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Tom Horn

  • 1980
  • Tous publics
  • 1h 38min
NOTE IMDb
6,8/10
6,4 k
MA NOTE
Tom Horn (1980)
Official Trailer
Lire trailer1:37
1 Video
64 photos
Crime véritableDrames historiquesBiographieCriminalitéDrameOccidentalRomance

Un ancien éclaireur de l'armée est engagé par des éleveurs pour tuer des voleurs de bétail, mais il a des ennuis avec les fonctionnaires locaux corrompus lorsqu'il tue un garçon.Un ancien éclaireur de l'armée est engagé par des éleveurs pour tuer des voleurs de bétail, mais il a des ennuis avec les fonctionnaires locaux corrompus lorsqu'il tue un garçon.Un ancien éclaireur de l'armée est engagé par des éleveurs pour tuer des voleurs de bétail, mais il a des ennuis avec les fonctionnaires locaux corrompus lorsqu'il tue un garçon.

  • Réalisation
    • William Wiard
  • Scénario
    • Thomas McGuane
    • Bud Shrake
  • Casting principal
    • Steve McQueen
    • Linda Evans
    • Richard Farnsworth
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    6,4 k
    MA NOTE
    • Réalisation
      • William Wiard
    • Scénario
      • Thomas McGuane
      • Bud Shrake
    • Casting principal
      • Steve McQueen
      • Linda Evans
      • Richard Farnsworth
    • 64avis d'utilisateurs
    • 21avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Tom Horn
    Trailer 1:37
    Tom Horn

    Photos64

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    Rôles principaux72

    Modifier
    Steve McQueen
    Steve McQueen
    • Tom Horn
    Linda Evans
    Linda Evans
    • Glendolene Kimmel
    Richard Farnsworth
    Richard Farnsworth
    • John C. Coble
    Billy Green Bush
    Billy Green Bush
    • U.S. Marshal Joe Belle
    Slim Pickens
    Slim Pickens
    • Sheriff Sam Creedmore
    Peter Canon
    Peter Canon
    • Assistant Prosecutor
    Elisha Cook Jr.
    Elisha Cook Jr.
    • Stablehand
    • (as Elisha Cook)
    Roy Jenson
    Roy Jenson
    • Lee Mendenhour
    James Kline
    • Arlo Chance
    Geoffrey Lewis
    Geoffrey Lewis
    • Walter Stoll
    Harry Northup
    Harry Northup
    • Thomas Burke
    Steve Oliver
    Steve Oliver
    • 'Gentleman' Jim Corbett
    Bill Thurman
    Bill Thurman
    • Ora Haley
    Bert Williams
    Bert Williams
    • Judge
    Bobby Bass
    Bobby Bass
    • Corbett's Bodyguard
    Mickey Jones
    Mickey Jones
    • Brown's Hole Rustler
    B.J. Ward
    • Cattle Baron
    Richard Brewer
    • Corbett's Bodyguard
    • Réalisation
      • William Wiard
    • Scénario
      • Thomas McGuane
      • Bud Shrake
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs64

    6,86.4K
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    wtbenda

    a fitting tribute

    The film is distinctive in four ways, the first being that Steve McQueen finally returned to the screen after having spent the 1970s elsewhere. He was a bounty hunter in the late 1950s on television, then jumped to prominence in "The Magnificent Seven" about 1960 and spent the next ten years as a dominant force on-screen. So this film was a "comeback." But McQueen came back as an artist, not as a cartoon version of his earlier self. His portrayal of Tom Horn does not use close-ups, quick draws or choreographed violence. The second thing that stands out here is the subject of the film, which is frontier justice on the high plains, a rough subject to be sure. "Tom Horn" (1980) is the first movie since "Shane" (1953) to deal realistically with the subject a part of which treatment is using the countryside itself as a character. There were a lot of movies beginning in the late 1960s with Clint Eastwood's "spaghetti westerns" which focused on the grisly righteousness of law enforcement, but it wasn't until Eastwood's "Unforgiven" (1998) that he finally made a movie that approached the quality of "Shane" and "Tom Horn," and employed some panoramic camera work. Third, the way the story is told is unfamiliar to most modern movie fans because it is so old, traditional and specific to the northern plains. The story is told, by veteran Western director Wiard, in the same way author Albert White Eagle tells stories, as a montage of contrasting fragments often out of chrnonolgical order -- "oh, by the way, I forget to tell you something, let me tack it on now" -- the juxtaposition of which fragments imply the surreal ambience of the times, an ambience which could not be effectively shown using the usual plot devices, cinematic close-ups, narrative summaries and chronological markers. For example, we see Tom in a jail cell looking at the clouds outside the little window, then we see him, with the same clouds in the sky behind him, shooting a young man (uncredited actor Sonny Skyhawk) who tries to kill the school marm as she bathes in the horse trough while talking with Tom. Is this something that really happened before he was locked up, or is it a fantasy or dream born of incarceration? It doesn't matter whether the scene is real or imagined, what matters is the jolt we receive by seeing it out of sequence. Most directors would have either shown Tom going to sleep in the cell, thus implying the scene was a dream, or would have had some narrative dialogue which indicated that Tom was remembering something that had really transpired. But Wiard, throughout the film, uses that northern technique. Another example is when we are visually escorted out of a scene in which Tom kills a rustler, with beautiful mountains in the background, into one where he is breaking a horse for the schoolmarm to eventually ride -- the same mountains are in the background, unchanged. A final thing about this movie was actor Richard Farnsworth. This was the first movie in which he had considerable dialogue, and was given a chance to demonstrate his skill at characterization. He plays John Coble, Tom Horn's employer. At the end of the movie is a 1904 quote from Coble, saying that that Tom was not guilty of the crime of which he was accused and convicted. This quotation, as Western researchers know, is from Coble's suicide note. And it foreshadowed Farnsworth's sucide twenty-two years later, a few months after being nominated, finally, for an Academy Award for his brilliant portrayal in "The Straight Story." McQueen, on-screen, and Farnsworth, on-screen and off, epitomized that quality of the Westerner least understood by people in the rest of the nation. The real Tom Horn said, "The people in the Northeast hire us to protect them from the people in the South," and, "We find the thing, whatever it is, then somebody else gets the glory for bringing it down, and somebody else makes the money for taking it back to the folks in town," but "You can either laugh or cry at your fate, and that's not much of a choice, is it, pardner?" The droll stocism and sardonic wit of the cowboy, and the western tracker whether white or Indian, has always enchanted and mystified the rest of the nation, and never really been understood. The movie, "Tom Horn," is a fitting tribute to the history and people of the northern plains, to Steve McQueen's artistry, to the memory of Richard Farnsworth, and to stories that are not easy to tell.

    w. t. benda
    myuturn

    very good film a must see for non fiction fans

    This was a very good movie. One of my favorites of the west. I think it gives a good account of the actual event. I was in Cheyenne shortly after I saw the movie,the first time, and was able to find out a bit about the actual event.
    7mm-39

    Good western

    My wife thinks this movie is a dirty portrayal of the West. Historians will argue about Horn and the events that happen in this film, but I like it. Do not watch the edited tv version, to get the real brutal feel of this film rent it. It is a good portrayal of how dirty and nasty the frontier really was. The end suits this film very well, and if my wife can watch an entire Western the film is well done.
    eaglejet98

    An old Josh Randall rides into the sunset.

    Really an under-rated film.

    Although McQueen is tired (physically) from his cancer, he plays off his physical condition to portray a 19th Century western hero who is past his prime and society's 20th Century double-moral standards.

    He is quite believable in this one and manages to avoid playing Steve McQueen "Vin"/Josh Randall.

    Half-way through the film you have a pretty good idea how the story will end, but the characterizations are good enough to keep you in your seat or, now with videos, on your couch until the end. This is a well done, decent morality play.

    It's interesting that Steve McQueen's last two movies reflect his early screen persona- a cowboy and a bounty hunter (who wore a flight jacket). It is a great tribute to McQueen that he is is still extremely popular with movie goers nearly 25 years after his death.
    6ma-cortes

    McQueen's last film as famous gunfighter who takes the justice on his own hands

    Interesting but boring Western about the last days of a real-life Wyoming gunslinger named Tom Horn with Steve McQueen in the title role. The movie has its moments here and there but results to be a little bit tiring and slow-moving . It's a melancholy chronicle and near bittersweet dealing with the last exploits of Horn who is shown as hired hand to eliminate some rustlers . Good support cast who provides the best moments as Richard Farnsworth as old-timer who hires Horn , Slim Pickens and Billy Green Bush , both of them as Sheriffs , furthermore a beautiful Linda Evans and brief performance by the eternal secondary Elisha Cook Jr . Marvelously filmed by the classic cameraman John A Alonzo and good musical score by Ernest Gold . The motion picture produced by McQueen and Fred Weintraub is professionally -though with no originality- directed by William Wiard.

    The picture is based on true events , the deeds are the following : Although his official title was always "Range Detective", he actually functioned as a killer for hire. In 1900 he was implicated in the murder of two known rustlers and robbery suspects in northwest Colorado. During his involvement in the Wilcox Train Robbery investigation, Horn obtained information from Bill Speck that revealed which of the robbers had killed Sheriff Josiah Hazen, who had been shot and killed during the pursuit of the robbers. He passed this information on to Charlie Siringo, who was working the case by that time for the Pinkerton's. He left that line of work briefly to serve a stint in the Army during the Spanish American War. Before he could steam from Tampa for Cuba, he contracted malaria. When his health recovered he returned to Wyoming. Shortly after his return, in 1901, Horn began working for wealthy cattle baron John C. Coble .Willie Nickell murder, Horn's arrest and trial. On July 18, 1901, Horn was once again working near Iron Mountain when Willie Nickell, the 14-year-old son of a sheepherding rancher, was murdered. Horn was arrested for the murder after a questionable confession to Joe Lefors, an office deputy in the US Marshal's office, in 1902. Horn was convicted and hanged in Cheyenne in 1903 .During Horn's trial, the prosecution introduced a vague confession by Horn to Lefors, taken while he was intoxicated. Only certain parts of Horn's statement were introduced, distorting the significance of the statement. Additionally, testimony by at least two witnesses, including lawman Lefors, was presented by the prosecution, as well as circumstantial evidence that only placed him in the general vicinity of the crime scene.Glendolene M. Kimmell, a school teacher who knew the Miller family, testified on the Millers behalf during the Inquest.It is still debated whether Horn committed the murder. Some historians believe he did not, while others believe that he did, but that he did not realize he was shooting a boy. Whatever the case, the consensus is that regardless of whether he committed that particular murder, he had certainly committed many others. Chip Carlson, who extensively researched the Wyoming v. Tom Horn prosecution, concluded that although Horn could have committed the murder of Willie Nickell, he probably did not. According to Carlson's book Tom Horn: Blood on the Moon, there was no actual evidence that Horn had committed the murder, he was last seen in the area the day before the murder, his alleged confession was valueless as evidence, and no efforts were made to investigate involvement by other possible suspects. In essence, Horn's reputation and history made him an easy target for the prosecution. Execution Tom Horn has the distinction of being one of the few people in the "Wild West" to have been hanged by an automated process. A Cheyenne architect named James P. Julian designed the contraption in 1892, earning the name "The Julian Gallows", which made the condemned man hang himself. The trap door was connected to a lever which pulled the plug out of a barrel of water. This would cause a lever with a counterweight to rise, pulling on the support beam under the gallows. When enough pressure was applied, this would cause the beam to break free, opening the trap and hanging the condemned man. Tom Horn was buried in the Columbia Cemetery in Boulder, Colorado.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Filmed at the beginning of 1979, Steve McQueen was already very ill with cancer. He had difficulty breathing, and began coughing up blood towards the end of filming, but assumed he had pneumonia.
    • Gaffes
      In the opening sequence, the wording says, "In 1901 he drifted into Wyoming 'Territory'". Wyoming had been a state since 1890.
    • Citations

      U.S. Marshal Joe Belle: Do you know who I am?

      Tom Horn: No.

      U.S. Marshal Joe Belle: What you were in the Southwest, I was in the Northwest.

      Tom Horn: I was mostly out of work.

    • Versions alternatives
      UK cinema and video versions were cut by 39 secs by the BBFC to remove a horse-fall and to edit a scene of a man's head being blasted during a gunfight. The 2006 DVD release restores some cuts and is only missing 6 secs of the horse-fall.
    • Connexions
      Featured in Steve McQueen: The Essence of Cool (2005)

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    FAQ16

    • How long is Tom Horn?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 avril 1980 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tom Horn, le hors-la-loi
    • Lieux de tournage
      • Sonoita, Arizona, États-Unis
    • Sociétés de production
      • First Artists
      • Solar Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 3 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.39 : 1

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