concentrate... concentrate... I've got to concentrate... concentrate... concentrate... Hello?... hello... hello... Echo... echo... echo... Pinch hitting for Pedro Borbon... Manny Mota... Mota... Mota..." That pretty much sums up the seriousness of Airplane!, the lampoon of the 1970s Airport movies, and pretty much every other disaster movie pumped out by Hollywood. The same guys who pieced together the Naked Gun movies write and direct this silly movie. Most of the jokes need to be seen to be properly experienced, the first rate actors are what brings the laughs. Robert Stack plays it straight, over-the-top straight, as a problem solver for the airline who happens to wear 2 pairs of sunglasses at all times. Stack's comedic timing and deadpan delivery bring out some of the biggest laughs of the film. Lloyd Bridges is the over-worked, over-stressed traffic controller who has picked the wrong week to stop drinking, smoking, and sniffing glue. And Leslie Neilson plays a doctor who has an acute sense for the obvious, surely one who could save the passengers and airline crew if they land safely, just don't call him Shirley. A few cheap laughs, a few misses, but over all, a pretty funny movie. If you like The Naked Gun, you'll like Airplane!

It is my understanding that there are still a few people in the world that haven't seen "Airplane!" yet.

Those people probably are still waiting for electricity, indoor plumbing and all the other great advances in humanity, too.

To see "Airplane!" is to take part in the great move to subvert all self-importance in movies, which this film does with great relish (and plenty of corn).

You get a chance to see such "serious" actors as Peter Graves, Lloyd Bridges, Robert Stack and Leslie Nielsen subvert themselves and their own personnae into near oblivion thanks to the writing/directing team of Zucker, Abrahams and Zucker. Not to mention visual and verbal send-ups of darn near every movie that ever took place in the air, and a few that didn't, but should have.

Kudos to Leslie Nielsen, who with this movie gave himself the greatest reinvention of any actor this century. At one time, he was the very model of stoic sensibility.

I swear. Seriously.

A looooong time ago.

Ten stars. A laugh riot.

And I STILL think this would make a great in-flight movie.