Savage Island

I have this obscure movie on VHS and the cover features Linda Blair in a revealing outfit, holding a machine gun. In the actual movie, she does hold (and fire) a machine gun, BUT: A) Her outfit is a formal dress under a fur coat, B) Her part is a 5-minute cameo (plus a few lines of narration). The rest of "Savage Island" consists of copied-and-pasted footage from TWO Italian/Spanish Women-In-Prison films, one of which I've seen ("Escape from Hell") and one I haven't ("Orinoco - Prison of Sex"). The result is, as you might expect, a complete mess. There is no continuity between the scenes, sometimes even between the shots. 2 women start fighting dressed, in the next shot they are naked (because a lesbian scene in-between has been omitted). In one shot it is night, in the next shot it is day. In one shot the prisoners are in a circle, in the next shot they have formed lines. There are TWO different prison wardens, and the SAME female guard gets killed twice. It's all quite laughable and shameless. Rating: 0 out of 4 stars, pushed up to 0.5 because Linda Blair with a machine gun is sexy.

Savage Island (1985)

** (out of 4)

An escaped convict (Linda Blair) who was tortured manages to find the man (Leon Askin) who ran the operation. She then holds him at gunpoint while she explains the ordeal that she had to go through. This butcher job from Charles Band and Empire Pictures is actually two EuroTrash films, ESCAPE FROM HELL and HOTEL PARADISE, which were originally shot back-to-back with the same cast. Those two films are edited down in one 79-minute movie, which features newly shot stuff with Blair at the start and end. Why Band decided to shoot the new scenes is anyone's guess but he must have thought Blair on the poster would get more ticket sales. Overall this film is hard to fully judge because on one hand you're basically watching a chopped down version of ESCAPE FROM HELL and why do that when the full thing is available? You might as well watch that and if you must see the new scenes with Blair you can just fast forward through everything else here. As far as the new footage goes, it's all done pretty cheaply and doesn't feature anything that you must see. As for the two films that are edited into this, they both seem a lot better as there's all sorts of nudity, sex and of course silly violence. Ajita Wilson plays the lead prisoner who starts up a fight as the women are being killed and beaten in order to dig up diamonds for their evil owner. As for SAVAGE ISLAND, it's an ultra cheap film but with all the naughtiness going on, it's worth watching for exploitation fans.

Gun-toting babe Daly (Linda Blair) seeks revenge for the pain and suffering endured in a prison camp on a tropical island, where the prisoners are forced to dig for emeralds.

Linda Blair gets top billing and is front and centre on the poster for Savage Island, but the actress only appears in the bookend scenes, and provides an occasional voiceover to try and bring some kind of cohesion to the film's sloppy, central women-in-prison narrative, which has been clumsily edited together from footage from two older films - Escape from Hell and Hotel Paradise (both 1980). Penn Jillette, of Penn and teller fame, also appears in the opening scene, but don't expect him to bring any kind of magic to proceedings: he is shot in the head by Blair within the first minute or so.

Daly explains that, while the women of the island dug for precious gems, a gang of rebels planned to free the prisoners, but this plot-line is difficult to keep track of thanks to cruddy editing, diabolical dubbing, night scenes that are virtually pitch black, and because it is impossible to work out who are the good guys and who are the baddies (with at least one guy - the Tom Savini clone - apparently fighting for both sides). The bulk of the film consists of standard women-in-prison nonsense - communal showers, catfights, sadistic guards etc. - but even with frequent nudity from lots of young women (and transexual actress Ajita Wilson), and the occasional spot of violence, the film is still an unbearable dud.

The jungle bound action ends with the women and the rebels making a bid for freedom, pursued by the prison guards, which leads to some bloody bullet hits, and my favourite scene of the whole sorry mess: a girl falls into some water and emerges covered in leeches, so another of the women grabs a shotgun and blasts leech girl in the stomach, apparently to save her from an even worse death. I didn't even know that leeches were fatal.

The film concludes with Linda shooting the owner of the island with a machine gun and taking his fortune in jewels. How she smuggled an automatic firearm past the man's bodyguard is never explained (the idiot pays for his incompetence with his life - serves him right).

2/10. One of the worst WIP films I have seen.

Escape From Hell??? Prison Of Sex??? Which is it???

This movie su-u-u-u-u-u-u-cked!

Take Linda Blair, put her in furs, have her cap a security guy, (A slumming Penn Jillete.) then put her face to face with a sleazy diamond merchant/slave farm owner. It must have sounded cool at one point.

Both of the early films that were ripped off, and had the Blair footage wrapped around, seemed like passable entertainment. But this horrid mess must have been made as a joke.

No coherence. Characters switching on and off at will. Seemingly endless shots of chicks in jungle gear sweating and running before dying. That does get boring when done wrong. And this was WRONG.

And who/where was that sneering voice coming from? (" Come on! You gotta WOOORRRKKK!!!!")

The late Leon Askin (Gen. Burkhalter in "Hogan's Heroes.") was the lone watchable one. His brief scenes seemed like the only serious ones.

Crap!

If you are into women-in-prison films, "Escape from Hell" in any good copy near the 89 minute Italian/Spanish original, would entitle you to watch the most erotic, and violent, nude lesbian fight - for possession of the third girl in a cell, between black Ajita Wilson and queen-bee Cintia Lodetti; and a gun duel between the same black fugitive and a Nazi female warden (Christina Lay?) to a mutual gory death. Both fights are at close quarters, and filmed in crude detail, which explains so many "director's cuts" of this film, for different markets.