Shogun

Without a doubt, this is the best American movie about the Orient that has been ever made. Nothing we Americans will do will ever surpass this. Next to Akira Kurosawa's amazing works, there is Shogun. Shogun is in excellent company.

Do NOT see the shortened version, see all of it. The multi tape version is great; and the single tape mini version is a travesty.

Any movie with this magnificent actor even showing up in a cameo, I give a 10. Actually, the costumes weren't very good, & a lot of the true historical facts were sometimes a little silly, but Toshiro Mifune makes the movie a classic. He's elemental, a force of nature, fantastic. Watch it just to get a glimpse of this wonderful actor's presence & charisma. The movie is based on the book by Clavell, & he did write the part of Toranaga with Toshiro in mind. The movie does follow the book pretty closely, and the book is based very loosely on an Englishman who was stranded on the Japanese Islands in the early 1600's.All-in-all, the movie on DVD is a lot better than the previous video tape that was out.

There was a time in TV when the mini-series was king. They were great prestige products for the networks who, risking immense financial expenditure, hoped to create a cinematic masterpiece on a small screen.

SHOGUN may be the ultimate expression of this neglected TV format. Based on James Clavell's sweeping epic novel of the same name, it succeeds fully in transporting the viewer to another time and place. Through John Blackthorne's eyes (Richard Chamberlain in a now iconic performance, blending moments of delightful scenery chewing with moments of genuine emotion and subtlety), we become ever more involved in the political dealings of the Japanese nobility and the mixed motives of the Jesuits.

One of the great triumphs of SHOGUN is to ensnare the viewer despite long segments in Japanese with no subtitles. The filmmakers were trying to tell the story through Blackthorne's eyes and save for a few moments of narration explaining the dialog, we are left to slowly comprehend the action at the same pace as Blackthorne. It's a device which works wonderfully well, leaving the viewer to figure out what's going on through context and character.

In addition to Chamberlain, SHOGUN is replete with glorious performances. Toshiro Mifune's Toranaga, a Japanese nobleman with grand political designs, possesses great power and yet Mifune's performance is also very nuanced. Toranaga is a man who's mind is always trying to figure three steps ahead and we see this aspect of Toranaga's personality in Mifune's work- a considerable feat considering his dialog is exclusively in Japanese and without subtitles.

Yoko Shimada plays Mariko with a captivating beauty and ethereal grace. Becoming Blackthorne's interpreter and love interest, we cannot take our eyes off of her. Her performance is made doubly impressive by the fact that Ms. Shimada spoke no English and had to be told what her lines met with great care.

Additionally, John-Rhys Davies gives a wonderfully bravura turn as Rodrigues and Damien Thomas gives his Father Alvito real depth and dignity.

SHOGUN does show its age. The quality of the video image does have a bit of that TV glow to it and Maurice Jarre's score, seeming so lush back in 1980, sounds as if it were recorded by a very small third-rate band in a backwater recording studio- it reeks of TV. Still, these are comparatively minor quibbles to an otherwise completely engrossing epic. SHOGUN succeeds mightily in taking the viewer into a strange land filled with wonder and intrigue. By the end, it's a land you aren't ready to leave- perhaps the ultimate compliment for any film.

Well like many others, Shogun fueled my first real interest in Japan. I watch it at least twice a year, and am always trying see something new, like a kid attempting to suck that one last drop from a soda pop. I inhaled the movie, as many did and I began studying it's language some time ago. When asked my interest in Japan in a Japanese course I once took, I said I watched shogun 36 times. I read the book too, and it was great. Every time I see the movie, I always get sad toward the end, cause I know it's coming and there's no more. I always wished Clavell had done a sequel, in the same time frame. Toshiri Mifune was wonderfull, and Orson Wells voice was perfect. The whole cast was great. The music was wonderful, but sadly I have never been able to find a soundtrack for it.

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I first saw the mini-series on TV when it came out. I was like millions of other viewers who made sure they were home night after night to see this epic. Now that it's out on DVD, how could I resist? Seeing it on a much bigger screen than existed in the early 80's, I immediately was appalled by the bad hair pieces of almost all of the Japanese actors. It took a while to get used to the seams and wrinkled skullcaps and the makeup that didn't really match. The only other "ouch" moment, for me, came in the opening shot of the "Erasmus" being filmed from a helicopter with Orson Welles narration. It was impressive up until the helicopter shadow goes right over the boat and the water!..... I was amazed that wasn't edited out in post. Ah well. When you watch the bonus material, you get an idea of what a monumentally difficult project this was from the language and custom difficulties to the famous TOHO Studios being about 25 years behind the times with their equipment...not to mention the tank where the shipwreck was filmed. I don't know if I agree with the director and producers that if it wasn't for 'Shogun' sushi would not be as popular in the U.S. as it has become, but it certainly sparked an ongoing interest in Japanese history and culture in me. It will always be one of the crowning achievements for television. It's a miracle that it came off as beautifully as it did. Just don't watch the 2-hour mess that is on video.