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Three miserable women (Dolly Parton, Lily Tomlin and Jane Fonda) take it upon themselves to get back at their evil boss (Dabney Coleman) in this hilarious little film. Rat poison, crazy dream sequences and S&M-styled equipment are the main calling cards in this amazingly creative little comedy. Parton's title song is also strong and it received an Oscar nod in 1980. Impressive comedic fare. 4 stars out of 5.

This has to be a true classic movie for anybody. Parton, Fonda, Tomlin play the three main characters set in a big business office block, "Consolidated". Dolly Parton is excellent, portraying the country girl, Jane Fonda as the divorced housewife's first job role, and Lily Tomlin as the bosses stepping stone. The film is full of one line crack jokes which can be missed on the first time you watch it. Do watch the movie a few times, and soon you'll pick up on how funny the lines are "Violet, did you get my Memo?", "I did Roz, I tore right through it".

Later in the film the plot is well underway and animation is combined successfully with Tomlin's scene of a Snow White type character!

I loved this film, and my laserdisc copy is always on the top of the pile. A good all rounder to be watched over and over, and I sometimes find myself using those punch lines.

Dolly Parton provides the "9 to 5" opening music, which sets the movie off to a good pace.

It is Judy Bernly's first day at work and she is being shown around by Violet Newstead. She introduced to new workmates and boss Franklin Hart, Jr. It soon becomes clear that Hart is a 'sexist, egotistical, lying, hypocritical bigot'... he gives a man a promotion over Violet despite her greater experience and lets the office know he is having an affair with his secretary, Doralee Rhodes despite the fact that she has rebuffed all his advances. It all comes to a head one day and Judy, Violet and Doralee end up talking about how they would like to kill him... then, following an accident, it looks as if one of them has really killed him... their lives are about to get complicated.

This office based comedy really stands the test of time; the technology and big hair may have long gone but the basic story still feels fresh and is certainly still funny. That are plenty of laughs throughout the film although most come after the women start talking about killing Hart and then deal with the consequences when they fear one of them has accidentally poisoned him. The fantasy sequences may be a little cheesy, one even feature Disney style cartoon animals, but I found them rather funny. The three female leads; Jane Fonda, Lily Tomlin and Dolly Parton are great as Judy, Violet and Doralee; three distinct characters whose developing friendship feels real. Dabney Coleman is equally great as Hart; he makes the character easy to dislike while still keeping him very funny. The film has a clear message about how women are treated in the workplace; this might not be subtle but it never felt like a lecture. There isn't much to offend in the film; just some comical sex references... I can only imagine the UK '15' certificate is because the three protagonists enjoy a joint together and are shown to have a good time rather than any negative effects. Overall I'd definitely recommend this to anybody wanting a good laugh who enjoys '80s films, especially ones with strong female leads.

From the sparkling acting debut of Dolly Parton to the comic genius of Dabney Coleman 9 to 5 is one of the best acted comedies of the 1980s. Jane Fonda and the brilliant Lilly Tomlin round out the lead cast with hilarious performances in this screwball revenge comedies that was one of the first films to champion "girl power". Even the smaller characters like Marien Mercer (as Missy Hart)and Elizabeth Wilson (as office snitch/bitch Roz)get in good one liners and laughs. Rent this movie. No wait - BUY this movie. You can watch it again and again.

I'll take the blame for this: not only am I forty years late to the party, but I'd also underestimated the star power of Dolly Parton; a natural performer who's integral to the success of this movie. On its own, 9 to 5 is a decent comedy, led by the more-than-capable Lily Tomlin, but Parton infuses her scenes with a bubbly independence that really helps sell the feminist message. Dabney Coleman is the consummate company sleaze, the tinpot schemer helming this faceless conglomerate; ideal for the target of such a workplace revenge fantasy.

In less capable hands, this may have fallen flat. But I enjoyed myself and have a newfound (overdye) reverence for The Queen of Nashville.