Ajouter une intrigue dans votre langueA nervous ad executive (Tom Smothers) creates havoc on his daughter's wedding day and becomes obsessed with a dream girl (Twiggy) he keeps seeing everywhere but whom he can't catch.A nervous ad executive (Tom Smothers) creates havoc on his daughter's wedding day and becomes obsessed with a dream girl (Twiggy) he keeps seeing everywhere but whom he can't catch.A nervous ad executive (Tom Smothers) creates havoc on his daughter's wedding day and becomes obsessed with a dream girl (Twiggy) he keeps seeing everywhere but whom he can't catch.
- Réalisation
- Scénario
- Casting principal
Pedro Gonzalez Gonzalez
- Mr. Ramirez
- (as Gonzales Gonzales)
Avis à la une
The cast is first rate with Tom Smothers as the troubled father of the bride on his daughter's wedding day. He becomes fixated on a cardboard cut out of a flapper played by Dame Twiggy. British Sylvia Syms OBE played his long-suffering wife. The late great Hermione Baddeley is worth watching just to see her act as the mother-in-law. It is supposedly based on the British comedy by Ray Cooney. While the cast is first rate, the film lacks believability in the father's belief that he is talking to Polly Perkins, a 1920s flapper in costume. It's silly comedy fair.
With a wonderful all-star cast and great plotline can't go wrong, but it did. I guess as a Broadway play this film would've run better, but as a film it runs really flat. Not even the wit of Tom Smothers can't save this picture from going down hill. Cameo of Phil Silvers, Broadrick Crawford (in a nothing role), and Jim Backus doesn't help either, also third bill Martin Balsam (who starred with Tom in SILVER BEARS the same year) has less scenes than Backus. Shot in Florida and U.k. (which explains why Graham Stark is in the film as an Italian(?)). Not recommended.
Hidden gem of a film. A charming comedy with some wonderful banter between characters and some great old fashioned laughs. Smothers and Balsam team up again after starring together in the 1977 caper Silver Bears. Smothers steals the show as the anxiety ridden father of the bride. Good performances all round with Smothers, Balsam, and Sumner leading the way.
A few flaws of course; I found the opening scene at the house a little tedious and the grandpa in the golf buggy was a bit cringe. The print quality of the DVD release I have is also quite poor. You might find the VHS release a better option.
Nice soundtrack with two charming vocal and dance performances from Smothers. The "Polly Perkins" performance is a real treat and that song is super catchey.
If you like the comedy style of Tom Smothers you'll surely enjoy this film.
A few flaws of course; I found the opening scene at the house a little tedious and the grandpa in the golf buggy was a bit cringe. The print quality of the DVD release I have is also quite poor. You might find the VHS release a better option.
Nice soundtrack with two charming vocal and dance performances from Smothers. The "Polly Perkins" performance is a real treat and that song is super catchey.
If you like the comedy style of Tom Smothers you'll surely enjoy this film.
2tavm
There Goes the Bride is a very witless fantasy-comedy that is even more disappointing when you consider the cast: Tom Smothers, Twiggy, Martin Balsam, Broderick Crawford, Hermione Baddeley, Jim Backus, Phil Silvers, and Graham Stark. All have had better roles in better pictures or TV shows. None can save the very lame material here. I do have to admit to some charm concerning some dance moves by Smothers and Twiggy when they reenact Astaire and Rogers in their prime. Those scenes make the picture somewhat tolerable. There was even some amusement at the way it all ended. Otherwise, this movie is not even worth the $1.00 I paid for this DVD which was double billed with the mediocre It Seemed Like a Good Idea at the Time which featured a young John Candy. Avoid at all costs unless you're really curious.
My review was written in December 1980 after a Greenwich Village screening:
"There Goes the Bride" is a lame Midatlantic filmization of the 1974 West End farce, which originally starred Bernard Cribbins and featured Trudi van Doorn on stage. Shot in 1979 at Pinewood Studios and on Vero Beach, Florida exteriors, pic lacks the sex comedy and nudity of previous Ray Cooney efforts (e.g., "Not Now, Darling") and is woefully out of step with commercial realities for feature films today. "Bride" faces very grim prospects in domestic release.
The old chestnut of wedding day problems constitutes the picture's sitcom basis. Florida parents Tom Smothers (incredibly miscast with his boyish looks in Cribbins' role) and Sylvia Syms are trying to wed daughter Toria Fuller to Texan John Terry, son of Martin Balsam and Margot Moser. Psychiatrist Phil Silvers (an embarrassing cameo) and Italian waiter Graham Stark recall the wedding day slapstick mishaps in a rickety flashback structure.
With the bride and groom roles barely pencilled in, film revolves solely around a comedy premise lifted from "Topper". Ad man Smothers, working on a brassiere campaign for magnate Jim Backus, uses a '20s-era photo of then-model Twiggy for inspiration (!). Upon bumping into doors, addle-brained Smothers imagines Twiggy has come to life again, causing sitcom humor since she is invisible to the rest of the cast. A final reel crash on the head removes Smothers' fantasy girl and the wedding comes off after all.
Unfunny script, credited to Cooney and director Terence Marcel leaves the laughs (some unintentional) for the spectacle of Smothers imagining himself as the answer to Fred Astaire (with Twiggy looking smashing in a satin gown as his Ginger Rogers-esque dancing partner. In two routine song-and-dance numbers, Smothers' sincere terping and warbling seem to be essayed in earnest rather than bumbling, and emerge as pure camp.
Despite her billing, Twiggy is saddled with a merely decorative non-role and comes off as cute and harmless. Unfortunately, all her footage is shot with fog filters for an irritating soft-focus effect, designed insipidly to cue the fans that "she's not real". Pic's few amusing moments (intended) are provided by the mugging of Syms' parents played by Geoffrey Sumner (holdover from the original play's cast and Hermione Baddeley. Various guest cameos fizzle.
The production and technical team, encoring from a previous Cooney film "Why Not Stay for Breakfast?", contributed a subpar job. Errors (Smothers' prop eyeglasses keep disappearing from his face in reverse shots) and antiquated painted backdrops for studio-shot exteriors attest to the project's microscopic budget.
The old chestnut of wedding day problems constitutes the picture's sitcom basis. Florida parents Tom Smothers (incredibly miscast with his boyish looks in Cribbins' role) and Sylvia Syms are trying to wed daughter Toria Fuller to Texan John Terry, son of Martin Balsam and Margot Moser. Psychiatrist Phil Silvers (an embarrassing cameo) and Italian waiter Graham Stark recall the wedding day slapstick mishaps in a rickety flashback structure.
With the bride and groom roles barely pencilled in, film revolves solely around a comedy premise lifted from "Topper". Ad man Smothers, working on a brassiere campaign for magnate Jim Backus, uses a '20s-era photo of then-model Twiggy for inspiration (!). Upon bumping into doors, addle-brained Smothers imagines Twiggy has come to life again, causing sitcom humor since she is invisible to the rest of the cast. A final reel crash on the head removes Smothers' fantasy girl and the wedding comes off after all.
Unfunny script, credited to Cooney and director Terence Marcel leaves the laughs (some unintentional) for the spectacle of Smothers imagining himself as the answer to Fred Astaire (with Twiggy looking smashing in a satin gown as his Ginger Rogers-esque dancing partner. In two routine song-and-dance numbers, Smothers' sincere terping and warbling seem to be essayed in earnest rather than bumbling, and emerge as pure camp.
Despite her billing, Twiggy is saddled with a merely decorative non-role and comes off as cute and harmless. Unfortunately, all her footage is shot with fog filters for an irritating soft-focus effect, designed insipidly to cue the fans that "she's not real". Pic's few amusing moments (intended) are provided by the mugging of Syms' parents played by Geoffrey Sumner (holdover from the original play's cast and Hermione Baddeley. Various guest cameos fizzle.
The production and technical team, encoring from a previous Cooney film "Why Not Stay for Breakfast?", contributed a subpar job. Errors (Smothers' prop eyeglasses keep disappearing from his face in reverse shots) and antiquated painted backdrops for studio-shot exteriors attest to the project's microscopic budget.
Le saviez-vous
- AnecdotesFilm debut of John Terry.
- ConnexionsFeatured in Hollywood Comedy Legends (2011)
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Détails
- Durée1 heure 28 minutes
- Mixage
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